Charlie Chan in The Chinese Cat

Son Tommy replaces his brother Jimmy, and for the better. Jimmy's bug-eyed, constantly interrupting persona was somewhat over the top, and Benson Fong's Tommy plays the role of sidekick just straight enough to take the cringe out of the character. Much of the comic relief is transferred to Mantan Moreland's Birmingham Brown, and Moreland was the man to carry it off. Unlike most of the Chan comic relief characters, Birmingham's antics are generally set apart from Charlie's detective work, and don't interfere so much with the unfolding of the mystery. And Moreland himself was just a better actor than the Chan sons or the various other characters who played the role.

The fun house is a classic crime setting, and its use here - though done on the cheap - fits right in to the series. The plot doesn't play out like many Chan movies - a good guy isn't revealed to be a bad guy, As a result, the end is less a reveal than a long action/danger scene. Nice change-up from the usual Chan. And while many prefer Warner Oland, Sidney Toler is Chan to me in this episode - one step ahead, as always.

Sidney Toler is Charlie Chan in "Charlie Chan in the Chinese Cat," a 1944 film, part of the Monogram Chinese Chan series. These films were made for twenty cents and probably took a day to film. Nevertheless, they can be fun.

Charlie here is trying to solve a locked-door murder that the police gave up on; however, a book has been published all but accusing the victim's wife of killing him, and his stepdaughter (Leah Manning) begs Charlie to investigate before he moves on to his next case.

With the help (sort of) of taxi driver Birmingham Brown (Mantan Moreland) and Charlie's son #3 (Benson Fong), he sets out to find what really happened.

The Monogram Chan series is not as fun or as good as the Fox series, but when Fox dropped Charlie Chan, Sidney Toler took him to Monogram. Toler had gotten the rights from Earl Derr Biggers' widow. After Toler died, the role went to Roland Winters.

Some of the dialogue here is quite fun as Charlie berates his son's presence and ability, though #3 son ends up acquitting himself quite well. Mantan Moreland is good as Birmingham, in fact, he was one of the best things about the series, but he doesn't have much to do here.

His usual character was that of the Chan chauffeur. Now he's a taxi driver who worked with Chan previously and comes back into the fold.

Just to show how quickly these were filmed, in one scene, Charlie breaks a numbered light series which shows what maze in a fun house is being used. One of the light bulbs remains intact, but they didn't re-film it.

Anyway, the mystery here is pretty good, and the fun house maze is entertaining. Recommended for Charlie Chan fans.

These Sidney Toler "Monogram" Chan films, the last in the series, don't measure up to Warner Oland's earlier efforts but they are still very entertaining to me. Even with Mantan Moreland, who probably offends the sensibilities of a lot of people with his scared black-man routine. I can see where that's offensive, but if you just take him as a comedian and let it go, you can enjoy and even laugh with him.

The only thing I did NOT find funny in here, but I normally do, is Charlie's insults to his kid. In this film, Tolder insults "Number Three Son" (Benson Fong) so many times that it borders on downright mean-spiritedness.

Anyway, it was still a "decent" combination of mystery and comedy and the ending was cool, with Chan and his assistants chasing the bad guys around a "fun house." All the Charlie Chan movies are entertaining.

The second of Charlie Chan's Monogram Pictures finds Sidney Toler and number two son Benson Fong involved in a six month old homicide of a wealthy businessman and chess expert. As he dies the victim leaves the telltale clue of a lone bishop standing on the chessboard.

What brings Charlie into the case is Joan Woodbury on behalf of her mother Betty Blythe who was married to the deceased. A new book written by Ian Keith is casting aspersions on Woodbury and Blythe and as the case remained unsolved for six months there's lots of room for speculation.

Of course Keith has the facts all wrong and the case centers around a statue of a cat done by a noted artist who Charlie knows to put secret compartments in his product. That makes them useful for hiding things, stolen things.

This also makes the second appearance of Mantan Moreland who was introduced in the first Monogram Chan feature, Charlie Chan In The Secret Service. No wonder Charlie Chan had to hire Birmingham as a chauffeur, Birmingham's cab gets blown up when the crooks think Charlie is getting too close.

Fans of the series should appreciate it though when the series left 20th Century Fox and was picked up by Monogram, as Bob Hope would have said it was like exchanging filet mignon for hog's livers.

Sidney Toler again reprises most honorable interpretation of Charlie Chan. This time Chan is helping a former police detective(now just a cop) and a beautiful woman out to clear her mother's name in the murder case of her step-father many months ago. It seems he was murdered in his study grasping a bishop from a chess set in the shadow of an ebony Chinese cat statue. Well, this film has a neat and tidy mystery - not too terribly clever or hard to grasp - but highly enjoyable nonetheless. Toler does his best in bringing charm and grace to the role of Chan with always a generous dose of subtle humour. Toler perhaps has too many clichés to throw out, but most of them in this film are amusing and some even telling. Benson Fong is back as #3 son. He and Toler have good chemistry, but he is even better when paired with cab driver/later to be chauffeur Birmingham Brown(played by a great, sometimes forgotten Mantan Moreland). Moreland is just wonderful in his portrayal of a witty, sometimes very blunt/direct working man playing against the characters of Chan and #3 son. Add to this that Moreland is just plain funny. He had me in stitches more than once in this film and every one of his scenes is a real hoot. All the acting is solid if not dazzling in any way. Ian Keith does a particularly solid job as a naysayer to Chan's gift of detection and John Davidson has a good time playing some weird twins Carl and Kurt. While not one of the best Chan films, Charlie Chan in The Chinese Cat is a very entertaining entry.