Futures Vedettes

I dearly love this movie -- it's been a favorite of mine for years. It's no Gone With the Wind, to be sure, but it's entertaining, witty, and sometimes laugh-out-loud funny. The cast not only contains a pre-stardom William Holden and Susan Hayward, which alone is enough of a recommendation, but it has some absolutely priceless performances from Mabel Paige, Robert Benchley, Eddie Bracken, Martha O'Driscoll, and Florence MacMichael. The whole film, from start to finish, offers an implausible, screwball-type plot and performances, and it is absolute fun. There is truly never a dull moment -- and the more you see it, the more you'll appreciate it.

The movie is a fast paced comedy, action oriented and a clear plot. Star power in the actors, and everyone delivered a fine performance. But for whatever reason, it wasn't funny.... and I love comedies. Perhaps it was the writing and plot. It didn't seem to have many funny scenes.

The movie went along well enough when they weren't acting out parts that were supposed to illustrate they were still neophytes with very little talent. There were many elements of a screwball comedy but as much as I was interested in seeing the cast at this stage in their careers, this movie was so amateurishly written almost any of us could think of ways to improve it substantially. And Florence MacMichael's voice gave me a headache.

There was a bottle of medicine that figured in the plot that was supposed to be helpful for an expectant mother. It seemed to be a mystery substance known only to fictional doctors.

I'd suggest that a 1943 audience would be annoyed, even angered, that the guys weren't all in the military and the gals were totally uninterested in anything but acting. This movie would have gone over a lot better before Pearl Harbor.

I prefer Robert Benchley's writing to his movie roles but I always find him enjoyable and he worked well with Mabel Paige as the two responsible adults with all these immature young people.

If you are a very tolerant and easy-going person who laughs readily, you might enjoy this movie as a light-hearted romp. If you want to know what these people were like then, you might want to see this movie. Everybody else would be happier avoiding it.

This comedy from Paramount Pictures/United Artists and director Edward H. Griffith has six aspiring stage performers, Norman (William Holden), George (Eddie Bracken), Tony (James Brown), Kate (Susan Hayward), Dottie (Martha O'Driscoll), and Marge (Barbara Britton), all sharing an apartment to save on expenses. They have to keep their co-habitation a secret though, so as to not upset the morals of the day and risk immediate eviction. Their situation is upended by the arrival of cousin Muriel (Florence MacMichael) who wants to spill the beans on their arrangement, and playwright Arthur Kenny (Robert Benchley), a major Broadway figure who resided in the same apartment building in his younger years, and who has returned to recharge his creative batteries.

I found this more irritating than amusing. MacMichael uses an incredibly annoying cutesy baby voice that grates on the nerves. Neither the screenwriters nor the director succeeded in opening up the action much from its stage origins, and as such the majority of the film transpires in a single room. Future big-time movie stars Holden and Hayward are fine in their roles, but neither really displays much in the way of screen magnetism. Bracken gets to do most of the silliest shtick, naturally. This reminded me of a prototype version of Friends.

william holden stars in his last film before going to war. the film did not get the credit it should have so i'm giving it now. it is a near perfect comedy that keeps going and never slows down. william holden susan hayward martha o'driscoll and eddie bracken all turn in fine performances but the always great robert benchley steals the show. this film is well worth a four star treatment.