Nora and her uncle get railroaded into spending the night at a broken-down hotel in Canada. After Nora falls for the handsome owner, she convinces her uncle to invest in the inn and moderniz... Read allNora and her uncle get railroaded into spending the night at a broken-down hotel in Canada. After Nora falls for the handsome owner, she convinces her uncle to invest in the inn and modernize it. After the hotel opens, Nora's uncle faces financial ruin and her romance hits a snag... Read allNora and her uncle get railroaded into spending the night at a broken-down hotel in Canada. After Nora falls for the handsome owner, she convinces her uncle to invest in the inn and modernize it. After the hotel opens, Nora's uncle faces financial ruin and her romance hits a snag in the form of pretty reporter.
- Woody Herman
- (as Woody Herman and His Orchestra)
- Workman
- (uncredited)
- Russell Carter
- (uncredited)
- Nightclub Patron
- (uncredited)
- Willie, Hotel Desk Clerk
- (uncredited)
- Waiter
- (uncredited)
- Moving Man
- (uncredited)
- Bar Patron
- (uncredited)
- Constable
- (uncredited)
- Headwaiter
- (uncredited)
- Jay Rogers
- (uncredited)
Featured reviews
Twentieth Century Fox didn't bother here. Henie gets some nice skating numbers, but the plot, such as it is, is pretty lame.
It hits a surprising low when it tries to motivate Henie's efforts to enter the U.S. by using the German invasion of Norway. That was very serious business, of course, and a real tragedy. It seems very strange to see it used here, almost completely unmourned, as an excuse for a plot twist.
The secondary roles here are well played, especially by Cesar Romero, who was very talented. But the only real interest here is Henie's skating. The rest is pretty much a waste of time.
We have the bad – Jack Oakie and S.Z. Sakall – set against the good – the songs and Romero, Landis and Henie. Romero wins the comedy prize – he is very funny and quite athletic with a talent for singing and dancing. The film started poorly with overbearing Jack Oakie blustering away in his unfunny manner to insipid Cornel Wilde. Then the film gets a massive boost with a great song by Romero and Landis before we slip into some nonsense with unfunny S.Z. Sakall. As the film progresses and Romero takes centre stage, things get enjoyable. Henie also gets some funny moments as well as her skating segments.
Sonja Henie was Norway's ice queen when she won Olympic gold medals for skating in 1928, 1932 & 1936. After going professional, she began a celebrated movie career at 20th Century Fox in 1936 with her American film debut, ONE IN A MILLION. Beautiful & talented, as well as being a natural in front of the cameras, she carved out her own special niche during Hollywood's Golden Age. Although Miss Henie's ice routines may look antiquated by comparison to modern champions, there was nothing antique about her dazzling smile or sparkling personality. In this regard, some of today's snowflake princesses could still learn a great deal from her.
As her career progressed, it became increasingly difficult for 20th Century Fox to find decent stories for Miss Henie and the excuses for the lavish ice dancing numbers were often implausible. No matter. Audiences did not flock to her films to watch Sonja recite Shakespeare. The movies were meant to be pure escapist fantasy, plain & simple.
WINTERTIME is no exception and its story is often quite ludicrous. However, the skating episodes are pleasing and there is a generous amount of band music supplied by the Woody Herman Orchestra.
Cornel Wilde, far down the cast list & still two years away from major stardom, plays Sonja's love interest, but he's not given much to do. As the Chateau's promoter, Jack Oakie comes across as loud & rather annoying; however cuddly S. Z. Sakall is very amusing as Sonja's harried uncle. Cesar Romero, doing quite well as a big band singer, once again gets to showoff his considerable flair for comedy. (Mr. Romero & Miss Henie make a dynamite dancing duo.)
Movie mavens will recognize an uncredited Dick Elliott as an enraged husband chasing Romero.
Ultimately, though, this is Sonja's show. She glides effortlessly into the viewer's heart, while balancing on a thin edge of silver, suspended over frozen water.
Henie truly dazzles in her ice skating routines, with the energetic and graceful choreography it is an absolute pleasure watching her. She charms as an actress too. SZ Sakall is amusing, while Carole Landis is hilarious and Cesar Romero bags the best lines and overall material. 'Wintertime' boasts a light-hearted and often very funny script, if sometimes a little heavy on the clichés.
It's beautifully filmed in black and white and the sets and costumes are suitably lavish. The music is very pleasant, with inspired use of Tchaikovsky's "Waltz of the Flowers" and "Later Tonight" coming off best of the songs, and works well within the film and on its own very well.
On the other hand, the story is silly, as thin as ice and sometimes lacks momentum and charm. Two performances also don't come off. Jack Oakie (who has been much better and funnier before) overdoes it, with his blustering coming across as obnoxious, while Cornel Wilde has nothing to do and it shows in his bland and charmless performance and nondescript chemistry with the rest of the cast.
To conclude, dazzles in many components while also floundering in a few. 6/10 Bethany Cox
Did you know
- TriviaTwentieth Century-Fox originally planned to film in Technicolor.
- SoundtracksLater Tonight
(uncredited)
Music by Nacio Herb Brown
Lyrics by Leo Robin
Copyright 1943 by Robbins Music Corporation
Performed by Woody Herman and His Orchestra with vocals by Woody Herman
Details
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.37 : 1