Tonight We Raid Calais

From the B picture unit at 20th Century Fox, Tonight We Raid Calais has John Sutton as an RAF pilot on the ground doing a bit of spotting for the RAF. Where he's doing it is in occupied France and out of uniform.

RAF high command wants to make sure it hits a factory building tanks so Sutton has the job of locating it and lighting the way for the RAF night attack. But a woman who is unhappy because her brother was killed by the British at Oran after the Vichy government drafted him could gum up his plans. Annabella has no love for the occupying Germans except for the sex she's forced to give up to a rather brutish Wehrmacht sergeant played by Howard DaSilva.

A couple of outstanding performances also come from those playing Annabella's parents. Lee J. Cobb and Beulah Bondi especially from Bondi who innocently betrays Sutton to the enemy.

Tonight We Raid Calais is your typical wartime flag waver. The writer is Waldo Salt of the infamous Hollywood Ten. Look all you want to see if there was anything that got the old mastodons on the House Un-American Activities Committee aroused.

I think all you'll find is a decent action flick.

With bigger stars away fighting, it was John Sutton's chance at a good lead in "Tonight We Raid Calais," a 1943 film starring Annabella, Lee J. Cobb, Beulah Bondi, Blanche Yurka, and Howard da Silva.

Sutton plays an Englishman, Geoffrey Carter, fluent in French, who is sent into Occupied France to find a German weapons factory so that it can be bombed. There are several factories, but only one is actually making anything.

Carter lands in France, moves in with a family, and poses as the son who has come back from the service. Actually, the son, Philippe is dead, but only the villagers know this. It soon becomes evident that not everyone wants to help the English, in particular, Philippe's sister Odette (Annabella), who is in charge of the baby Philippe left behind, his wife having died in childbirth.

At something like 71 minutes, this is a short film to have been the main feature. I suspect it was a second feature, as Darryl Zanuck had turned his back on Annabella's career after she married his major star, Tyrone Power, against his wishes. Annabella was probably very interested in this film, as her own brother had been killed by the Nazis, and she had been a wreck in the late '30s trying to get her mother and daughter out of France. During the war, she also entertained the troops, and she and Tyrone Power raised money for war orphans.

Handsome John Sutton does a good job, and he's surrounded by a fine cast. Lee J. Cobb and Beulah Bondi play Odette's parents. It's a shame that Annabella's career was cut short by her marriage - she was a wonderful actress and a huge star in her native France. She's a real asset here.

One reviewer on this site said that "everybody speaks English." Actually they don't, they're speaking French or German. As with plays by Chekov, one assumes everyone is speaking Russian, or that in a film set in Spain, they're all speaking Spanish. That's why accents aren't really necessary.

Very good movie, fast-moving and suspenseful.

Another of those countless propaganda movies which intended to depict France during the Occupation.This movie bears the appropriate scars of the time.Annabella ,who was Tyrone Power's wife at the time and who lost her brother in WW2,was anxious to make something for her country.Not only she starred in this half-decent flick,but she also played on stage for the soldiers afterward.

An English soldier comes to occupied France:he's got to facilitate the raid (check the title).An arms factory must be destroyed.He winds up in a family : the daughter hates the English who killed her brother ,the father is a resistant fighter and the mother never got over her son's loss and is a bit lunatic .So our hero could easily pass for the late boy ,who would be just back from war.No sooner said than done.

Everybody speaks English ,the English spy (of course) ,the French and the Germans.John Sutton and Dalio exchanges two sentences in French,the former mumbles a "Auf Wiedersehn" and that's it.Annabella shouts "Vive la France" towards the end and the women working in the field sing the martial anthem "Le Chant Du Départ" " .The soundtrack uses "Auprès de Ma Blonde" and "La Marseillaise " over and over again,after an appropriate "Rule Britannia" for the beginning.

The Germans are manufacturing anti-tank gizmos in Picardy, upriver from Calais. John Sutton is sent there to somehow mark the factory so that when the RAF is bombing the stuffing out of Calais, some can take a side trip and destroy the widget plant. It goes pretty well. He meets Lee J. Cobb, whose wife is Beulah Bondi and daughter Annabelle, a typical French family. He impersonates the son of the family.... but somehow the nasty Nazis find out about him, arrest the family. Sutton has largely disappeared from the screen by this point, turned into a Maguffin, so the Germans get the increasingly dimwitted Annabelle to track them down for them.

It's actually a pretty good script, with lots of moving parts, even if Lee J. Cobb is as French as a Brooklyn Dodgers fan can be. It's clearly no more than a programmer; it lacks even the recognizable, dilapidated star fronting a Fox B movie. Director John Brahm keeps up the pace, though, and Lucien Ballard uses a lot of side lighting toincrease the drama, resulting in a good movie.

John Brahm delivers a quickly paced and decently focussed tale of British commando "Carter" (John Sutton) who must make contact with the French resistance and arrange for them to help him target a vital Nazi munitions factory for RAF bombing. What now ensues is sometimes quite a potent look at just how the French were living under the rule of their conquerors. "Odette" (Annabella) and her father "Bonnard" (Lee J. Cobb) have him living with them, and must tread a very fine line between staying alive and keeping their family safe whilst helping the Briton ensure the destruction of the plant. Let's just say they don't agree on the best strategy and in desperation the jeopardy gets distinctly more real for "Carter"! Neither the writing nor the acting here is especially notable - indeed Cobb is a little fish-out-of-water, but the film itself manages to convey a degree of the menace lived under by those occupied families. It was made mid-war, so does have a certain propagandist function to it, but in the main this is quite a tautly directed wartime adventure with just a hint of a conscience.