Vivre libre

I can vaguely remember seeing this movie on television years ago, and recalled it as a movie with an anti-Nazi message. Seeing it again recently, and with a lifetime of reading behind me, I realize it has further depths of meaning.

Despite the pretense of being set "somewhere in Europe," it is beyond doubt that Renoir had France very specifically in mind. He was a French émigré, and it's clear that he has a message for his countrymen about the great number of them that chose to collaborate with the Germans. But the film is not a sledgehammer, in that the Germans are not portrayed as the stereotypical jackbooted thugs. Their official voice in the film, the officer played by Walter Slezak, has a silky sort of charm and shows how easy it can be to cooperate in the name of so many things - peace, order, stability, etc. etc. Laughton's final courtroom speech has so many specific references to the situation in France that it cannot be interpreted as other than such. And the final finishing touch is Laughton's last lesson to his students before being taken away - he reads from the "Declaration of the Rights of Man" from the French Revolution.

Aside from that it is an excellent story very well told, and the production values are extremely high - the print I saw looked excellent even after 60-some years. The cast, of course, is superb, with Laughton, Slezak, and Maureen O'Hara. Particularly good is George Sanders, in a role very different from his stereotype as the suave and debonair cynic. The whole "mama's boy" aspect of Laughton's character is a bit heavy-handed, but it's still to watch Una O'Connor as his mother (you just can't help recalling her tavern woman's part in "The Invisible Man").

Thsi is not just an excellent movie, but an interesting historical artifact as well.

One of greatest anti-war films with memorable acting from Charles Laughton , Maureen O'Hara and George Sanders . It's a moving reflexion about war , sacrifice and death . A mild-mannered schoolteacher (Charles Laughton) in a Nazi occupied town during WWII finds himself being torn between collaboration and resistance . He is quite friendly with his fellow teacher , Louise Martin (Maureen O'Hara) and her brother Paul (Kent Smith ) . Meanwhile , at school and street many prohibited books, considered "un-German," were broken or burned in the book-burning pile . Albert is charged with murder but the local Nazi commander, Major Erich Von Keller (Walter Slezak) , offers him a deal . At the end the teacher begins reading to his students "The Declaration of the Rights of Man and of the Citizen" (French: Déclaration Des Droits l'Homme Et Du Citoyen), a fundamental document of the French Revolution.

This is an excellent classic anti-war movie and deals about sacrifice , collaboration , comradeship , human relations and in which a shy man is drawn into the actions of the resistance . A heart-breaker and elegiac movie in the way it shows war undercutting and qualities of a timid but good teacher . This is a well-paced , deliberate and magnetic drama set in WWII . It is a riveting film dealing with thought-provoking issues , wonderful acting and anti-Nazi denounce . Anyway, the film is very interesting , thematically intriguing and brooding . Time has not diminished its qualities nor its charming to the emotions . Interesting performances enhance an eloquent screenplay by Dudley Nichols . Impressive defense final speech , though propaganda , which is arousing the citizens in court . The film opened simultaneously at 72 theaters in 50 key cities on 7 May 1943, setting a box office record for gross receipts on an opening day. Excellent acting by the great Charles Laughton , giving a remarkable , self-effecting performance as a coward , mild-mannered teacher who is drawn into the actions of the resistance . Very good support cast includes extraordinary actors as George Sanders as George Lambert , Walter Slezak as Major Erich Von Keller , Kent Smith as Paul Martin and special mention to Una O'Connor as mother at a sympathetic though exaggerated interpretation .

The film is excellently screen-written and directed by Jean Renoir who approach the intensity and feel of his best works. Son of painter impressionist Auguste Renoir , was perhaps the best of French directors . At its initial French period he directed classics as ¨Boudu saved drowning, Rules of the game, Marseillaise, Day in the country¨ and of course ¨Grand Illusion¨ in which his optimism remains relentless . Renoir was in Hollywood for seven years, where he made ¨Swamp water, Southerner, Diary of chambermaid, This land is mine,and Woman on the beach¨. He returned France where directed other classic films as ¨Carrozza dóro, Testament Dr Cordelier, Picnic on the grass, Vanishing corporal¨ and several others. His films have influenced on Francois Truffaut, Luchino Visconti, Satyajit Ray , among them. Rating : above average, an extraordinary and sensational film.

In 1944 Warner Brothers produced, as a pro-Free French propaganda movie, PASSAGE TO MARSEILLE. It was directed by Michael Curtiz, and starred "CASABLANCA" alumni Humphrey Bogart, Claude Rains, Sidney Greenstreet, and Peter Lorre. The end result was a mishmash of flashbacks, which failed to deliver the message of our brave allies the Free French. In retrospect, Bogart's subsequent first film with Lauren Bacall, TO HAVE AND HAVE NOT, was better in presenting the threat of Vichy France in the performances of Dan Seymour and Sheldon Leonard as the local Vichy policemen in Martinique. But the script was better too!

Had Warner Brothers wanted to see a good propaganda film about France under the Nazis, they need only have gone back to 1943 and this gem by the great French director Jean Renoir. Renoir always belittled his films in exile in Hollywood, but THE SOUTHERNER, THIS LAND IS MINE, THE DIARY OF A CHAMBERMAID, are pretty good films, even if they don't match LES GRAND ILLUSION or RULES OF THE GAME. Not everything by a director can be that great. Here Renoir concentrated on how the occupied French lived under the pressure of the occupying Nazis. From the corrupt Mayor (Thurston Hall, naturally) who is more concerned about the safety of his personal wealth than his neighbors, to the corrupted judiciary (George Coulouris, as a prosecutor fully cooperating with the real authorities) to the frightened and elderly (Una O'Connor, as the mother of Charles Laughton - willing to lie about her neighbors and collaborate if it will protect her son and herself), it is a very sad picture of the reality.

Three characters in particular stand out: Laughton, George Sanders, and Walter Slezak. Laughton is a momma's boy, who is timid. He loves Maureen O'Hara (their second teaming after THE HUNCHBACK OF NOTRE DAME), but she is more impressed by Sanders, who is involved in running the railroad yard. Slezak, the local Nazi bigwig, makes a habit of showing his "pleasant" side to people like Hall, Coulouris, and Sanders, whom he relies on to make the village run smoothly. So he reassures them about their status and power. But while Hall and Coulouris are corrupt power seekers (or wealth preservers), Sanders has a conscience. He is aware of the Free French fighters, and is aware why they are sabotaging his rail yard, to prevent materiel and men to help the German war effort. When he helps the Nazis kill several (including an old friend) he commits suicide in his office. But this is a Renoir movie...he takes a leaf from the conclusion of Le Grand Illusion. There Eric von Stroheim is forced to kill his French aristocratic counterpart who seemed to be trying to escape. When Pierre Fresney dies, von Stroheim destroys the one element of beauty - a flower - in the drab castle/prison he runs. In THIS LAND IS MINE, a sad faced Sanders opens his office window wide, and releases his pet birds. After he watches them fly away, he kills himself. It makes his end more unbearable to watch that.

Laughton is accused (due to circumstances) of the "murder" of Sanders. As he is a popular teacher, Slezak figures out that he might be amendable to a deal for his life, and visits him for that reason. Laughton is timid, and does not wish to die. He is also anxious for his mother, who is beside herself with fear for him. So he takes the deal, which will enable him to be acquitted. But then (after Slezak leaves), Laughton witnesses the execution of several prisoners, including a man he admired - the principal of his school. He rethinks the entire situation. When he is taken to court, in the present of Slezak, the Mayor, a befuddled Coulouris (who tries to prevent him from speaking anymore), and the judge, jury and townspeople, Laughton eloquently explains the forces that drove Sanders to his suicide, and the same evil forces that infected his town. Laughton is acquitted for the murder, and leaves the courtroom. He returns to his classroom with Maureen O'Hara, and gives a final lesson on freedom and patriotism to his students as the Nazis come to rearrest him again. It is a moving and expert conclusion to a fine film.

Here is a film that everyone should see. It is real and sublime and

each character in the picture has a growth arc that is fascinating to

watch. Charles Laughton is the master in this as we see him as

the town coward a man afraid of everything. An older man who has

learned little of life and less about expressing his love for his

school teaching colleague played by O'Hara.

Laughton learns hard lessons as the film progresses. Walter Slezak's portrayal of a Nazi officer in

charge of the French town is marvelous. He captures the nature of

the will of Fascism and it's unrelenting and sinister application of

pure power using the minds of men. George Sanders, is the

businessman who makes sure things work for the Germans, who

doesn't strain over the matter of occupation by the Nazis until he is

forced to reveal his best friend is the saboteur fighting the

occupation. There is so much more in this film that deals with

oppression and the only way to fight it.

I love this film.

In an unnamed European town (it's a symbolic stand-in for France, but the characters are all British), the German army moves in and sets up occupation. Local school teacher Albert (Charles Laughton) is more concerned with his romantic feelings for co-worker Louise (Maureen O'Hara) and escaping from the clutches of his over-protective mother (Una O'Connor). However, when a resistance movement begins against the occupation, Albert may find himself drawn into it.

Director Renoir manages to inject some originality into well-trod territory. Laughton is very good as the weak-willed Albert, and he's ably matched by the strong and beautiful O'Hara. George Sanders seems a bit wasted in his role as a collaborator, but he gets one really good scene. The biggest surprise was Kent Smith, an actor who I usually regard as a waste of space. Here, playing a daring resistance fighter operating right under the Germans' noses, he's charismatic and exciting. The movie won an Oscar for Best Sound.

One last bit of comparative trivia: This Land Is Mine was a big hit, with a record-breaking opening weekend. This was because it opened on a then-unheard-of 72 screens. Today, the big superhero movies open on thousands of screens.