They Got Me Covered

Bob Hope plays a reporter who thinks he has a scoop about Nazis in New York.

This is typical Bob Hope and also typical World War II stuff. One's delight with the material depends on one's Hope threshold.

I like Hope's early works from "The Big Broadcast of 1938" for the next ten ot twelve years. But the treasure here is Dorothy Lamour, who proves she was more than a pretty face and figure in a sarong.

Also good is John Abbot in a small part as the reporter's source.

The movie also has some good "crazy" moments. Keep an eye peeled when he's in an airplane early on. And it has some nicely cast teeny parts.

Paramount Studios loaned out Bob Hope to Sam Goldwyn to make two films--"The Princess and the Pirate" (1944) and this film. Despite a new studio, however, the style and enjoyability of this film is about on par with Hope's films of the late 30s and through the 1940s. This was Hope's most productive period--with one excellent comedy after another. None are masterpieces, but all are consistently worth seeing.

Hope stars as an incompetent reporter. His boss is so fed up with his lack of talent in sniffing out a story that he fires him. However, when a man approaches Hope and promises to give him important secrets about the Nazis, Hope sees his chance to win his job back and tell an important story. But, unfortunately, things don't go that smoothly and soon Hope's days seem numbered, as Axis agents from all three powers are all mobilized to kill him and gain the secrets for themselves. Along for the ride is the ubiquitous Dorothy Lamour.

All in all, the film is breezy and fun--and relies more on fun situations than one-liners. It also is a good propaganda film, as although like most of these films it's a bit preachy, it's entertaining enough that you just don't care. If only Hope's later films were this much fun....

One of the funniest Bob Hope movies made without Bing Crosby, this world war two era comedy must have really helped the home front with the laughs. Hope plays a bumbling reporter who messes up many big war time scoops, must to the chagrin of his editor. The funniest scene in the whole movie is when Hope's character comes back to the States and gets yelled at by his editor. The whole scene from when he walks in the office to when he leaves is absolutely hilarious. They really do not make them like this anymore. This country is so starved for a man like Hope these days. No comedian today can even hold a candle to him. I give this film a 10 out of 10 just for Hope performance and the laughs. A dose of Bob Hope a day will keep the head shrinker away. May he rest in peace.

Always loved this movie since I saw it on television when I was 14. It doesn't have a very convincing, or even good, script but it's still extremely entertaining, not only because of Bob Hope. There are some scenes without him that are quite on the spot, like that one where the Nazi, Fascist and Japanese sabotage heads meet in order to get a stenographic notebook transcribed:

the Nazi guy (played by Otto Preminger who directed "Laura") calls for his expert: "Send in Schulz!" Schulz enters immediately and is greeted by the words "What delayed you?"

As Schulz can't read the notebook, the Fascist guy calls for his expert: "What is needed is a fine Italian hand! Send in Mr. Testori, please. We do things differently!" Testori enters and is hearty greeted but gets a blow on the head and a dressing down when he too can't read the notebook.

Then the Japanese guy calls for his expert, Hawara, a humble servant of the Emperor who knows all stenographic systems. He's not greeted at all ("Transuration, purease.") but he can explain that the notebook is written in a system of its own (and is subsequently reproached for this information).

There is some suspense in it too, and a memorable killing of an airhead sing-and-dance girl on stage by the throwing of a knife inserted in some kind of cotton ball. (The Fascist guys previously warned her: "Remember, an empty head is better than no head at all!").

Bob Hope is a Pulitzer-prize winning Robert Kittridge reporter who, after assuring his editor that Germany will not invade Russia loses his job in "They Got Me Covered." He thinks that this minor infraction can be forgiven if the man who won him the first Pulitzer, his contact Vanescu, will just come through with the story he says he has. But he's too nervous and tells Kittridge to have a stenographer (Lamour) meet him and she should carry a red bag and a green umbrella. His girlfriend/secretary calls home and arranges to have her roommate meet them - but Kittridge has the meeting place mixed up and by the time they get to the right place, the roommate has been taken away in a car. She gets the story in shorthand but the Nazis can't decipher it. They bring in decoder after decoder who look at the notes in dismay and say things like, "This isn't Gregg shorthand...this isn't Pittman....this isn't speedwriting..." - a very funny scene that probably had the secretaries in the audience laughing. The poor roommate then becomes a target.

The script is loaded with war jokes about rationing, the swing shift, etc., and Hope pops them off in his usual wry manner. When he hears Crosby on the radio, he turns it off and says, "That guy is haunting me." Lamour sports a big, high hairdo that almost looks like she's got it intertwined with a fur piece. She gives Hope great support. The Axis powers are a scream - Otto Preminger, Eduardo Cianelli, and Philip Ahn. In one very funny scene, Hope, disguised as a dummy, is eavesdropping on them at a health club when Preminger decides to show his skill with a knife - at the dummy.

Wartime audiences must have loved this, and much of "They Got Me Covered" still holds up even if that particular war is over. Great comedy delivered by masters.