La petite exilée

Yes, it's a wartime movie, with some fairly subtle propaganda thrown in. Yes, it's a formula romance. Well, I'm afraid I love formula romances. And I guess I can even respect propaganda when it's done with panache and sincerity.

Norman Krasna's screenplay is the real star. Watching the film I was constantly amazed at how the dialog sparkled, how the situations never worked out in quite the way I expected, how the characters always seemed just a little warmer and more human than they might have in many similar films of this era.

The cast is excellent as well, consisting entirely of Hollywood stalwarts, every one of them at their most endearing. Jack Carson, Charles Coburn and Jane Wyman are all great, of course. But Olivia De Havilland is also perfectly cast, lovable on one hand, regal on the other... yet without that slightly simpering quality that made her less likable in, say, The Adventures of Robin Hood, or Gone With the Wind. Robert Cummings was a fine comedic actor who is not well-remembered today, perhaps because he was less multidimensional than someone like James Stewart; but he's used to excellent advantage here. He's not just portraying the perfect everyman Yank; he IS that (perhaps mythical) person, the Guy From Brooklyn. And, yes, the perfect wartime Yank, who's just got to join up and be in "the biggest fight of all time, and the most important." Just as Bogart had to go be a hero at the end of Casablanca. These wartime films earn much of their charm by being unashamedly part of their times.

But ultimately, it's the little touches that raise this film far above the ordinary. The extended gag with the multiple sleeping pills; the silly little bits with the president's dog... These don't distract from the warmth of the film, they add to it.

Perhaps we undervalue a film like Princess O'Rourke simply because the material and the style are so familiar. We need to step back and admire the Hollywood dream-factory at its finest, working to a certain format, yet also bringing together the talented individuals who could make that format sing.

I'll take a wonderfully-executed "formula" film like Princess O'Rourke any day, over self-consciously brilliant films that forget the basics of how to entertain.

Norman Krasna wrote a delightful script that is played to the hilt by Olivia de Havilland, Robert Cummings, Jane Wyman and Jack Carson--not to mention Charles Coburn. Interesting to note that de Havilland and Wyman would be up for Best Actress Oscars three years later (To Each His Own, The Yearling). Wyman was so impressive as Jack Carson's wise-cracking wife that Billy Wilder decided to use her for 'The Lost Weekend' in a more dramatic role. De Havilland's sleeping pill scene early on gets the film off to a breezy start--she even lapses into a little French (long before she became a Parisian in real life). All in all, she does a wonderful job as the Princess in love with commoner (Robert Cummings)and facing a few twists and turns of plot before the ending. John Huston, her boyfriend at the time, was said to have coached her in the role. Jack Carson and Jane Wyman have good supporting roles--and Charles Coburn has some amusing scenes as de Havilland's overprotective uncle. Ten years later, 'Roman Holiday' gave us another variation on this theme. One of de Havilland's better comedy roles.

Princess O'Rourke does not try to be amusing or clever, but instead it deftly combines funny situations with a sort of real-life seriousness. A viewer may get the impression that this is really how a princess (Olivia de Havilland) would behave if faced with the predicament of falling for a commoner in another country-- if, in fact, it would happen at all.

Yet there is something believable about this hokum, because the film possesses a calmness and dignity, in large part due to the presence of Miss de Havilland. Robert Cummings as the leading man is both romantic and comic; while Charles Coburn and Jane Wyman deliver strong supporting performances.

The film's strongest asset, though, is the writing. The basic premise seems to cover all sorts of angles and suggests that love and politics intersect but do not necessarily mix. The story moves forward with ease, and a highlight of the proceedings is the friendship that develops between de Havilland and Wyman.

Olivia de Havilland shows once again that she can play a quiet, timid young lady as she had done 4 years earlier in the epic "Gone With the Wind."

Cast opposite a wonderful Robert Cummings, as Eddie O'Rourke, the two provide an absolute great chemistry between them in this wonderful film.

My only surprise here is that Gladys Cooper, as a secretary, has so little to do here.

As always, Charles Coburn is terrific, especially by showing his comic and dramatic abilities in films. The scene where he tells Eddie to get out is just great.

The picture just proves over and over that wealth and status can't bring you happiness.

The odd-ball meeting between the Princess and Eddie provides for so much fun here. Rounding out the cast is Jane Wyman and Jack Carson, as the married friends of Eddie.

The scene where Mary (Olivia) is willing to do anything for the war effort was quite humorous. She is better than any princess, the woman is no snob. Eddie shows his mettle when he refuses to give up his American citizenship by marrying a foreign princess. He wishes to do his patriotic duty, the great theme for American films during World War 11.

As WWII rages in Europe, Princess Maria (Olivia de Havilland) is living in New York City under the watchful eye of the U. S. Secret Service. As a guest of the country she is protected night and day. Besides layers of security, she also lives under the scrutiny of a royal retinue that acts as her watchdog and agent of propriety. She sees herself as living in a gilded cage, but things change when she is flown to San Francisco---or at least that is the intent. A series of mishaps diverts her path and places her incommunicado for a brief time.

When she reappears in New York, she "escapes" for some prosaic adventures and meets an American pilot about to join the Air Force. For the first time, she can imagine a life free of royal responsibilities, but the princess knows what she must do.

Some films are like time capsules---glimpses back at another time---and "Princess O'Rourke" is full of overt and intrinsic references to its era, making it very interesting to watch. Besides the references to wartime behaviors and values---which are many---the plot contains references to social mores and political myths.

It is always nice to watch Olivia de Havilland; even more so, knowing the battle that was being waged between the actress and the studio.

The final scenes take place in the actual White House. How preposterous it would have been to Jane Wyman, who plays the second female lead, to consider that her husband, Ronald Reagan, would eventually live there himself.