Plus on est de fous

What otherworldly power decides what films survive in the public mind decade after decade? And what films don't? 'The More the Merrier' is completely forgotten, although in its time, during WWII, it was a huge hit and was nominated for several of the most prestigious Academy Awards, Best Picture, Director, Leading Actress, Script etc. And deserved every one of those nominations. It is, simply a great film, that time forgot, and one that is finally out on DVD. And it remains a mystery how a sexy, sassy, down-to-earth and abundantly funny film such as this could ever be forgotten.

In the Washington of 1943, with the housing crisis brought on by the war, single working girl Jean Arthur feels compelled to do her bit and let out half of her apartment. Well-to do businessman Charles Coburn, who has arrived in town too early for a conference and cannot find a vacant hotel room, moves in with her, and, wanting to play Cupid, he sublets, unbeknownst to her, his half of half her apartment to a young soldier, Joel McCrea, on town on a mysterious purpose.

Rumour has it that Garson Kanin, of later 'Adam's Rib' fame, wrote the script for 'The More the Merrier', but never took credit. Whoever did it, the premise and even more so the execution of the plot is wonderfully crisp and superbly done. There is not one moment in this film that doesn't work on an extremely advanced level, and as sheer exuberant fun! And the replay value of the DVD is infinite.

George Stevens, one of the truly great American directors, has titles such as 'Gunga Din', 'Penny Serenade', 'Woman of the Year', 'A Place in the Sun', 'Shane' and 'The Diary of Anne Frank' to his credit, and 'The More the Merrier' has won a place in that exalted category of masterpieces in all genres. It is obvious that Stevens got a kick out of directing his actors in this movie, creating a many-colored carpet with all this apparently improvised dialogue, so magnificently stylish and at the same time with a looseness, a naturalness in structure that makes the movie feel like a slice of real life.

But of course real life was never as wonderful as this! Just imagine having known characters like the ones played by Miss Arthur and Mr McCrea, in one respect they are so typical and easily recognizable, and in another they are so immensely attractive, and not just in a physical sense, that you would want them for your best friends. In a strict Hollywood sense, try and imagine two more gorgeous people in the scene near the end when they, almost but not quite, make out on a the quiet street where they share the apartment! The film is great, no two ways about it.

This movie, set in Washington, DC during the early years of the US' involvement in WWII, when DC was still a relatively small city, is sociologically fascinating: the back story is the housing shortage that occurred when everyone descended on the nation's capital in order to organize the country in preparation for war. But the real story is the incredible script, directing (George Stevens) and, most of all comedic acting by Joel McCrea (always the tall, handsome, slightly cynical straight man (whose straightness itself can be hilarious)), Jean Arthur (whose voice I could listen to forever), and, WOW, Charles Coburn as a flustered wealthy tycoon who plays cupid while trying to help solve the country's pressing problems. The comedy is relentless, absolute hilaritas, and it gets zanier by the minute. Very few weak spots in this relatively unknown comedy. Seeing this recently, and a couple of other McCrea comedies directed by Preston Sturges, you have to wonder why Cooper got all the glory while McCrea was frequently relegated to the second tier (despite major box office draws for more serious wartime work).

I watched this movie without seeing the credits and, immediately, I knew it had to have been directed by a master craftsman. Turns out the master craftsman was George Stevens. Every frame, every angle, every line of dialog is made significant, while retaining a sense of freshness and spontaneity. If you love Jacques Tati, or anything by Sidney Lumet, you will appreciate the precision choreography of The More the Merrier (the title of this movie is the only bad thing about it). Never mind the story-- if you are a movie buff you'll want to watch it like you're finding out how a Swiss watch is made. Even the pauses in the dialog, simple glances the actors give each other, are well-timed and even musical. Nothing seems left to chance... and yet, it's all seamless, fresh, and totally engaging. And Joel McCrea will steal your heart.

Easily the best film that I've ever seen from George Stevens (and I really like several of his other films). Jean Arthur stars as a woman renting out half of her apartment because of a housing shortage in Washington D.C. Charles Coburn, who is in Washington to help solve the crisis, weasles his way into the apartment even though Arthur didn't want a male roommate. The morning after, Joel McCrea arrives with yesterday's newspaper, not knowing that the vacancy exists no more. No matter, though. Coburn rents half of his half of the apartment to McCrea, unbeknownst to Arthur. God knows this premise could have made one hell of a sitcom, but it also makes a damn funny movie. There isn't an unfunny scene in the entire film, and several scenes vie for the title of Best Romantic Comedy of all times with Preston Sturges' contemporaneous films. The three performers are remarkable. They have great chemistry as a comic trio, and McCrea and Arthur throw sparks off the screen with their surprisingly erotic romance. I failed to mention that Arthur is engaged to an older man, adding to the dilemma. Richard Gaines is also excellent as that fiancé. I love the way his mouth moves. Grady Sutton has a very funny cameo near the end of the film as a waiter. Stevens' direction is exceptional. It's shocking how believably he pulls off the scene in which McCrea and Arthur wander around the apartment without bumping into each other. This is reminiscent of a famous scene from Buster Keaton's The Navigator, and it's even funnier. Or that intimate scene where McCrea gives a carrying case to Jean Arthur. Their acting is so subtly romantic in that scene. I love the way Stevens films it. 10/10.

One of the greatest romantic comedies ever. The main characters are funny and likable (Joel McCrea is one of the forgotten great romantic comedy leading men of the '30's and '40's), the dialogue is wonderful, and the sense of the period is exact. Two great scenes: 1) McCrea and Arthur on the steps of her apt., he groping her, she fending him off without turning him off--hilarious and sexy; 2) At a factory, a long, long line of women workers is clocking out of work, a male worker (apparently there weren't many) walks toward them, becoming more apprehensive and walking faster as he runs the gauntlet of the women's hoots and hollers (talk about turning the tables)--no revisionism needed here, a primary source for the depiction of the burgeoning of feminism during WWII.