Meshes of the Afternoon

Meshes of the Afternoon (1943)

*** 1/2 (out of 4)

The IMDB summary of this film states that it's about "A woman returning home falls asleep and has vivid dreams..." Well, that might be one interpretation but I'm sure you could show this film to a hundred people and get a hundred different replies as to what it was about. This avant-garde film from Maya Deren and Alexander Hamid has become one of the most popular of its type and it's easy to see why.

If you're a fan of Luis Bunuel's UN CHIEN ANDALOU then you'll certainly want to check this out as there are some very bizarre and surreal images on display. There's no doubt that the highlight for me was the women in black who creepily walks around and then when you see the face, well, I'm not going to ruin it but it's a powerful effect. The film works perfectly as a mix between reality and a dream world and there's no question that you never know which one that you're in.

The film was certainly very well-made and the images are striking throughout. The cinematography is a major plus but so was the timing of the editing. MESHES OF THE AFTERNOON is a very beautiful little gem and one of the most surreal as well.

The networks of a mind, who really knows when it reclined, started to consume and dine, before untangling what's been; a head of conjuring confusion, a state of light refract diffusion, with a knife to cut illusion, and a key to lock fate in; as it gazes into cycles, that deceive the daylight vitals, and revisits past disciples, replicas queue to begin; like a self-devouring snake, you can't be sure who is awake, if they want to pull the brake, and find a way to stop the spin.

Those moments of drift, that consume and confuse, as the world wraps around, and the visions all infuse, take you to abstract illusions, to unsettled taut contusions, are they dreams or just intrusions, that play out throughout a snooze.

Maya Deren's "Meshes of the Afternoon" is an amazing 15 minute journey into the subconscious. It's like "Un Chien Andalou" seen through the eyes of a woman. In the film it's hard to tell when Maya's character is awake or dreaming. This film is chock full of bizarre and creepy surrealist images. The protagonist drops her key and it bounces like a ball. A knife moves from a loaf of bread, then the key turns into a knife. She carries a flower with her, which she holds upside down. She sees death, who where's a black hood and has a mirror for a face. She see's herself dreaming. In her dream she seems to foresee her own death. Deren seems to have a subconscious fear of knives, or being killed by a knife. This is one crazy little short film that almost puts you in a hypnotic trance with it's creepy Avant-Gard sounds and images. It's very poetic and disturbing, as nothing is what it seems. This is a must see for fans of David Lynch and Bunuel.

Meshes of the Afternoon (1943) is a 14 minute short film directed by Maya Daren, who also stars as the film's lead. It is a surreal horror movie that tells the story of a woman who comes across a flower, deliberately laid in her path by a hooded figure. She takes the flower home with her and smells it, breathing in its poisonous aroma. The unnamed woman then falls asleep and starts to experience vivid dreams that may just well be reality. Who was the person who gave her this flower? What was their motive? This short film is one of the best short films I have personally seen up to now. It was creepy and the imagery was, at times, terrifying. I'll definitely be watching more of Maya Deren's filmography.

While the opening sequence of a woman following a faceless figure with a flower is persistently repeated, images of key and knife intensify their vividness, and then dream and reality permeate into each other's realms. Maya Deren's first and probably best film, Meshes of the Afternoon, is an amalgam of traditional narrative and European-imported surrealism. It is also one of many triumphs in the film history that fearlessness and youthfulness conquer the lack of expenses and experiences.