IMDb RATING
7.0/10
15K
YOUR RATING
A nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.A nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.A nurse is hired to care for the wife of a sugar plantation owner, who has been acting strangely, on a Caribbean island.
- Awards
- 4 nominations total
Theresa Harris
- Alma
- (as Teresa Harris)
Jeni Le Gon
- Dancer
- (as Jeni LeGon)
Richard Abrams
- Clement
- (uncredited)
Doris Ake
- Black Friend of Melise
- (uncredited)
Rita Christiani
- Friend of Melise
- (uncredited)
Vivian Dandridge
- Melisse
- (uncredited)
Alan Edmiston
- Job Interviewer
- (uncredited)
Kathleen Hartsfield
- Dancer
- (uncredited)
Norman Mayes
- Bayard
- (uncredited)
Jieno Moxzer
- Sabreur
- (uncredited)
Featured reviews
Director Jacques Tourneur and producer Val Lewton are noted for their more cerebral forays into the horror genre and this is one of the finest of their partnership. The basic story centers around voodoo in the islands and the real or imagined effects it has on one particular family. I never know whether Tom Conway is a good, low-key actor or not an actor at all but here he does a passable job as the tortured husband. Frances Dee is sweet as the nurse who gets entangled in the family problems and tries to help to no avail. Although Christine Gordon says not a word during the whole film, her image and unusual beauty is haunting. Edith Barrett, an actress who was pitifully under used in film, is outstanding as the mother who plays a rather surprising role. The whole film is based on atmosphere and great cinematography....it is chilling without showing much, therefore leaving a lot to the imagination. There is no violence,no special effects and no gore but it will hold you in suspense just the same. The choice of title is unfortunate (but so was "I Married a Monster from Outer Space" which was also a good film). I rate this movie as one of the Tourneur/Lewton masterpieces and highly recommend it to all lovers of the genre.
"I Walked with a Zombie" is one of the most highly regarded of the handful of horror films that Val Lewton produced in the early to mid forties. The story is based partly on Charlotte Brontë's "Jane Eyre" and partly on a magazine article by Inez Wallace.
In the film, a young Canadian nurse accepts a position in the West Indies where she will care for a plantation manager's convalescent wife. She finds that the woman's mental faculties have been affected by a fever and the locals refer to her as a zombie. She determines to effect a cure, even if she has to enter into the mysterious (and potentially dangerous) world of voodoo.
The acting is decent enough but nothing to write home about. The top-billed James Ellison gives a forgettable performance but co-stars Frances Dee & Tom Conway fare better. In support, some actors seem more authentic than others but overall the cast is satisfactory.
Jacques Tourneur was handed the directorial duties and he did a fine job with the resources that were available to him. The direction, cinematography & score (by Roy Webb) create an ominous atmosphere that makes up for any inadequacies inherent in the film's low budget. The screenplay (co-written by Curt Siodmak) also deserves praise for its psychological depth and ambiguous treatment of the supernatural.
All in all, "I Walked with a Zombie" is a worthwhile horror picture and a welcome change from today's stereotypical flesh-eating zombies. While its B-movie origins are sometimes apparent, this film elevates itself above the usual expectations with intelligent screen writing and skillful technique.
In the film, a young Canadian nurse accepts a position in the West Indies where she will care for a plantation manager's convalescent wife. She finds that the woman's mental faculties have been affected by a fever and the locals refer to her as a zombie. She determines to effect a cure, even if she has to enter into the mysterious (and potentially dangerous) world of voodoo.
The acting is decent enough but nothing to write home about. The top-billed James Ellison gives a forgettable performance but co-stars Frances Dee & Tom Conway fare better. In support, some actors seem more authentic than others but overall the cast is satisfactory.
Jacques Tourneur was handed the directorial duties and he did a fine job with the resources that were available to him. The direction, cinematography & score (by Roy Webb) create an ominous atmosphere that makes up for any inadequacies inherent in the film's low budget. The screenplay (co-written by Curt Siodmak) also deserves praise for its psychological depth and ambiguous treatment of the supernatural.
All in all, "I Walked with a Zombie" is a worthwhile horror picture and a welcome change from today's stereotypical flesh-eating zombies. While its B-movie origins are sometimes apparent, this film elevates itself above the usual expectations with intelligent screen writing and skillful technique.
The basic plot: A Canadian nurse arrives at the isle of St. Sebastian to take care of a plantation owners mentally entranced and disturbed wife, but once she get's there, she learns more than she should about the family secrets, voodoo , and zombie fever......
The praise: A truly poetic, hypnotizing, and creepy film experience. The poetry of the island traditions, the family mysteries and everything else about the movie is truly evocative and sensitive. There are smatterings of spooky moments throughout, all frightening suggestively, using sound , imagery and implied chills. All classically and romantically constructed and written, a flagon of longing, taste, and character in every little detail. Well-shot, especially the impressive voodoo ceremony. Very atmospheric, with black& white used to enhance the mood, as in all Lewton movies. Watch for calypso singer Sir Lancelot, who Lewton also used in " Curse of the Cat People", an equally poetic movie, which I also have reviewed. A masterpiece of the horror film, it has many scenes which take together the essential elements of suspense and atmosphere , sound and imagery , such as Dee traveling to the voodoo ceremony. A must-see. Very hard-to-find. The only way I could find it was to order a copy of an unauthorized copy of it from Canada.Truly great.
The praise: A truly poetic, hypnotizing, and creepy film experience. The poetry of the island traditions, the family mysteries and everything else about the movie is truly evocative and sensitive. There are smatterings of spooky moments throughout, all frightening suggestively, using sound , imagery and implied chills. All classically and romantically constructed and written, a flagon of longing, taste, and character in every little detail. Well-shot, especially the impressive voodoo ceremony. Very atmospheric, with black& white used to enhance the mood, as in all Lewton movies. Watch for calypso singer Sir Lancelot, who Lewton also used in " Curse of the Cat People", an equally poetic movie, which I also have reviewed. A masterpiece of the horror film, it has many scenes which take together the essential elements of suspense and atmosphere , sound and imagery , such as Dee traveling to the voodoo ceremony. A must-see. Very hard-to-find. The only way I could find it was to order a copy of an unauthorized copy of it from Canada.Truly great.
First of all: PLEASE don't let the misleading, rather silly sounding title discourage you! I walked with a Zombie is another brilliant result of the collaborations between producer Val Lewton and director Jacques Tourneur. Released one year after the simply astonishing movie 'Cat People', this is yet another intelligently elaborated and genuinely original genre-masterpiece. The solid screenplay contains a rarely seen before amount of eeriness and handles about a young ambitious nurse who goes to San Antonio in order to take care of Jessica. Jessica is the wife of plantation-owner Paul Holland and she suffers from a bizarre mental paralysis, supposedly caused by a tropical fever. She is in fact a zombie only not the type of walking corpse you usually expect in horror movies. Betsy, the nurse, is somehow convinced that Jessica may still be cured and turns to the Voodoo-community that is living on the island as well. Just like he pulled it off in Cat People, Tourneur manages to bring suspense in a subtle way. Without bloody images but with a unique photography and efficient set pieces! I walked with a Zombie contains great dialogs, intriguing characters and mind bending plot-twists. This is an intelligent and demanding film, especially made for people who take this genre serious! It ranks slightly under 'Cat People' but light-years above most other horror films. Check it out!
The film opens with Betsy Connell (Frances Dee) being interviewed for a home-care nursing position. Oddly, she's asked during the interview if she believes in witchcraft. She gets the position, working for Paul Holland (Tom Conway), who is a wealthy plantation owner on the Caribbean island of St. Sebastian. Holland has hired her to take care of his wife, Jessica (Christine Gordon), who is in a perpetual state that resembles somnambulance. As Betsy spends more time on the island, she learns that most of the population believes in and practices voodoo, and she learns that Jessica had a relatively tumultuous past with Holland's family.
This was director Jacques Tourneur and producer Val Lewton's second horror/thriller collaboration (the first being Cat People (1942) and the third The Leopard Man (1943)). For many viewers, it is their favorite of the three. While I like the film, I don't like it quite that much--I prefer Cat People. But still, I Walked With A Zombie ends up with a 7 out of 10 from me.
The horror aspects of I Walked With A Zombie are really very minor. They're really present only as a kind of personification of the results of complicated romantic and familial relationships. Yes, there is an admirable "haunted house"-styled scene involving a spooky stairway and creepy, distant sounds, and yes, the trek to the voodoo "home fort" is well done, but this kind of material doesn't work as well for me here as it did in Cat People, because here it's not really the focus of the story. It's ancillary material with the function of helping to solve a very different kind of mystery. Also, much of the voodoo material (such as the actual ceremony) tends to be overrated in my opinion, although the final sequence related to the voodoo theme is appropriately eerie.
But what works best for me in I Walked With A Zombie are the many dialogue-heavy scenes where the three main characters--Connell, Holland and Wesley Rand (James Ellison)--gradually learn more about one another, and where the "mystery" is gradually uncovered. A scene where a local "minstrel" sings part of the backstory while Connell and Rand are having a drink is exquisite, for example. Yet, even with this positive aspect, I never felt that the backstory was sufficiently explained. The mystery remains, and the moralizing bookends of the film do not help, either.
Still, I Walked With A Zombie is definitely worth a watch, and based on the extravagant praise that many viewers utter towards the film, you might like it much better than I do.
This was director Jacques Tourneur and producer Val Lewton's second horror/thriller collaboration (the first being Cat People (1942) and the third The Leopard Man (1943)). For many viewers, it is their favorite of the three. While I like the film, I don't like it quite that much--I prefer Cat People. But still, I Walked With A Zombie ends up with a 7 out of 10 from me.
The horror aspects of I Walked With A Zombie are really very minor. They're really present only as a kind of personification of the results of complicated romantic and familial relationships. Yes, there is an admirable "haunted house"-styled scene involving a spooky stairway and creepy, distant sounds, and yes, the trek to the voodoo "home fort" is well done, but this kind of material doesn't work as well for me here as it did in Cat People, because here it's not really the focus of the story. It's ancillary material with the function of helping to solve a very different kind of mystery. Also, much of the voodoo material (such as the actual ceremony) tends to be overrated in my opinion, although the final sequence related to the voodoo theme is appropriately eerie.
But what works best for me in I Walked With A Zombie are the many dialogue-heavy scenes where the three main characters--Connell, Holland and Wesley Rand (James Ellison)--gradually learn more about one another, and where the "mystery" is gradually uncovered. A scene where a local "minstrel" sings part of the backstory while Connell and Rand are having a drink is exquisite, for example. Yet, even with this positive aspect, I never felt that the backstory was sufficiently explained. The mystery remains, and the moralizing bookends of the film do not help, either.
Still, I Walked With A Zombie is definitely worth a watch, and based on the extravagant praise that many viewers utter towards the film, you might like it much better than I do.
Did you know
- TriviaVal Lewton did not like the article "I Walked With A Zombie" by Inez Wallace that had been optioned, so he adapted the story to fit the novel "Jane Eyre" because he felt the article's plot was too clichéd.
- GoofsOn Betsy's first morning, Alma brings her breakfast in bed and fills the coffee cup so full that it spills over. In the very next shot, the cup is much emptier without Betsy having drunk of it.
- Quotes
[first lines]
Betsy Connell: [voice over, giggling after the first line] I walked with a zombie. It does seem an odd thing to say. Had anyone said that to me a year ago, I'm not at all sure I would have known what a zombie was. Oh, I might have had some notion that they were strange and frightening... even a little funny. It all began in such an ordinary way...
- Crazy creditsAt the beginning, in small letters at the bottom of the screen is this disclaimer: The characters and events depicted in this photoplay are fictional. Any similarity to any persons, living, dead, OR POSSESSED, is entirely coincidental.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: I Walked with a Zombie (1969)
- SoundtracksO Marie Congo
(uncredited)
Traditional
Performed by ensemble
[Sung by the crew of the clipper ship]
- How long is I Walked with a Zombie?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Yo dormí con un fantasma
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 9 minutes
- Color
- Aspect ratio
- 1.37 : 1
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