Hoppy Serves a Writ

This traditional "Hoppy" adventure was never meant to be any kind of classic, but mainly functions as Saturday Matinée fare, a pitting of the good guys against the bad guys with plenty of horse chases and gun-play to keep the kids in their seats and wanting to come back for more.

Having grown up in the 1940's, I watch the old Westerns today for reasons other than a gripping plot about which the outcome is clearly foretold. The photography in this one, for example, is exceptional, with cinematographer Russell Harlan going beyond the usual camera set-ups to capture the beauty of location shooting in Lone Pine, California-- the desert-like conditions shot against mountain vistas, the beauty of rustling sycamores framing the action, and exceptional long shots giving us such keen perspectives as robbing of the Well's Fargo Stage from several angles (Harlan, incidentally, went on to film the indelible images of To Kill A Mockingbird). FYI, an unsolicited commercial: Platinum Productions (though Echo Bridge) has released the Cassidy adventures in multiples for very little money, and the transfers are remarkable!

Another incidental pleasure of Hoppy Serves A Writ is Hoppy himself, of course, a cool character who always seems a little above the chaos around him: William Boyd, a leading man from the 1930's found his niche in these Westerns--and we don't have to listen to him sing! Frequently pointed out is Robert Mitchum's first major appearance in a film: a performance at the edge of narcolepsy, but Mitchum actually saddles up a few times and rides; future Superman George Reeves has a meatier role as a dude with attitude, attempting to romance the sole female on the film, but losing her to Hoppy's cute, mild-mannered assistant. And for those with an eye for familiar character actors, the laconic Byron Foulger serves as a shopkeeper; Victor Jory, so often a villain in both Westerns and crime films, sports a nasty scar on his cheek that marks him as the one to hiss.

In all, this is 64 minutes of matinée fun, perfect for a Saturday afternoon with a bowl of popcorn and all your memories of time well spent with your Hollywood pals.

Nothing special in this Hoppy movie other than William Boyd's winning personality. He shines in all the Hoppy series. I enjoyed his warm, chuckling condescension to most everyone in the movie -- his enemies, his sidekicks, et. al. One good example is when he arrives incognito as a gentleman gambler at a saloon looking for the bad guys. Hoppy sits in at a poker game, taking the favorite (empty) chair of the main bad guy (Victor Jory). Jory walks over later, angry, and tells Hoppy, "Didn't anyone tell you that is my chair?" Hoppy replies, "Yeah, but I am not particular." That cracked me up.

The plot and the actors were nothing special. It was Robert Mitchum's first film roll, a small part. Nothing was asked of him, and he didn't do anything at all special in the roll, sleepy looking as usual, as though they didn't pay him enough. I did like George Reeves' (TV's Superman) acting.

One neat plot ploy was when Reeves was captured by Hoppy and Co., but refused to tell where in the cabin the money was hidden. But Hoppy kept his eye on Reeves as Hoppy's sidekick moved about the room looking for the money. When he got close, Hoppy knew where the money was based on Reeves' flinching reaction! One laughably silly scene was at the end when Hoppy threw his rope to lasso three retreating bad guys together at the same time! Yes, all three squeezed together inside the loop of the rope!

Unlike the later Hoppy films, this one doesn't follow a mystery outline. We know who the baddie is from pretty near the beginning, & it's just a matter of catching him. Victor Jory (who had already starred in "The Shadow" & "The Green Archer" serials), is featured in this film. George Reeves (later TV's "Superman") has a small part. And Robert Mitchum has a short line. Jan Christy (the heroine) is prettier than most of the Hoppy heroines. Andy Clyde (as "California") gets a serious beating, & "Johnny" (Jay Kirby) doesn't act as silly as other Johnnies in this series. Sounds like it has a lot going for it, doesn't it? Not so, because there's little action aside from a couple of good fight scenes & about three gunfights. The plot is weak, & it's not helped by the fact that there's no mystery involved. Hoppy wears all black at the beginning & end of the film, & wears his rancher's outfit in the middle. It doesn't even have the usual dose of humor for a Hoppy film. I rate it only 5/10.

I find this an excellent departure from the usual Hoppy routine. The dialog when Hoppy is checking into the hotel is worth the price of admission. Maybe it's just me but I find it side splitting, and a tad more adult than you'd expect from either a Hoppy movie or any movie made in 1943. William Boyd's personality is as winning as ever. Seeing Robert Mitchum's first film appearance is a hoot and George Reeves inclusion is welcome, as always. Both Mitchum and Reeves would be regulars in the Hoppy films for several years, alternating between the bad guy and the good guy. That's all I've got to say on this subject. I have to add some lines to get this to be accepted by IMDb.

Sheriff Hoppy has to find a way to bring the bad guys, headed by Tom Jordan, to justice in the Lone Star state. The problem is that they are hiding out beyond his jurisdiction, in Oklahoma.

Sufficiently entertaining Hoppy western that is sparse in action but has some good chase sequences and a good pace, plus the cast - Victor Jory, Robert Mitchum, Earl Hodgkins, George Reeves and of course our three protagonists- make this watchable. Watch out for that rough and tumble fight between Boyd and Jory in the saloon -one real wild fight.