The secretary of a newly appointed government official strives to make him a success in spite of his shortcomings.The secretary of a newly appointed government official strives to make him a success in spite of his shortcomings.The secretary of a newly appointed government official strives to make him a success in spite of his shortcomings.
- Director
- Writers
- Stars
Demetrius Alexis
- Businessman
- (uncredited)
Harry A. Bailey
- Senator
- (uncredited)
Joseph E. Bernard
- Workman
- (uncredited)
Edward Biby
- Hearing Spectator
- (uncredited)
June Booth
- Secretary
- (uncredited)
Patti Brill
- Girl in Hotel Lobby
- (uncredited)
Tom Burton
- Reporter
- (uncredited)
Chester Carlisle
- Businessman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
De Havilland found herself obligated to do GOVERNMENT GIRL when David O. Selznick borrowed her from Warner Bros. (he lent them Ingrid Bergman) and then sold her services to RKO for one picture. She didn't like the script and it looks as though she got her revenge by overacting the title role, which would have been okay if the material itself was funny. But this lame wartime comedy about overcrowded Washington never quite gets off the ground.
Sonny Tufts does what he can with a thankless role as a bungling, naive politician who has to learn the ropes from his pretty secretary. Agnes Moorehead gets in a couple of good quips as a snobbish Washington matron and Jess Barker is likable enough in a secondary romantic lead.
James Dunne and Ann Shirley tend to overplay their roles as a couple of lovestruck newlyweds eager to find lodgings. Despite its obvious flaws, the film was a moderate success for RKO at the box-office and wartime audiences seemed to go for it. De Havilland fans aren't likely to rate this among her best comedies.
Sonny Tufts does what he can with a thankless role as a bungling, naive politician who has to learn the ropes from his pretty secretary. Agnes Moorehead gets in a couple of good quips as a snobbish Washington matron and Jess Barker is likable enough in a secondary romantic lead.
James Dunne and Ann Shirley tend to overplay their roles as a couple of lovestruck newlyweds eager to find lodgings. Despite its obvious flaws, the film was a moderate success for RKO at the box-office and wartime audiences seemed to go for it. De Havilland fans aren't likely to rate this among her best comedies.
For those who could never imagine Olivia de Havilland in a totally madcap comedy but would like to, I would highly recommend this movie to you!!
The story is set in Washington, D.C. in the middle of WW II, when all the hotels in town are full of important people doing business, mostly to help support the war effort. In this way, this movie is highly similar to The More the Merrier (1943) which was made in the same time period with a similar theme.
However, this movie is more about getting things done quickly rather than taking shortcuts through the housing shortage. Here, de Havilland serves as sort of an activity coordinator, trying to guide people to the right place and keep the herd of visitors moving with the least possible disruption. However, she is not ready for the likes of Ed Brown (Sonny Tufts) who is knowledgeable about manufacturing the huge number of aircraft needed quickly for the war.
Ed will do anything to make airplanes and put them into service quickly. To do this, he takes shortcuts to get through the red tape of Washington, and Elizabeth Allard (Olivia de Havilland) can do nothing but go along with him on his wild ride through the bureaucracy, always about five steps in front of any roadblock that may get in his way.
De Havilland often plays the clown to Tufts character, but is soon brought on board his madhouse tactics when she sees hundreds of new warplanes being launched and deployed, thanks to him.
The story is set in Washington, D.C. in the middle of WW II, when all the hotels in town are full of important people doing business, mostly to help support the war effort. In this way, this movie is highly similar to The More the Merrier (1943) which was made in the same time period with a similar theme.
However, this movie is more about getting things done quickly rather than taking shortcuts through the housing shortage. Here, de Havilland serves as sort of an activity coordinator, trying to guide people to the right place and keep the herd of visitors moving with the least possible disruption. However, she is not ready for the likes of Ed Brown (Sonny Tufts) who is knowledgeable about manufacturing the huge number of aircraft needed quickly for the war.
Ed will do anything to make airplanes and put them into service quickly. To do this, he takes shortcuts to get through the red tape of Washington, and Elizabeth Allard (Olivia de Havilland) can do nothing but go along with him on his wild ride through the bureaucracy, always about five steps in front of any roadblock that may get in his way.
De Havilland often plays the clown to Tufts character, but is soon brought on board his madhouse tactics when she sees hundreds of new warplanes being launched and deployed, thanks to him.
I only saw this movie once on AMC (before they started showing recent "classics". I loved it. Sure, it is a war propaganda film, loaded with patriotism. Sure it is written to the largely female audiences of the time. Sure, it is a pale imitation of "Mr. Smith Goes to Washington" and "His Girl Friday". It is still a fun, witty, movie.
It is also possibly the best use of Washington, DC as a location. They get the geography right. "The Day the Earth Stood Still" (one of my favorites) has people going in every direction. "Government Girl" keeps everything in its place. Also, it provides an historic look at wartime DC.
Tell me where I can find this movie, as I would love to see it again.
It is also possibly the best use of Washington, DC as a location. They get the geography right. "The Day the Earth Stood Still" (one of my favorites) has people going in every direction. "Government Girl" keeps everything in its place. Also, it provides an historic look at wartime DC.
Tell me where I can find this movie, as I would love to see it again.
In the Citadel Film Series book on The Films of Olivia DeHavilland, her winding up in Government Girl was a great illustration of how the contract players were treated at the studios. Just like baseball players in those days before the reserved clause was abolished.
As we all know Olivia had worked with David O. Selznick before and she was excited when Jack Warner who just could not see her as anything but arm candy for Errol Flynn and other of his heroic leading men optioned her off to Selznick again. Maybe she would get a part as good as Melanie Hamilton.
But Selznick called off whatever film he was going to do with her and took his option and sent DeHavilland packing to RKO where she was put in this minor league comedy Government Girl. She did the film, hating every minute of it and resolved once and for all to challenge the studio system and its control of its players. Just like Curt Flood later challenging the reserved clause in baseball.
Although she overacts outrageously in a part that someone like Jean Arthur might have been better in, DeHavilland does well in this comedy about wartime Washington, DC. My aunt was such a Government Girl during those World War II and she met her husband who was a 4-F in those years because of a history of tuberculosis. I'd like to think they had such hijinks during those years.
America was truly mobilized then and people like Sonny Tufts who were business executives were called in and gladly served on the home-front, organizing the nation's industrial and agricultural might. He appropriates her hotel room using his big-shot status on a night when Olivia was helping friend and Anne Shirley try to get in some quality honeymooning with her bridegroom James Dunn. And then of course Olivia who knows the Washington power scene inside and out finds out she's going to be Tufts's secretary. But I don't think I need tell you more.
Oddly enough DeHavilland is romanced by Tufts, Jess Barker who later married Susan Hayward and Paul Stewart. Barker is a slimy young man on the make working for a Senate Investigating Committee having to do with keeping the graft at a minimum in the war effort. Senator Harry Davenport employs him for reasons not altogether clear. In real life I doubt Senator Harry Truman employed anyone like Barker.
Through his own naiveté Tufts winds up in a jackpot before the Davenport Committee. And it takes a Government Girl like Olivia DeHavilland to bail him out.
For her legion of fans this was not Olivia's finest hour and a half on screen.
As we all know Olivia had worked with David O. Selznick before and she was excited when Jack Warner who just could not see her as anything but arm candy for Errol Flynn and other of his heroic leading men optioned her off to Selznick again. Maybe she would get a part as good as Melanie Hamilton.
But Selznick called off whatever film he was going to do with her and took his option and sent DeHavilland packing to RKO where she was put in this minor league comedy Government Girl. She did the film, hating every minute of it and resolved once and for all to challenge the studio system and its control of its players. Just like Curt Flood later challenging the reserved clause in baseball.
Although she overacts outrageously in a part that someone like Jean Arthur might have been better in, DeHavilland does well in this comedy about wartime Washington, DC. My aunt was such a Government Girl during those World War II and she met her husband who was a 4-F in those years because of a history of tuberculosis. I'd like to think they had such hijinks during those years.
America was truly mobilized then and people like Sonny Tufts who were business executives were called in and gladly served on the home-front, organizing the nation's industrial and agricultural might. He appropriates her hotel room using his big-shot status on a night when Olivia was helping friend and Anne Shirley try to get in some quality honeymooning with her bridegroom James Dunn. And then of course Olivia who knows the Washington power scene inside and out finds out she's going to be Tufts's secretary. But I don't think I need tell you more.
Oddly enough DeHavilland is romanced by Tufts, Jess Barker who later married Susan Hayward and Paul Stewart. Barker is a slimy young man on the make working for a Senate Investigating Committee having to do with keeping the graft at a minimum in the war effort. Senator Harry Davenport employs him for reasons not altogether clear. In real life I doubt Senator Harry Truman employed anyone like Barker.
Through his own naiveté Tufts winds up in a jackpot before the Davenport Committee. And it takes a Government Girl like Olivia DeHavilland to bail him out.
For her legion of fans this was not Olivia's finest hour and a half on screen.
Have watched Government Girl and enjoyed the interaction between the two stars. Although Sonny Tufts career was short lived, he is fun to watch. As an actor who was 6'4" he at times seems to fill the room he is in. His costar shines. Having seen her in To Each His Own,it is fun to see her in a lot of funny situations. The scenes in the bedroom and the lobby of the hotel really show her comedic talent. The part about the different initials of the different departments is really funny. Even funnier to that many of the departments really did exist during the war. A lot of bright and fluffy movies were made to lighten the days during the war and this was one of them.
Did you know
- TriviaOlivia de Havilland absolutely hated her role in the film. She had not wanted to star in it in the first place, but was forced to due to an arrangement - intended to punish her after she protested against working conditions on La petite exilée (1943) - in which Warner Bros. loaned her services to David O. Selznick, who turned her over to RKO. Her distaste for the arrangement is evident in the wide variety of grimaces, smirks and other expressions she used in an attempt to avoid creating a character of any depth or credibility.
- GoofsWhen Ed and Smokey are on the motorcycle, Ed cuts across the park on the lawn saying that it is a shortcut. A few seconds later, he asks Smokey for directions. So he couldn't have taken a shortcut if he didn't know where he was going.
- Quotes
Smokey Allard: I hope there's no poison ivy in the garden!
- Crazy creditsOpening credits are shown over the Capitol building.
- ConnectionsFeatured in Red Hollywood (1996)
- SoundtracksBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Played in the score for the wedding
Details
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.37 : 1
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