L'Exubérante Smoky

If you're looking for laughs, this comedy may disappoint. Surprisingly, the usually restrained De Havilland over-acts egregiously, just about chewing up the scenery in the process. As Smokey, the government girl, it's like she's trying much too hard. On the other hand, the much derided Sonny Tufts comes off best in a slyly bemused performance as the can-do industrialist. At a comedy level, the movie's uneven, at best.

As a glimpse of wartime Washington, however, the movie delivers in revealing ways. Note the unusually crowded scenes in the early part. Newly arriving office workers mix with service men and women, all flocking to staff the explosion of paper work. Naturally, the sudden influx creates a room shortage, which the movie amusingly illustrates with the frustrated newly-weds. There's also the gossipy intrigue of the high-class salons and drawing rooms, where careers can be made or broken. Then there's Brown's (Tufts) tussle with red tape, while trying to get his bomber production up and running. And, of course, the year being 1943, it all ends with a patriotic flyover presaging the Allied victory to come.

Not many wartime films deal with the administrative phase of the war effort. This, I believe, is one of the few, and from that standpoint the movie remains an interesting, if rather frantic, curiosity.

For those who could never imagine Olivia de Havilland in a totally madcap comedy but would like to, I would highly recommend this movie to you!!

The story is set in Washington, D.C. in the middle of WW II, when all the hotels in town are full of important people doing business, mostly to help support the war effort. In this way, this movie is highly similar to The More the Merrier (1943) which was made in the same time period with a similar theme.

However, this movie is more about getting things done quickly rather than taking shortcuts through the housing shortage. Here, de Havilland serves as sort of an activity coordinator, trying to guide people to the right place and keep the herd of visitors moving with the least possible disruption. However, she is not ready for the likes of Ed Brown (Sonny Tufts) who is knowledgeable about manufacturing the huge number of aircraft needed quickly for the war.

Ed will do anything to make airplanes and put them into service quickly. To do this, he takes shortcuts to get through the red tape of Washington, and Elizabeth Allard (Olivia de Havilland) can do nothing but go along with him on his wild ride through the bureaucracy, always about five steps in front of any roadblock that may get in his way.

De Havilland often plays the clown to Tufts character, but is soon brought on board his madhouse tactics when she sees hundreds of new warplanes being launched and deployed, thanks to him.

This film describes the dollar-a-year workers who virtually volunteered their time and expertise to the war effort during World War Two. Ed Browne (played by Sonny Tufts) comes in conflict with the established manners and customs in Washington, D.C. Browne's method of operation is founded in the private sector of industry which clashes with the public functions of the government. Historically, many manufacturers had little choice but to take part in the the conversion to war production. Meager profits early in the war of cost plus four percent was little incentive for enthusiasm from all of industry. Even when the profit scheme went to cost plus eight percent, most industries could do much better in peacetime consumer goods. Many yielded to the threat of government sanctions and complied. This movie, however, points to the positive aspects of individuals working for the war effort, even at the cost of personal sacrifice. The most realistic character is "Smokey" (played by Olivia de Havilland. She is dynamic and forceful, but burning government records to support her boss (with whom she is in love) seems somewhat exaggerated. All in all, it is a fairly amusing film, with the bottom line echoed in a United States Senate hearing: "Thank you, government girl."

I must disagree with the person who first commented on the rating of this movie. I've seen this movie many times. True, it has some scripts that could have been better written, particularly for such a wonderfully and already famous actress Olivia De Havilland, but I don't think it was a bomb. It's really not such a bad movie--not the greatest in the world, but--worth watching if you're an avid fan of De Havilland! :o)

For over a decade, I have been favorably impressed by the work of Olivia de Havilland. That said, I had no high hopes for this film; I wanted to watch this film just to say I had, and to see de Havilland in a comedic role. I was pleasantly surprised, and I found myself rather taken in by the humor. Having seen Miss de Havilland in her Academy Award winning performances and many other dramatic roles, I was impressed by her comedic timing, facial expressions, and sharp sarcasm, which is also very prominent in her portrayal of Amy Lind in THE STRAWBERRY BLONDE. I by no means consider this film one of Hollywood's best, but it isn't all that bad and is definitely worth a watch - particularly if you want to see de Havilland in a different kind of role.