Guadalcanal

This is a tremendous World War II film with amazing performances. The director, Lewis Seiler, and the writer of the screenplay, Lamar Trotti, must have really been on their toes to come up with this little gem from a book by Richard Tregaskis. The quality of "Guadalcanal" is amazing from the special effects and location shots to the cinematography and the dialogue. Sometimes less is more and this movie demonstrates that in portraying the violence of war realistically without being extremely graphic. The only minor flaw I saw in the special effects was when a few soldiers were killed by grenades or bombs and they seemed to fall over from the blast a tad bit too quickly. This movie uses an ensemble cast of actors to tell the story of a platoon of U.S. marines sent to Guadalcanal to fight the Japanese in the South Pacific Ocean. The focus is not as much on the fighting and battles as it is on the men themselves in the context of war, although there are several terrific scenes of fighting and skirmishes that propel the movie along at an excellent pace. "Guadalcanal" is in glorious black and white film and is crisp and clear. Many scenes from the movie are so vivid that they have lingered in my mind long after watching the movie. I can recall vividly the palm trees on the beach, the sound of the men singing, the men lounging on the deck of the ship, Japanese soldiers being blown up in a cave and falling out of trees, the faces and expressions of the men and on and on. This movie not only stood up to a second viewing but also seemed even better the second time around. I can't praise the actors enough who breathe life into this movie and who make their characters so easy to get to know that this sixty year old movie seems like it was made yesterday. Watch this movie and see how these men respond to battle in "Guadalcanal." It's an experience not to be missed. I highly recommend it and give it a 92/100. I purchased the DVD for my collection.

I can't be offended by the truth, and the truth is, GIs called the enemy in the South Pacific "Japs," "Slant-eyes," and a lot worse. If that offends anyone, then why watch a film that you know is about a bloody WWII battle, where passions were running high? After the Marine shoots the Japanese sniper out of the tree, would it have been less offensive if he would have said, "Well, I just dispatched another one of the Asian enemy." Really! I can just imagine what someone would say in the heat of battle. It'd be a hell of a lot more descriptive than "Slant-eye."

As for the nameless reviewer who criticized the scene wherein the GI did not get mail, I can tell you first hand, that there were fewer sights more pathetic than the guys standing there after mailcall without a single letter in their hand. It was hard to watch. We all felt for those guys. You knew what they were going through, yet you couldn't do a damn thing to help them. I know how I felt when days went by without a letter from home--from ANYONE. Being in combat in a foreign land must have made it exponentially worse. I would bet that the reviewer who made that criticism never spent one day in his country's service.

The island this film is named after is not big as islands go. Ninety miles long by roughly, twenty-odd miles wide, it lay roughly, north west by south east. The high point of Guadalcanal rose up to about 8000 feet; covered with low cloud and forest.

This film then, based on the book of the same name, and written by the war correspondent, Richard Tregaskis is, in my opinion, a better movie than, "The Sands of Iwo Jima", when it comes to paying tribute to the war record of the U.S. Marine Corps in World War Two.

I liked the opening scenes aboard the troop transport. A pleasant, and lazy Sunday morning. A religious service and hymn singing held on deck. Navy Chaplain, Father Donnelly (Preston Foster), presiding. Lloyd Nolan, as Sergeant Malone, an often under-rated actor in my opinion, wisecracking with 'Taxi' Potts, a Dodgers fanatic played by the always-likable. William Bendix. There is Richard Conte as Captain Davis. Anthony Quinn, forever a Latin-type character, Private Alvarez. Schoolboy-faced Richard Jeackel in his first-ever role, after being hoisted up from the studio mail room at Twentieth Fox. Minor Watson as Colonel Grayson, was always a reliable father-like figure who, when he landed on the beach, said this operation was unlikely to be any picnic. How right he would turn out to be. What added a shine to this film from the opening scenes was Reed Hadley narrating the story of the campaign as it unfolded, as if it was Richard Tregaskis himself. Hadley's narration seems to make the atmosphere of the film gel perfectly. A king of semi-documentary realism, if you will.

The first prisoners to be brought in are trembling, half starved in appearance, and in fear of their lives. 'Are these the monkeys were fighting?' asks Lionel Stander, as Sergeant Butch. This is the first impression they get of what passes to the marines as Japanese soldiers. It will turn out to be a false impression, soon enough. As they push further inland, the realisation soon grows that occupying this far from small, God-forsaken island is going to be no pushover. Colonel Grayson's 'no picnic' turns out to be an ugly truism.

With the Matanikau expedition a tragic failure, after landing from the sea, the realisation they're up against a determined and ferocious enemy, sinks deeper. Private Alvarez is the sole survivor from Matinikau, making it back to his own lines. Shaking with a combination of shock and vengeful anger, he recalls the other marines being picked off and bayoneted as he heads back and dives into the surf to escape.

With the second assault on Matinikau, the marine's blood is up, and they're out for blood. The Jap is taken on at his own game. The gloves are off and the chips down. They fight ruthlessness and cunning with same. And overwhelm a fanatical enemy.

In the closing scenes, the marines are relieved by fresh but yet-to-be-tried army infantrymen straight off a troop transport. One of the GI's calls out to the blooded veterans, 'What's it like?' A tired-looking Sergeant Malone answers, 'Pretty rugged, son'. For Malone, like the rest of the marines who entered the jaws of conflict and survived, they look older, and wiser. And were not found wanting. There it is then, a film that grandly commemorates the old, young men of a single platoon of the 1st Marine Division. Names on a map unknown, now entered into the history books, and the Marine Corps Hall of Fame. Matanikau, Lunga Point, Tenaru River, Bloody Ridge, Point Cruz. All fought over for a airstrip; named after Lofton Henderson, a distinguished marine pilot from the Battle of Midway.

Guadalcanal is not a name, but an emotion. So said Professor Samual Elliot Morison, the U.S. Naval Historian. How true. The Japanese were not the only enemy. There was dengue fever, malarial swamp, and humidity to sap the energy, all wrapped around with a foul-smelling jungle. There was a epitaph found at the Marine Cemetery at Lunga Point. It would have been appropriate to have displayed it along with the end credits of this film. It goes:-

That when he goes to heaven./ To Saint Peter he will tell./ Another marine reporting Sir./ I have served my time in hell.

How truthfull that piece of poetry turned out to be.

War correspondent Richard Tregaskis's memoir of the battle for the strategic island of Guadalcanal provides the basis of this film with a solid cast of players. Tregaskis himself is played unnamed in the film by Reed Hadley, who's rich narrative voice greatly enhances the film.

Guadalcanal Diary unfortunately has not aged well. It was made the year after Guadalcanal, together with its key airfield Henderson Field was finally cleared of Japanese. It was a slow, steady war of attrition, on both land and sea. While this film concerns the Marines on the island, at sea our navy was battling with the Japanese Navy in what was euphemistically called 'the slot' which was a channel that bisected the Solomon chain neatly in half. Our Marines dealt not only with the Japanese on the ground, but from Naval bombardment from the Japanese Fleet whenever they snuck in. The Japanese positions were in the jungle and further in land and were less affected by off shore shelling from us.

All the types you expect from World War II are there, the tough Marine sergeant Lloyd Nolan, the Marine from Brooklyn, where else, William Bendix, the young recruit, Richard Jaeckel in his first film playing a teenager when he actually was one. Preston Foster plays the Catholic chaplain, a wise and compassionate fellow who once played football for Notre Dame. It's a page out of Pat O'Brien's Father Duffy portrayal from The Fighting 69th and Foster is the best one in the film.

Sad to say that the Marines do refer to the Japanese as less than human on a few occasions. It's why the film doesn't age well, especially after Clint Eastwood's latest films about the Pacific Theater.

Guadalcanal Diary still is a good film for those who are fans of World War II films made in the World War II years.

Guadalcanal is the second largest island (after Bougainville) of the Solomons and largest of the Solomon Islands Protectorate southwest Pacific...

During World War II it was the scene of bitter land and sea fighting between U. S. and Japanese forces...

On August 1942, the U.S. Marines, in the Allies' first major offensive in the Pacific, seized a Japanese airfield, Henderson Field, on the island...

On November, in a naval engagement, the Allies prevented the Japanese from landing reinforcements... By February 1943 the Japanese, badly outnumbered, were forced to evacuate Guadalcanal and by the end of the year they were on the defensive in their last stronghold in the Solomons, Bougainville Island...

"Guadalcanal Diary" is based on the best-selling book by war correspondent Richard Tregaskis... It follows the career of a platoon of Marines from Pre-landing shipboard briefings through two months slow murderous fighting in the taking of the South Sea jungles...

The film gives a realistic view of the hardships of war, and has its moments... Perhaps the most touching scene is at the climax when the tired veterans watch the fresh, green troops marching past them... The feeling is one of a continuous hard effort... The impudent newcomers have yet to face the revolting horrors that an American soldier is subjected to... Certainly, they will fight as well as those before them, however, we cannot but help feeling sad for those who will never return...

The film reveals the hard life in camps, shelters, patrols, hospitals, beaches and jungles in absolute reality... It is terse, violent, close in atmosphere and technique to "Wake Island" (1942).