One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On re-issue, all o... Read allOne of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On re-issue, all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a... Read allOne of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes. On re-issue, all of the entries underwent a title change from "Hit Parade of 19??" to, usually, a title of a song contained in the film, as happened in the case of this film when it was reissued as ... Read all
- Director
- Writers
- Stars
- Nominated for 2 Oscars
- 2 nominations total
- Dancer, Pops
- (as Pops & Louie)
- Dancer, Louie
- (as Pops & Louie)
- Speciality Act
- (as The Three Cheers)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Hayward plays a song writer who is supposed to be quite smart and a tough cookie as well. So, when she meets up with a slimy song writer (Carroll) and he steals her music, you assume she'll make sure to get her revenge. So far, so good. However, soon she falls in love with him and all is forgiven--although he's clearly a jerk who's made a career out of stealing other people's work! I HATE films that feature supposedly smart women acting like total idiots--and that certainly is the case here. What will happen with this budding love--especially when Carroll's OTHER woman makes an appearance? Who cares.
The only thing about this film that is worth seeing is the big musical number featuring some top Black entertainers of the era--including Count Basie and a young Dorothy Dandridge. The plot, in contrast, is a complete mess--and never comes close to being engaging or believable in any manner. A bad film redeemed, very slightly, by the music.
It's also a Republic Pictures product so it won't have the production values that something from one of the major studios would give us. That being said it's still a nice snapshot of the wartime home front topped off by the radio broadcast of a war bond drive.
Susan Hayward plays an aspiring song writer who sends a song to publishers John Carroll and Walter Catlett who make some cosmetic changes and it becomes a hit. Of course she and pal Eve Arden plan some sweet revenge, but of course you know it all works out in the end.
The song Change Of Heart was Oscar nominated for Best Song and the film was nominated also for best Musical Scoring. John Carroll had a nice lusty baritone and did a few musical films of the B variety mostly. He's best know musically for being Kathryn Grayson's leading man in Rio Rita. He also did some straight dramatic roles and most notably there as the second lead to John Wayne in The Flying Tigers. Hayward whom we know sang in I'll Cry Tomorrow as the screen Lillian Roth might well have done her own brief vocals here, but there's no information either way.
Hit Parade Of 1943 is best viewed as first history and then entertainment. All four of the leading players I mentioned fill out the roles you would expect of them. And the musical acts consist of big bands Count Basie, Ray McKinley and Freddie Martin. The groups the Music Maids and the Golden Gate trio are here and as a real treat the vocalist with Count Basie is Dorothy Dandridge. That's enough reason to see Hit Parade Of 1943.
The rest is pretty dull with John Carroll trying to be Clark Gable - but Eve Arden provides a few laughs and she works very well with Hayward.
Did you know
- TriviaFinal film of Astrid Allwyn.
- ConnectionsFeatured in That's Action (1977)
Details
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1