Joan Terry, a girl from the country wants to become a Broadway Star, but this proves to be not so easy.Joan Terry, a girl from the country wants to become a Broadway Star, but this proves to be not so easy.Joan Terry, a girl from the country wants to become a Broadway Star, but this proves to be not so easy.
- Director
- Writers
- Stars
Frances Langford
- Joan Terry
- (as Miss Frances Langford)
Renee Helms
- Polly
- (as Renee White)
Marcy McGuire
- Louise
- (as Marion McGuire)
Barbara Brewster
- Mrs. Draper
- (uncredited)
Gloria Brewster
- Mrs. Bronson
- (uncredited)
Horace B. Carpenter
- Stage Doorman
- (uncredited)
Jack Chefe
- Headwaiter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Z grade PRC musical with Frances Langford should be more fun and hep than it is. I was sooooo disappointed. Boring scenes in a boardinghouse for girl starlets, some Iris Adrian wisecracks and the unusually handsome Craig Woods all lead us to one of the screen's most awful dance numbers in the final reel. And I really like awful dance numbers....eg: Pee Wee Dupree in ZIS BOOM BAH, or the spectacular opening from GUMNAAM.
Here in CAREER GIRL the final clumsy dance number is only worth seeing for the hilarious costume design: halter tops which are OK but.... white short pants with a black maple leaf patch on the crotch which makes the chorus girls look as though they are nude and are sporting the biggest bush of lower body pubic hair you have ever seen in a step line of high kicking girls. Yippee! Hilarious. Otherwise, a dirge.
Here in CAREER GIRL the final clumsy dance number is only worth seeing for the hilarious costume design: halter tops which are OK but.... white short pants with a black maple leaf patch on the crotch which makes the chorus girls look as though they are nude and are sporting the biggest bush of lower body pubic hair you have ever seen in a step line of high kicking girls. Yippee! Hilarious. Otherwise, a dirge.
Frances Langford tries to makea hit on Broadway, but it hits back. She moves into a girl's boarding house, filled with other longtime hopefuls. When they find out that she can sing like Frances Langford, they try to help her out, but producers leave during her auditions. Iris Adrian comes up with the brainstorm of incorporating her: $25 a week and free housing and they look to make a killing.
It's an okay PRC musical. Miss Langford sings five songs, and there are occasional bouts of tap-dancing, along with the usual romantic comedy plot. Despite her obvious talent and fresh-faced beauty, Miss Langford never became a movie star. Singing on Bob Hope's radio show, bickering with Don Ameche, selling a lot of records, starring in PRC musicals and appearing occasionally in an A picture as a specialty were the limits. It was a good career, far beyond what most Americans of the era could attain, but the peculiarities of the movie business never gave her the final push over the top to true stardom.
It's an okay PRC musical. Miss Langford sings five songs, and there are occasional bouts of tap-dancing, along with the usual romantic comedy plot. Despite her obvious talent and fresh-faced beauty, Miss Langford never became a movie star. Singing on Bob Hope's radio show, bickering with Don Ameche, selling a lot of records, starring in PRC musicals and appearing occasionally in an A picture as a specialty were the limits. It was a good career, far beyond what most Americans of the era could attain, but the peculiarities of the movie business never gave her the final push over the top to true stardom.
"Career Girl" had just the right setup to be a good movie, especially during the war years. An all-girl boarding house of would-be starlets in New York had real potential. The plot was just right, and the two love interests were OK. The script was shaky but the movie still had potential. Then came the time for people to perform and it fell flat. Where was the talent in song and dance? Others commented about this, and the lack of much talent did this film in as a musical. Even Frances Langford's numbers were not up to her usual caliber.
This movie may indeed have been for another time. Look closely at the check Frances receives from the hotel clerk in the opening scene. The letter acknowledged the closing of her account by the Midwest National Bank of Kansas City, KS. She received a check for $110 plus, and the date clearly shown on the check is March 10, 1845. That's right – 1845. Someone had fun with that prop, because the camera stays on the letter and check long enough for a theater audience to see the date clearly. Of course, with DVDs today, we can stop right on a scene and savor little goofs like this.
This movie may indeed have been for another time. Look closely at the check Frances receives from the hotel clerk in the opening scene. The letter acknowledged the closing of her account by the Midwest National Bank of Kansas City, KS. She received a check for $110 plus, and the date clearly shown on the check is March 10, 1845. That's right – 1845. Someone had fun with that prop, because the camera stays on the letter and check long enough for a theater audience to see the date clearly. Of course, with DVDs today, we can stop right on a scene and savor little goofs like this.
This is a rather underrated little movie that bares more than a passing resemblance to Stage Door.
Despite its lack of truly famous faces, it is beautifully acted by all concerned. Frances Langford, the female lead in this, had a long and highly successful career in the media, especially in radio and later on TV and as a live performer as well as occasional appearances in movies.
She belonged to an age when talent abounded and the competition was pretty fierce, and though not exactly a marquee name in movies, she did have her moments, and definitely deserved to have had a bigger career in movies. This little movie is an excellent vehicle for her. She was a striking beauty and had a fine singing voice. The only weak part of this movie is probably the dance scene at the end. But that aside this movie is well worth watching.
Despite its lack of truly famous faces, it is beautifully acted by all concerned. Frances Langford, the female lead in this, had a long and highly successful career in the media, especially in radio and later on TV and as a live performer as well as occasional appearances in movies.
She belonged to an age when talent abounded and the competition was pretty fierce, and though not exactly a marquee name in movies, she did have her moments, and definitely deserved to have had a bigger career in movies. This little movie is an excellent vehicle for her. She was a striking beauty and had a fine singing voice. The only weak part of this movie is probably the dance scene at the end. But that aside this movie is well worth watching.
Back in the 1940s, PRC was perhaps the worst small studio in Hollywood. Compared to their films, Republic and Monogram seemed like MGM and Fox! So, when I saw this Frances Langford film was from PRC, I pretty much assumed it would second-rate...which it was.
Joan (Langford) has been trying to get discovered for some time. All that has done was deplete her money and her self-image. However, even in the face of rejection after rejection, Joan's friends and fellow struggling artists have faith in her. In fact, when Joan has decided to pack it in and just marry her old boyfriend, these friends jump in and form a corporation to fund her until she is discovered. As for the boyfriend, you soon learn he's a jerk and wants to see her fail! What's next? See the film.
While IMDB says the film is a remake of "Stage Door", I see it more as a reworking of the basic idea and the two films, while similar, are different enough to merit your seeing them both, or, just see the better of the two, "Stage Door". My gripes with the movie were too much singing and some characters who seemed shallow and poorly written. Overall, watchable but not much more.
Joan (Langford) has been trying to get discovered for some time. All that has done was deplete her money and her self-image. However, even in the face of rejection after rejection, Joan's friends and fellow struggling artists have faith in her. In fact, when Joan has decided to pack it in and just marry her old boyfriend, these friends jump in and form a corporation to fund her until she is discovered. As for the boyfriend, you soon learn he's a jerk and wants to see her fail! What's next? See the film.
While IMDB says the film is a remake of "Stage Door", I see it more as a reworking of the basic idea and the two films, while similar, are different enough to merit your seeing them both, or, just see the better of the two, "Stage Door". My gripes with the movie were too much singing and some characters who seemed shallow and poorly written. Overall, watchable but not much more.
Did you know
- TriviaThis film's earliest documented telecasts took place in Los Angeles Tuesday 1 August 1950 on KTLA (Channel 5) and in New York City Tuesday 8 August 1950 on WCBS (Channel 2).
- GoofsWhen Joan Terry and Steve Dexter are shown hitting the night spots of Broadway, the stock-footage montage includes the outside of the Cotton Club - which had closed in 1940, four years before this film was made.
- ConnectionsRemake of Pension d'artistes (1937)
Details
- Release date
- Country of origin
- Language
- Also known as
- Le ragazze di Broadway
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 9 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content