Batman

This is one of the best of Columbia's serials produced in the 40s. There's no Batmobile or Batplane but hey, this was 1943.

There's the usual assortment of narrow escapes, last minute rescues, zombies, an alligator pit and an endless supply of the villain's henchmen.

Also included are some great stuntwork and excellent fight scenes.

Lewis Wilson and Douglas Croft make an credible Batman and Robin and their alter-egos Bruce Wayne and Dick Grayson. Two distinct advantages this serial has is it's wartime setting and the casting of the excellent J. Carroll Naish as the chief villain, Daka who is trying to install "The New Order" in America. Many serial and "B" movie veterans are cast in other roles. Look for George J. Lewis, Tom London and Dick Curtis as various henchmen and Charles Middleton, on the right side of the law for a change.

I know that it's a Columbia, but it is one of Columbia's best. Lewis Wilson and Douglas Croft are the definitive Batman and Robin. The story is great, the acting is great, the casting was great, and the photography was great. There are also some great fighting sequences and awesome cliffhangers.

Dr. Tito Daka is a classic villain. Daka was Japanese (He prefers to be called Nipponese) and was probably hated very much because remember, this serial was made during WW2.

The Batcave was pretty cool. I like it how Batman and Robin were taken directly to the scene of the crime by Alfred. There was no Batmobile.

I recommend this serial to anyone.

10/10 Stars

In Gothan City, in the Word War II, the Japanese spy Dr. Tito Daka (J. Carrol Naish) has a gang working for the Japanese government. He plans to steal a radium load to use in a lethal weapon and hijack an American prototype airplane. The evil Dr. Daka uses a machine to turn people into zombies to work for him. Batman is indeed the lazy millionaire Bruce Wayne (Lewis Wilson), and Robin is his protegee Dick Grayson (Douglas Croft) that are supported by the butler and chauffeur Alfred Pennyworth (William Austin). Bruce Wayne's love interest is Linda Page (Shirley Patterson) and Dr. Daka kidnaps her uncle Martin Warren to help him in his research but turns him into a zombie when he refuses to cooperate with the mastermind of the spy ring. Along fifteen Chapters, Dr. Daka stumbles upon Batman and the boy wonder Robin and they will fight each other.

"Batman" (1943) is the landmark of the first appearance of Batman on the screen and in serial at the climax of World War II. This low budget serial does not have the Batmobile; instead, Batman and Robin use Bruce Wayne's Cadillac convertible driven by Alfred. The plot has anti-Japanese messages and is silly, naive and funny in many moments, but is also highly entertaining and divided in 15 Chapters that were presented in the theaters once a week; now they are available on DVD. (1) The Electrical Brain; (2) The Bat's Cave; (3) The Mark of the Zombies; (4) Slaves of the Rising Sun; (5) The Living Corpse; (6) Poison Peril; (7) The Phoney Doctor (8) Lured by Radium; (9) The Sign of the Sphinx; (10) Flying Spies; (11) A Nipponese Trap; (12) Embers of Evil; (13) Eight Steps Down (14) The Executioner Strikes; (15) The Doom of the Rising Sun. Maybe the funniest scenes are when Dr. Daka communicates with his submarine by radio and they release a coffin with a near-death Japanese soldier only to tell that he should hijack an airplane; and when a spy breaks the window of the airplane to throw off a cargo of radium using parachutes for Dr. Daka's men. My vote is seven.

Title (Brazil): "Batman"

The 1943 Batman Movie Serial, starring Lewis Wilson as the Batman and Lewis Croft as Robin, is definitely one of my favorites. The evil Dr. Daka, played with devilish delight by J. Carol Naish, has enlisted a number of 5th columnists to subvert American interests, on U.S. soil. Innocent Americans are transformed into mindless zombies in order to assist the sinister Daka and his evil minions. Despite every advantage, the Batman manages to stop Daka and save America from the "Doom of the Rising Sun!" Watch for Shirley Patterson as Bruce Wayne's love interest, Linda Page, who definitely makes a wonderful damsel in distress. William Austin plays Wayne's faithful butler, Alfred and provides comic relief. Batman creator, Bob Kane, even makes an appearance in the first chapter as a newsboy. Batman fights fo

Discovering the Batman serial and the strip cartoon at the age of eight must have shaped (warped?) my taste for the rest of my life.

Even pre-pubescent, I could tell this one was superior to the draggy Sam Katzman chapter plays which engulfed my Saturday afternoons. Encountering it again in the sixties when it was a star turn in the low camp boom wasn't an anti climax. The imagery (imagery yet!) of the comic book survived diluted and distorted. Batman silhouetted against a night sky made white by the deep red filter, after Robin strikes fear into the hearts of the henchmen by showing the bat signal on their wall, remains embedded in the memory bank. A disguised Bruce Wayne waves a gun at one stage and we miss the Batmobile but Bob Kane made over his drawings of Alfred the Butler to look like William Austin.

Add on another forty (gulp) years and we've had political correctness an a version removing Knox Manning's narration about the wisdom of a government that locks up it's evil Nipponese citizens in a camp or the fetching Shirley Patterson shrieking "A Jap" when faced with J. Carrol Naisch, his Irish eyes pulled back into the fiendish mask of Dr. Dakar the sadistic son of Nippon feeding henchmen to pet alligators. The baggy forties suits and baggy 4F extras, along with the tackiness of the hand me down sets have become period detail as much as drab. We do notice that they have only two zombie hats so if there are a couple on screen, one has to go out and send another one in.

Along with that however, there are some remarkably well staged action scenes - the chase after that armored car we keep on seeing in old Columbia movies, the fire that showers (The) Batman with burning rafters,apparently staged by western specialist Harry Frazer who gets a writer credit.

Lewis Wilson, Douglas Croft and Shirley Patterson must have resented the fact that their careers peaked here but how about poor old Lambert Hillyer who was one of the architects of the classic westerns of William S. Hart and has now survived only as the director of record of this rush job kids actioner.