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Un commando en Bretagne

Original title: Assignment in Brittany
  • 1943
  • Approved
  • 1h 36m
IMDb RATING
6.7/10
354
YOUR RATING
Jean-Pierre Aumont and Susan Peters in Un commando en Bretagne (1943)
SpyAdventureDramaRomanceThrillerWar

A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a look-a-like French citizen.A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a look-a-like French citizen.A French captain (Jean-Pierre Aumont) poses as a Nazi to pinpoint a U-boat base off the coast of France, while assuming the identity of a look-a-like French citizen.

  • Director
    • Jack Conway
  • Writers
    • Anthony Veiller
    • William H. Wright
    • Howard Emmett Rogers
  • Stars
    • Jean-Pierre Aumont
    • Susan Peters
    • Margaret Wycherly
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    354
    YOUR RATING
    • Director
      • Jack Conway
    • Writers
      • Anthony Veiller
      • William H. Wright
      • Howard Emmett Rogers
    • Stars
      • Jean-Pierre Aumont
      • Susan Peters
      • Margaret Wycherly
    • 11User reviews
    • 9Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos12

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    Top cast93

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    Jean-Pierre Aumont
    Jean-Pierre Aumont
    • Bertrand Corlay
    • (as Pierre Aumont)
    • …
    Susan Peters
    Susan Peters
    • Anne Pinot
    Margaret Wycherly
    Margaret Wycherly
    • Mme. Henriette Corlay
    Signe Hasso
    Signe Hasso
    • Elise
    Richard Whorf
    Richard Whorf
    • Jean Kerenor
    George Coulouris
    George Coulouris
    • Capt. Hans Holz
    John Emery
    John Emery
    • Capt. Deichgraber
    Darryl Hickman
    Darryl Hickman
    • Etienne
    Sarah Padden
    Sarah Padden
    • Albertine
    Adia Kuznetzoff
    • Louis Basdevant
    Reginald Owen
    Reginald Owen
    • Col. Trane
    Miles Mander
    Miles Mander
    • Col. Herman Fournier
    Alan Napier
    Alan Napier
    • Sam Wells
    Odette Myrtil
    Odette Myrtil
    • Louis' Sister
    Juanita Quigley
    Juanita Quigley
    • Jeannine
    William Edmunds
    • Plehec
    George Brest
    • Henri
    George Travell
    • Rochet
    • Director
      • Jack Conway
    • Writers
      • Anthony Veiller
      • William H. Wright
      • Howard Emmett Rogers
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    6.7354
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    Featured reviews

    6planktonrules

    Not be as far as American WWII propaganda films go...

    This is a wartime film obviously intended to bolster the public's resolve. It stars a French expatriate, Jean-Pierre Aumont, who came to Hollywood when his country fell to the Germans. Unfortunately, not too many other French actors were available...and those who SHOULD have had French accents never even tried. So, it's all a bit strange with Aumont the only French person in a film set in a France where everyone has American and British accents!! Just suspend your sense of disbelief and watch.

    The story is a bit silly but enjoyable. It seems that a French agent cannot go back to his native land for an assignment due to an injury. But, they manage to find a Free-French officer, Pierre (Aumont) who looks a lot like him. And, after a bit of plastic surgery, voila...the man has a double who will do the assignment for him! His job is to locate the secret German submarine bases so they can be destroyed. And, until he locates them, Pierre is to assume the other man's life...living withe man's mother and interacting with his friends.

    The story that follows is rather typical of a wartime film. However, the Germans are not quite as monstrous as they often were in WWII- era films--as the filmmakers were going more for realism in this instance. Overall, it's enjoyable but a tad dumb. Turn off the part of your brain that questions silly plot lines and you'll no doubt enjoy this generally well made film.
    10mutti-2

    WW II espionage film hinges on double identity.

    This is a story of the remarkable resemblance of two French men during WW II: one of whom is dealing traitorously with the Nazi occupation, and the other who is sent by British intelligence to try to discover the location of a Nazi port in Brittany that is destroying English ships. Both the mother and the sweetheart of Bertrand (the first man) are very disappointed with his activities and find it hard to believe in the goodness of Pierre, who is impersonating him, and are slow to accept the deception. Complicating the plot is Bertrand's mistress whose existence is unknown to Pierre. How the location of the Nazi port is discovered and the double-identity is resolved form a thrilling development.
    8shoobe01-1

    We need more movies like this

    Solid story, I think well done and paced nicely for modern sensibilities even. Dramatic scenes jump to quite harrowing action without warning, and play out realistically. A relatively simple, high-stakes spy/war plot, clearly resolved. Nice bits of play acting, being discovered, double agents, etc. etc.

    Some here complain about the acting, but I thought it all worked great, and the supporting cast really held up their end; even people on screen for two minutes seem real, and to be motivated by actual emotion.

    Not a great transfer, and hard to watch but I caught it on TCM. Nicely done sets, and mostly works within the confines of budget by keeping things indoors and at night. The few outdoor scenes (especially those in the day) are a bit lame in the backlot/studio way they were, but that's about the only flaw I can find in it.
    6SnoopyStyle

    French partisan action

    Pierre Metard (Jean-Pierre Aumont) is a Captain in the Free French forces. He sneaks behind enemy lines to wreck havoc among the Nazis. He gets loaned out to the British. He takes on the identity of captured suspected Nazi collaborator Bertrand Corlay to find a hidden U-boat base on the French coast.

    I don't know this actor other than a few roles which I barely remember. It is interesting to use a Frenchman. He actually fits the role. Some of this is very compelling, but some of it feels unrealistic. The last battle is big and Rambo-esque. There is one thing that really bugs me. When the girl starts singing, there are several cuts to each character turning their heads to camera. These are big dramatic hair-flipping turns that take me right out of the movie. It's one of those sour note moments.
    dodi207

    Special Screening

    I can't remember the exact year, but my mother and I were invited to an evening at the Uptown Theatre in Toronto, Ontario for a special screening of Assignment in Brittany in aid of the Free French movement. It was a very exciting time for me, and Jean Pierre Aumont was there in person. I was 14 or 15 at the time, and I have never forgot the evening. Our tickets were a gift from a french teacher at the Cental High School of Commerce. It was a gala evening, in spite of the fact that war was raging in Europe and the Pacific. I was of an age when I was entranced by movie stars, and to see Mr. Aumont in person was a dream come true.

    I wonder if there are others who attended that show. Mr. Aumont was introduced, and spoke at length about the Free French movement, and encouraged donations to support them. I enjoyed the picture very much, as did my mother. There was a reception after the screening, where we were introduced to Mr. Aumont, a very gracious man. Perhaps it was the fact that the war had been on for it seemed forever, and the picture showed what ordinary citizens could do to help defeat the enemy. Certainly, although we did not suffer the devastation of actually being occupied or bombed, we were well aware of the loss of our dear family and friends. There were many films made about the war but this seemed special because of the appearance of people who had direct connection with the Free French movement, and we were hearing about it first hand.

    Storyline

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    Did you know

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    • Trivia
      The Germans built several submarine bases on the west coast of France after their occupation of the country in 1940. Enormous submarine pens of reinforced concrete were erected at Bordeaux, Brest, La Pallice, Lorient and Saint-Nazaire. These structures protected the U-Boats from attack and allowed them freer access to the Atlantic Ocean, as the submarines did not have to transverse the English Channel or go around the UK via the North Sea from bases in Germany. As of 2020 these massive constructions are still largely intact and some have even been re-purposed. The pens at La Pallice can be seen in Le Bateau (1981) and Les Aventuriers de l'arche perdue (1981).
    • Goofs
      As Corlay and Kerenor are about to enter the pub, a German guard stops them. Kerenor says, "One uncovers. It's good form for the content." They take their hats off and enter. But once inside, only they have their hats off. All the other Frenchmen of the town, and the German officers, have their hats on their heads.
    • Quotes

      Jean Kerenor: [as he and Metard/Corlay are stopped by a guard from entering a pub] One uncovers. It's good form for the content.

      [German officers as well as town folk are seated inside]

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    Details

    Edit
    • Release date
      • March 11, 1943 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Assignment in Brittany
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Loew's
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 36 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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