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Les anges du péché

  • 1943
  • Tous publics
  • 1h 26m
IMDb RATING
7.2/10
1.9K
YOUR RATING
Les anges du péché (1943)
Drama

Anne-Marie joins a Dominican convent as a novice where she knows Therese. After shooting a man for which she was imprisoned, Therese protests her innocence, reluctant to tell her secret.Anne-Marie joins a Dominican convent as a novice where she knows Therese. After shooting a man for which she was imprisoned, Therese protests her innocence, reluctant to tell her secret.Anne-Marie joins a Dominican convent as a novice where she knows Therese. After shooting a man for which she was imprisoned, Therese protests her innocence, reluctant to tell her secret.

  • Director
    • Robert Bresson
  • Writers
    • Raymond Leopold Bruckberger
    • Robert Bresson
    • Jean Giraudoux
  • Stars
    • Renée Faure
    • Jany Holt
    • Sylvie
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    1.9K
    YOUR RATING
    • Director
      • Robert Bresson
    • Writers
      • Raymond Leopold Bruckberger
      • Robert Bresson
      • Jean Giraudoux
    • Stars
      • Renée Faure
      • Jany Holt
      • Sylvie
    • 12User reviews
    • 20Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos36

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    Top cast23

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    Renée Faure
    Renée Faure
    • Anne-Marie Lamaury
    Jany Holt
    Jany Holt
    • Thérèse
    Sylvie
    Sylvie
    • La prieure
    Mila Parély
    Mila Parély
    • Madeleine
    Marie-Hélène Dasté
    Marie-Hélène Dasté
    • Mère Saint-Jean
    Yolande Laffon
    • Madame Lamaury
    Paula Dehelly
    • Mère Dominique
    Silvia Monfort
    Silvia Monfort
    • Agnès
    Gilberte Terbois
    • Soeur Marie-Josèphe
    Louis Seigner
    Louis Seigner
    • Le directeur de la prison
    Georges Colin
    Georges Colin
    • Le chef de la P.J.
    Christiane Barry
    • Soeur Blaise
    • (uncredited)
    Jacqueline Champi
    • Une religieuse
    • (uncredited)
    Madeleine Clervanne
    Madeleine Clervanne
      Andrée Clément
      Andrée Clément
      • Soeur Élisabeth
      • (uncredited)
      Henri de Livry
        Elisabeth Hardy
        • Une religieuse
        • (uncredited)
        Bernard Lajarrige
        Bernard Lajarrige
        • Un gardien de la prison
        • (uncredited)
        • Director
          • Robert Bresson
        • Writers
          • Raymond Leopold Bruckberger
          • Robert Bresson
          • Jean Giraudoux
        • All cast & crew
        • Production, box office & more at IMDbPro

        User reviews12

        7.21.8K
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        Featured reviews

        7frankde-jong

        The underrated debutfilm of Robert Bresson

        "Les anges du peche" (Angels of sin) is situated in a monastry of the Dominicanesses from Bethany. This order gives women who have been in jail shelter and a second chance. So not al the nuns in this monastry are angels.

        Sister Anne Marie however, who has not been in jail but who has joined entirely out of free will, comes close (to being an angel). Anne Marie sees it as her mission to guide one of the most difficult novices, sister Theresa. Sister Theresa has been in jail, but persists that see was innocent. "The innocent cannot forgive" is her motto.

        The relationship between the angelic Anne Marie and the frustrated Theresa is the engine of the story. While watching the film I found out that I dit not always symphatize with the angelic one.

        Just as Stanley Kubrick, Robert Bresson began his filmcareer as a conventional director, to develop a unique style of his own only after a few films. His debut "Les anges du peche" (1943) together with "Les dames du Bois de Boulogne" (1945) are generally considered as his two conventional movies. This maybe true for "Les anges du peche" as far as the form of the film is considered. "Les anges du peche" has a plot and the characters are played by professional actors. But the theme of the film (guilt, penitence and redemption) is as Bressonian as a theme could be. This theme fully comes into its own during the marvelous ending.
        8springfieldrental

        Robert Bresson's Directorial Film Debut

        Before World War Two, France had one of the most vibrant movie scenes in the world, just behind Hollywood and Germany. But with the onslaught of WW2, most of the French filmmakers fled the continent. However, director/scriptwriter Robert Bresson decided to stay, and took advantage of the void to direct his first feature film, June 1943's "Angels of Sin." He would direct only thirteen full-length films, but his impact in cinema remains high, especially to those working in film in the late 1950s during what is known as the 'French New Wave' era.

        Jean-Luc Godard placed Bresson in the highest echelon of French film directors. "Bresson is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music." Francois Truffaut called him one of the very few true "auteurs." At 42 when Bresson handled his first feature film in "Angels of Sin," he had spent his younger years as a painter and a photographer. Bresson had directed only one short film, 1934's 'Public Affairs,' but he had written four film scripts prior to 1940 which became movies. Enlisting in the French Army when war broke out, Bresson was captured by the Germans and spent a year in a prisoner-of-war camp before paroled.

        Under Germany's thumb, Vichy France restructured French cinema, and the dearth of filmmaking talent made Bresson a highly-sought after commodity. The Catholic director was assisted by famous dramatist Jean Giraudoux and Dominican priest Raymond Bruckberger, who suggested a book on the Sisters of Bethany who rehabilitate female convicts. Bresson's screenplay is centered on Anne-Marie (Renee Faure), a do-gooder who decides to join a convent to help those incarcerated. Her first assignment is Therese (Jany Holt), a bitter woman who unwittingly took the rap for her boyfriend's stealing. Once Therese is paroled, she immediately kills her former lover, and seeks to hide out from the police by joining the convent. Therese, the nunnery's bully, gets Anne-Marie in trouble where she's banned from the convent. Anne-Marie is so persistent in her attempts to reform Therese she repeatedly slinks back at night, leading to a spiritual awakening for both. "However distant from his later work it may be," says film reviewer Erik Ulman, "'Angels of Sin' remains not only recognizably a Bresson film, but one of great power." This is one of only two movies he had hired professional actors; all his others consist strictly of amateurs. His debut set a commonality which appears throughout his future movies, including his characters' salvation and redemption. Like his subsequent films, Bresson's pares down superfluous details of events not crucial to the main plot, known as ellipsis.

        Some critics draw a parallel between the convent and Vichy France in "Angels of Sin" which Bresson subtly gives certain hints. German officials monitored each of the 230 films produced by the French during WW2, carefully inspecting and cutting any negativity towards the Axis powers. Popular for French film-goers during the war were adaptations of literature and drama, crime and melodramatic thrillers. German and Italian-produced films attracted only flies in France. Film critic Greg Klymkiw noticed "Angels in Sin" "deals very cleverly and subtly with the way in which the nunnery operates in comparison to the prison and most importantly, how the secular world is essentially the Vichy and the religious world, the Resistance." "Angels of Sin" was Bresson's only directed film during the war. But it was a springboard to one of the most fertile body of works in French cinema by one director.
        9johnbown-85339

        A moving drama with a great script

        An absorbing melodrama with great performances from Renée Faure, Sylvie and Jany Holt. Novice nun Anne-Marie, slightly worryingly over-confident, embarks on a fervent mission to redeem a particularly troubled convict, Thérèse.

        The script is really strong, and particularly as it portrays the life of the convent. The saints'-wisdom-tombola and the conversation in the laundry are charming, and the ceremonies and submissions quietly powerful.

        Anne-Marie's urge to do good becomes increasingly insufferable, and then unhinged to the point where she denounces the sisters' pet cat. The cat, rather than her thankless protégé Thérèse, whose response to Anne-Marie's selfless love, or perhaps her foolish religious pride, comes increasingly to the fore in a deeply moving ending.
        6hof-4

        Charity and pride

        Script and dialogues by the director, Raymond Bruckberger and the playwright Jean Giradoux. Accurate and moving description of a Dominican convent (Bruckberger was a Dominican monk). The story centers on the difficulty of setting precise limits between Christian charity and pride. Unfortunately, the script veers needlessly (and distractingly) into overly dramatic territory midway through the movie. This affects negatively the quality of the acting as well. Music is a little too emphatic at times.

        On the positive side, well paced direction and excellent cinematography. This is the first feature film by Bresson and there are some inklings of the minimalist style that would mark his later work.
        6dbdumonteil

        Nuns story

        This first Bresson effort has not worn well.The director himself did not like it,and it is sure easy to see why.A non -French audience will not notice it,but the actresses here are professional,some of them were stars of the era.The great Sylvie,Renée Faure,Jany Holt were famous in France when they starred in "les Anges du Péché" .Some were to become ,like Silvia Montfort,whose whining acting is in direct contrast to everything RB would do afterward .

        Can today's audience relate to those characters?I have my doubts.This is an excellent documentary : a nun's life is no laughing party (for that matter,see also Zinnemann's "a nun's story" and Alain Cavalier's "Thérese").But the nun from the bourgeoisie who tries to redeem a criminal 's soul will not convince anybody,unless he absolutely loves the director.

        It's little more than a Sulpician melodrama.

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        Storyline

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        Did you know

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        • Trivia
          First feature film directed by Robert Bresson.
        • Connections
          Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)
        • Soundtracks
          Salve Regina
          Music by Jean-Jacques Grünenwald

          Sung by Irène Joachim

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        FAQ13

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        Details

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        • Release date
          • May 13, 1946 (Sweden)
        • Country of origin
          • France
        • Language
          • French
        • Also known as
          • Filles de l'exil
        • Production company
          • Synops
        • See more company credits at IMDbPro

        Tech specs

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        • Runtime
          • 1h 26m(86 min)
        • Color
          • Black and White
        • Sound mix
          • Mono
        • Aspect ratio
          • 1.37 : 1

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