La guerre dans l'ombre

Robert Donat's Eastern European background and fluency in a few languages make him the ideal choice for British Secret Service to send on a mission to destroy a Nazi poison gas factory in occupied Czechoslovakia. In a brief prologue with Donat disarming a buzz bomb that landed in a hospital, we see an example of how he keeps his cool under fire.

Sabotage Agent next has Donat in Czechoslovakia disguised as a refugee from the Nazi sympathizing Iron Guard of Romania. Donat moves effortlessly from the stiff upper lip British agent to the bumptious Jan Tartu of Romania. He keeps his wits about him pretty good in a whole bunch of situations.

Especially since he loses his contact upon arriving in Czechoslovakia almost immediately and is flying blind. Another agent is Valerie Hobson who like Donat is always good. She's a Czech who's a collaborator officially, but is really working for the Czech underground. She doesn't know what to make of Donat. One thing is sure, her Nazi boy friend Walter Rilla is plenty jealous.

I have to say that the action packed ending was a bit much. It was like Donat was trying to compete with Errol Flynn. Something a little more clever I would have expected from his character. This was more like something from James Bond.

Nevertheless Donat and Hobson give good characterizations and also Glynis Johns as another Czech patriot gives a memorable performance.

This extremely well-paced 1943 spy film shot in England during the Second World was directed for MGM by British-born Harold S. Bucquet, remembered today only for a series of Dr. Kildaire films he made in the States for the MGM Culver City "B" film unit. Perhaps Bucquet's return to his homeland during the war inspired him here as he rarely ever again displayed such high-style. Robert Donat as the faux Rumanian Dandy steals the show; he is perfectly charming and romantic as a modern-day Scarlet Pimpernal. There is a particularly good supporting cast of German heavies and Brits playing Czechs. Walter Rilla and Freidrich Richter in particular are excellent as the sort of movie Nazis who showed up the year before at Rick's café in Casablanca. The Gainsborough Studios sets by John Bryan ("Pygmalion" and "Major Barbara") are exceptionally atmospheric and realistic. If the film has a weakness it is the performance of that wooden English rose, the beautiful Valerie Hobson,(Mrs.Profumo in life) whose not quite up to Donat's delightful mix of romance and melodramatics.

Robert Donat gives a very spirited performance as a British spy fluent in languages who is assigned to sabotage a Nazi gas factory in Czechoslovakia. He's more action-oriented than usual in a role requiring a lot of physical action while keeping one step ahead of the Nazis.

His spying activities also include some romantic moments with lovely Valerie Hobson, a woman who openly flirts with Nazi officers while working with the Czech underground. She and Donat join forces eventually but some misunderstandings almost ruin their partnership. The clever plot takes a number of interesting twists as the story unfolds in a brisk and very compelling manner.

Photography is first rate as are the various sets, especially the unique looking laboratory with its glass elevator overlooking an elaborate looking set design. Donat is charming in the central role and gets solid support from an excellent British supporting cast. Especially good are Walter Rilla as an officer in love with Hobson and Glynis Johns in a small role as an ill-fated Czech loyalist.

Highly recommended as one of the best espionage yarns from the U.K. during the war years.

"The Adventures of Tartu" is a marvelously entertaining espionage picture which for some reason is seldom seen on TV nowadays. It clocks in at 103 minutes but the pacing is such that you are not aware of its length. It stars Robert Donat, one of England's best actors. He had an unforgettably mellifluous voice and is fondly remembered for, among others, "The Thirty Nine Steps". Not really remembered as an action hero, he portrayed an inner strength reminiscent of the kind Leslie Howard showed in some of his roles. Here, however, he is in fact a man of action, two-fisted and able to handle a pistol as well, sort of a James Bond-type character.

He gets good back-up acting support from some dependable character actors and shares billing with lovely Valerie Hobson, who seldom gave a bad performance, and with whom there is apparent chemistry, the kind that two pros can generate. Actually, it's hard to find fault with any aspect of this MGM/British production. I thought the dialogue was especially good.

There are a good handful of unheralded or forgotten movies made about WWII that are worth watching, among them "Manila Calling" (1942), and "Joan Of Paris" (also 1942). "Decision Before Dawn" is another but it was made after the war, in 1951. But "Tartu" is worth seeing regardless of genre because it succeeds on several levels.

This propaganda film pits a British-born, German-educated, chemical engineer (Stevnson - Robert Donat) who speaks Rumanian, German and Russian fluently against Nazis in Eastern Europe. Captain Stevenson becomes an Iron Guard named Tartu (the real Tartu is dead) and heads off, with minimal briefing and no espionage experience, to upset a Nazi plot. Stevenson seeks to infiltrate a German chemical weapons plant but needs help from the local resistance to succeed. But how, posing as a Nazi, can he get the underground to trust him?

Although the basic premise is a tad ludicrous, the film is very carefully plotted and the characters are likable, well-written and well played. Donat, Glynnis Johns and Valerie Hobson are especially good. The cinematography, directing and editing are very standard for early-mid-20th century British film - very straightforward and focused on the story - little to no experimentation and very few pans. But the pace of the film complements - or at least compensates for - the theatrical camera work fairly well.

Recommended for Donat fans and those interested in WWII-era war films.