Un espion a disparu

If you like the kind of spy-romance yarns spun out by Hollywood in the 1940s--the kind with tongue-in-cheek dialogue that lets you know you're not supposed to take any of it too seriously--you'll enjoy this amusing, yet suspenseful film in which Conrad Veidt plays a "nice guy" for a change. Honeymooners Joan Crawford and Fred MacMurray are asked by British intelligence to do some spying while on their European jaunt. The agreeable pair go along with a plan that has them on the trail of an agent and in and out of dangerous situations as they are pursued by Basil Rathbone, chilling as usual as a Nazi.

Good entertainment with some amusing dialogue and light-hearted performances by Joan and Fred that indicate they should have been teamed more than once. As it is, this is Joan Crawford's last film at Metro after seventeen years with the studio and comes just two years before "Mildred Pierce" at Warners. Good cast and fine production values make it an absorbing treat.

Above Suspicion (1943)

** 1/2 (out of 4)

By-the-numbers WWII drama from MGM has Joan Crawford and Fred MacMurray playing newlyweds who are asked by the government to do some spying as they make their way into Nazi controlled territory. ABOVE SUSPICION was one of the hundreds of films turned out by Hollywood to motivate or at least pursued the country to support the war and to show how evil the Nazi party was. With so many films in this sub-genre it's always hard to find a "great" film and this here certainly isn't one of them. While the film remains slightly entertaining from start to finish, there's really no way to deny the fact that there's just nothing overly special here and it's also incredibly uneven. I say uneven because the tone of the film seems to change from one scene to the next. Sometimes you feel as if you're watching some sort of light comedy and then the next minute everything is being handled so heavily. At times there seems to be a wink-wink going on between the two leads and then the next second everything is back to being dead serious. I thought the entire tone of the film was just wrong and it was incredibly hard for me to believe the story or take it too serious. Both Crawford and MacMurray are good in their roles, although I'm not so sure they play were together. I really didn't buy them as a married couple and I also didn't buy them working together on these missions. Conrad Veidt is good in his role as a good German and Basil Rathbone steals the film as the evil German. Reginald Owen has a good supporting part as well. Again, at just 90-minutes the film moves well enough but there's just not enough going on here to make it worth watching except for fans of the cast.

A lot of people seem to deride this film, but I found it quite enjoyable. It was Joan Crawfords last contract film at MGM, and far from walking through the part I personally think she sails along quite breezily and relaxed, which is just right for the character she plays. Basil Rathbone always makes a great, charming villain, and the much underrated Fred MacMurray comes across quite well as the hero. Casting of all supporting parts is excellent, and the MGM production values are faultless. The first half of the film is considerably better than the second as €"things become a bit chaotic and muddled towards the end -but its great to see a Hollywood film where the Germans actually speak German. There are also one or two quite extraordinary tracking shots, especially one in the concert hall, and in fact this whole sequence has an intensity that one wishes the entire film had. Still, if you can swallow the premise of the film and follow the logic of the "trail" you will perhaps be as entertained as I was by this one.

American honeymooners (Fred MacMurray, Joan Crawford) are recruited by British government to spy on the Nazis just before WW2 starts. They have to contend with Nazi Basil Rathbone and a host of others who may or may not be on their side. Decent wartime thriller with some light comic touches. MacMurray and Crawford both do fine, though it doesn't seem like the part quite fits Joan. This was her last movie for MGM before departing for Warner Bros. Nice support from Rathbone and Conrad Veidt. It's the kind of movie that you feel could have been so much better in the hands of a different director and perhaps different leads. Joan reportedly wanted Alfred Hitchcock to direct. It does seem somewhat up his alley but he certainly would have had the script rewritten significantly. I'm sure it would have been a much better film with Hitch at the helm. As it is, though, it's an agreeable time-passer. I love Fred MacMurray's closing line.

I, more or less, agree with practically all the reviewers. I, too, have seen better spy thrillers and anti-Nazi movies, however, this movie, was, nevertheless, a good movie! Joan Crawford and Fred MacMurray were very good in the lead roles, although I thought the chemistry between them was not that good, whereas the chemistry between Barbara Stanwyck and Fred MacMurray in their movies together, especially "Double Indemnity", was fantastic! Bruce Lester, Reginald Owen, Richard Ainley, and, especially, Basil Rathbone all contributed very good supporting performances! Now we come to the actor for whom, like Mark.Waltz, this movie has a special place in my heart: Conrad Veidt! Conrad Veidt was not only an excellent actor, but he had a way about him that made him stand out in any movie, and this movie was no exception! Near the end of the movie, he danced a tango-smiling, and looking so happy, and that made me feel so good, and then I realized that this was his final movie before his early death at the age of 50! I felt so sad that he would no longer be giving his excellent performances!