Un espion a disparu

If you like the kind of spy-romance yarns spun out by Hollywood in the 1940s--the kind with tongue-in-cheek dialogue that lets you know you're not supposed to take any of it too seriously--you'll enjoy this amusing, yet suspenseful film in which Conrad Veidt plays a "nice guy" for a change. Honeymooners Joan Crawford and Fred MacMurray are asked by British intelligence to do some spying while on their European jaunt. The agreeable pair go along with a plan that has them on the trail of an agent and in and out of dangerous situations as they are pursued by Basil Rathbone, chilling as usual as a Nazi.

Good entertainment with some amusing dialogue and light-hearted performances by Joan and Fred that indicate they should have been teamed more than once. As it is, this is Joan Crawford's last film at Metro after seventeen years with the studio and comes just two years before "Mildred Pierce" at Warners. Good cast and fine production values make it an absorbing treat.

American honeymooners (Fred MacMurray, Joan Crawford) are recruited by British government to spy on the Nazis just before WW2 starts. They have to contend with Nazi Basil Rathbone and a host of others who may or may not be on their side. Decent wartime thriller with some light comic touches. MacMurray and Crawford both do fine, though it doesn't seem like the part quite fits Joan. This was her last movie for MGM before departing for Warner Bros. Nice support from Rathbone and Conrad Veidt. It's the kind of movie that you feel could have been so much better in the hands of a different director and perhaps different leads. Joan reportedly wanted Alfred Hitchcock to direct. It does seem somewhat up his alley but he certainly would have had the script rewritten significantly. I'm sure it would have been a much better film with Hitch at the helm. As it is, though, it's an agreeable time-passer. I love Fred MacMurray's closing line.

Those wonderful movies of the past. The film's setting is in the days prior to the outbreak of the Second World War. Although it would have been highly unlikely that British Intelligence would have asked two non-Britishers and non-professionals to do a bit of spying for them which could turn very dangerous for them and give the whole thing away plus creating an international scandal (the World War had not yet started), yet it is always interesting to see how it would have developed. Good slick direction by Mr. Thorpe, excellent acting by Mr. McMurray and specially by Miss Crawford, excellent set design which does not forget the overcoats needed on the Brenner Pass between Austria (in the Film the country is called Southern Germany) and Itally (which did not get into the War until 1940). Good to see two decent people doing the right thing for the right cause endangering their own lives to get away from the Nazi and back to safety. Good work and fun to watch and don't forget the inimitable Mr. Veidt. He should have been in Hollywood a decade earlier.

Barzin Samimi

Tehran, Iran

"Above Suspicion(1943)" was the last film Joan Crawford made under her Metro-Goldwyn-Mayer contract. Crawford had strictly made films for the studio since 1925. She left,because she was dissatisfied with the mundane scripts she was offered.Looking at this film,we can see her point.Here's an espionage thriller that has a great premise and a good cast,but falters midway through.The plot is basically about honeymooners(Crawford and Fred MacMurray)being ask to do spy work in Nazi Germany. They must get information about a secret German mine.Along the way,they encounter colorful characters that lead them to clues.They even witness an assassination of a German leader in an opera house.The first 45 minutes is extremely suspenseful and Crawford and MacMurray have great chemistry together.However,the rest of the film is less than plausible and the ending leaves much to be desired.The problem,though,is with the director,Richard Thorpe.Not one of MGM's best directors,Thrope puts too many unnecessary scenes in the film,that distract from the plot.In addition,he wastes the talent of some great character actors,putting them in one-dimensional roles.Basil Rathbone was great at playing sinister roles.Here he plays a conniving Nazi,but has very little to do.The major miscasting was letting Conrad Veidt play a charming spy.Veidt was marvelous at playing an acid-tongued Nazi officer,most notably in the classic,"Casablanca(1943)." In other hands like Alfred Hitchcock or Fritz Lang,this film could have been first-rate.Crawford wouldn't have a hit movie until "Mildred Pierce(1945)",where she gave perhaps the best performance of her career as a self-sacrificing mother. As it is, the film isn't a bomb,but there are much better spy thrillers out there.I give it 2 1/2 stars out of four.

A lot of people seem to deride this film, but I found it quite enjoyable. It was Joan Crawfords last contract film at MGM, and far from walking through the part I personally think she sails along quite breezily and relaxed, which is just right for the character she plays. Basil Rathbone always makes a great, charming villain, and the much underrated Fred MacMurray comes across quite well as the hero. Casting of all supporting parts is excellent, and the MGM production values are faultless. The first half of the film is considerably better than the second as €"things become a bit chaotic and muddled towards the end -but its great to see a Hollywood film where the Germans actually speak German. There are also one or two quite extraordinary tracking shots, especially one in the concert hall, and in fact this whole sequence has an intensity that one wishes the entire film had. Still, if you can swallow the premise of the film and follow the logic of the "trail" you will perhaps be as entertained as I was by this one.