Les visiteurs du soir

This was the fifth of the six Great films directed by Marcel Carne between 1937 & 1945, again with writing collaboration from Jacques Prevert, and perhaps the most neglected. So much so I've yet to see a good print, my latest one from French TV seems to have horses galloping (albeit softly) throughout the soundtrack while the film seems to have been bashed about a bit. Never mind; Carne's career was littered with excellent films but Visiteurs was one of his best - maybe it's best seen now without thinking of metaphorical allusions to the then resistance against the Nazis (except as a piece de resistance?) And the best was still a few years off: the utter magnificence of Les Enfants Du Paradis.

France 1485: shady Gilles (square jawed Cuny) and Dominique (worldly wise Arletty) arrive at Baron Hugues castle as melancholic minstrels intent on disrupting the marriage preparations going on – as any self respecting devilish envoy would. Alas it goes awry for Gilles when he actually does fall in love with Anne the Baron's daughter (Dea) but Arletty manages to keep to her usual cynical straight and narrow course, and leads the Baron off his. It's beautifully photographed on black & white nitrate film capturing atmospheric sunny days and romantic arc-moonlit nights, gorgeous costumes and fascinating sets equally well. One can almost smell the fresh air! One slight downer: the three midgets go from startling to plain irritating with their omnipresence. It's all about Love, Honour & Purity poetically and elegantly related – which makes the denouement with the supposedly pure Anne and the for once nonplussed Devil so delightful and droll. Even if out of scope for him he should still have been able to guess that all's fair in love!

Remember: the Devil will always find work for idle hands to do, including his own. Watch it for a thoughtful two hours of breath taking beauty strolling through a lost world as portrayed by another lost world. Next: Les Enfants Du Paradis.

I know nothing of the director, and after reading other reviews, I certainly know nothing of any correlation between the Nazi occupation of France and Hitler as relating to the film, as far as metaphor and allegory goes. And I'm so glad I had no prior knowledge of any of that, because I was thoroughly delighted and impressed with this true piece of art.

I'm not a huge fan of period pieces, so when I realized it was set in the 15th century, I was inclined to stop watching. But after 10 to 15 minutes, I was hooked. The next thing I knew, I was an hour into it and enthralled. And I'm so glad I saw it through until the end.

The acting is wonderful. The story and screenplay are quite slick, especially the dialogue. The costuming, cinematography, music, etc., all work together to create a seamless product.

If you are a fan of French cinema, especially during the 1940s, I highly recommend this. If you're new to French cinema, this may not be an ideal introduction, but the storyline is universal enough to please.

Simply the most beautiful and moving movie that stemmed from the "réalisme poétique" movement. A truly atemporal story, despite the resistance allusions which can live long after the end of WWII.

What makes me really love this movie is the contrast between the very dated conventions of acting, the seemingly slow pace that was the rule at a time the video clips were still waiting in an unforeseeable future and the perfect consistency of the characters and psychology. The emotion is still intact no matter how much the way actors and directors are supposed to convey it has changed over decades.

What a bunch of great actors! True professionals working seamlessly together to serve a masterly written script. I really advise non-french speaking people to watch it in original version with subtitles, to enjoy the music of Prevert's poetic lines.

This movie is a real gem.

The heavy censorship imposed during the german occupation made it difficult for cineasts to find non controversial subjects. Jacques Prévert and Marcel Carné came up with this medieval tale of love and sorcery with a prestigious cast of great actors. It has been claimed that the beating heart in the statue was a symbol of the Resistance.

Unbelievably great film. And chilling. At one point I had to press pause and walk away. Granted I do not watch very many truly shocking films but that never happens with me. The story takes place in 1485 but it's about events in 1940. The great director Marcel Carné, for whatever reason, insisted, until his death, the film was not an allegory for Hitler and WWII and that any correlation was unintentional. Why would he deny it for 52 more years after the liberation of Paris? The similarity is astounding and it's surprising that Nazi censors never caught on to ban this film. Carné was under Nazi leadership when he made this. It could have gotten him sent to a concentration camp. But he was sneaky and to this day we have an amazing film about Hitler's rise and the French Resistance. Tremendously well acted. Some complain the film's a little slow but everything builds so nicely and has its place. A masterpiece and highly recommended!

8.7 / 10 stars

--Zoooma, a Kat Pirate Screener