Les visiteurs du soir

Here is a fine production by Julien Duvivier.

I had the impression to be one of the castle's festivity and the arrival of the "Visiteurs" added a mysterious ingredient that had, at the beginning at least, nothing of the despair that was part of their demoniacal mission.

The enchantment provoked by the satanic couple was a pure wonder. That momentary paralysis of a whole small world between two exciting scenes emphasized Arletty's and Cuny's masterly talent.

Jules Berry's play (the Devil) was so fascinating that it made me longing for a ticket to Hell.

That high class "fantasia" glide far over all those easy big budget "fantastic" productions which flood the film fans since too long.

Unbelievably great film. And chilling. At one point I had to press pause and walk away. Granted I do not watch very many truly shocking films but that never happens with me. The story takes place in 1485 but it's about events in 1940. The great director Marcel Carné, for whatever reason, insisted, until his death, the film was not an allegory for Hitler and WWII and that any correlation was unintentional. Why would he deny it for 52 more years after the liberation of Paris? The similarity is astounding and it's surprising that Nazi censors never caught on to ban this film. Carné was under Nazi leadership when he made this. It could have gotten him sent to a concentration camp. But he was sneaky and to this day we have an amazing film about Hitler's rise and the French Resistance. Tremendously well acted. Some complain the film's a little slow but everything builds so nicely and has its place. A masterpiece and highly recommended!

8.7 / 10 stars

--Zoooma, a Kat Pirate Screener

I know nothing of the director, and after reading other reviews, I certainly know nothing of any correlation between the Nazi occupation of France and Hitler as relating to the film, as far as metaphor and allegory goes. And I'm so glad I had no prior knowledge of any of that, because I was thoroughly delighted and impressed with this true piece of art.

I'm not a huge fan of period pieces, so when I realized it was set in the 15th century, I was inclined to stop watching. But after 10 to 15 minutes, I was hooked. The next thing I knew, I was an hour into it and enthralled. And I'm so glad I saw it through until the end.

The acting is wonderful. The story and screenplay are quite slick, especially the dialogue. The costuming, cinematography, music, etc., all work together to create a seamless product.

If you are a fan of French cinema, especially during the 1940s, I highly recommend this. If you're new to French cinema, this may not be an ideal introduction, but the storyline is universal enough to please.

This is an 82 years old/2 hours movie. One might expect it drags at some point, but no, pace is excellent, i never lost my interest, there is always something going on. Of course, it helps if you know what this is about. This is a drama/fantasy/romance, like a fairy tale for adults. Any romantic soul will appreciate it. It's not a masterpiece, it's not among the best movies of Carne/Prevert, actually i prefer the other collaborations of them. Still, it's enjoyable, legendary Arletty gives another great acting performance, other actors as well and if you love this genre, you are gonna like it at least, it's possible that you might even love it.

At the end of the 15th century, two minstrels (Gilles and Dominique) come from nowhere into the castle of Baron Hugues. Gilles charms Anne, Hughes' daughter, while Dominique charms both Hugues and Ann's fiancé. Gilles and Dominique are not really in love: they are sent by the Devil to desperate people. But Ann is so pure that Gilles is caught to his own trap. How will they fight against the Devil?

One of the reasons that the film was such a huge success was due to murmuring before the film was released that the film was an allegory for the current situation. Many people saw the character of the Devil as representing Hitler and the continued beating hearts of the lovers as representing France living under German rule, but not giving up hope. Carné maintained until his death that the film was not an intentional allegory for the war and that any relationship was purely unconscious.

As far as French fantasy films go, this is not the greatest one out there. For me, that would probably be "Donkeyskin". But this does have a few things going for it. One, it is much earlier than "Donkeyskin", so has the advantage of being first. Two, it has the Devil, which rises it from fantasy or fairy tale to a more religious context, meaning that deeper symbolism can be found (whether intended or not).

But I think its best quality is the association with Hitler that the Devil has, as noted above. I am willing to believe this was not intentional. But it does seem like a great message to get out of a film made during the occupation... this is a country of Frenchmen who had to keep their French pride in check. That turns this into a patriotic film, even if it has nothing to do with 20th century France on the surface.