A Tragedy at Midnight

The host of a whodunit radio show finds himself involved in his own mystery when he awakens to find a woman with a knife in her back in his bedroom.

Ok, it is like the Thin man, so what? In Hollywood, when something is successful, it's naturally replicated by another studio, but Tragedy at Midnight starring Margaret Lindsey and John Howard is entertaining in its own right, both stars gel well together, Margaret, especially, is animated and energetic. It's standard mystery, but a fun one which moves at a good rate. Keye Luke ( number one son from Charlie Chan) also stars.

John Howard is a radio broadcaster whose programs solves crimes the police can't. This annoys the boys in blue, so the local Police Commissioner orders the force to find something on Howard. They can't, but he does: a dead woman in his bed. He and feuding wife, mystery-writer Margaret Lindsay go on the run to find the real killer before the cops shoot them down, aided by their houseboy, Keye Luke, whose character rejoices in the name of Ah Foo.

It's one of those movies that are supposed to be filled with snappy patter, but the jokes are like Rice Crispies that have been soaked in cottage cheese for a week. Miss Lindsay does her best, delivering her lines in a nitwitted, high-speed manner, but even director Joseph Santley can't make anything interesting out of this mess of a script.

Entertaining crime comedy with a radio detective and his girlfriend (called Mommy, very bad idea in my way) about a crime of a woman found stabbed in Mommy's bed. It's kind of Thin Man adventure, quite silly. I really love the shadows scene. Not a must.

Greg Sherman (John Howard) is hated by the local police. It's because Sherman has a radio show about crime...and he often solves the crimes...leaving the police looking foolish. So, when a woman's body is found in his bedroom, the cops are deliriously happy. Whether he did it or not, it will likely hurt Sherman's popularity. So, Sherman does the standard cliche in a case like this...he slugs the cop who discovers it and sets about trying to solve the case himself (Note: kids, do NOT try this at home!). Can he manage to extricate himself or will Sherman end up in the hoosegow?

In this story, Sherman is assisted by Beth (Margaret Lindsay) and Ah Foo (Keye Luke)...a ridiculously named lackey-type character. This is pretty sad, as Luke had a lovely voice and was a good actor, but here he talks like he just got off the boat from China. Fortunately, Luke did have a few good film opportunities apart from this film, such as a recurring character in the Dr. Kildare series.

So is this B-mystery any good? Well, it's at least a very TYPICAL B...with the usual cliches and formula. Now to many viewers, this won't matter. But idiot cops, a body planted in the guy's room and his running from the law has a real 'been there, done that' quality about it for those who love B-movies. Because of this, I certainly don't think it's a must-see...though it is reasonably well made despite the rather lazy and by the book script.

Let's get over all this stuff about Powell-Loy. Howard-Lindsay hold their own in this Republic gem. I am all for 'the Republic for which it stands'.

The plot, not too original but, who cares? It was carried out beautifully by a cast of some of the era's most popular character actors.

The dialog, penned by a femme, was great fun and so well handled by John Howard and Margaret Lindsay. Why she never achieved greater fame, I will never know. She has a Lamarr-like beauty, gorgeous from any angle, and when it comes to line delivery excuse me - but - she equals Loy.

The chemistry between the stars - and they are that - is beautiful, the dialog is clever and witty.

The judo moves were very convincing as delivered by Keye Luke who also was A-plus in line delivery.

"A Tragedy at Midnight" is thoroughly enjoyable at any hour.