Les rivages de Tripoli

Warlike patriotic movie in the guise of drama, in which a smarmy playboy, : John Payne, goes into a Boot Camp, but he comes across a tough and strict Sergeant : Randolph Scott, who results to be his father's old friend. The handsome playboy is transformed into a Marine in boot camp thanks the rigid Sergeant. Along the way he falls in love for the Nurses Chief : delicious Maureen O'Hara in this story of life in a Marine training camp, previous Pearl Harbor bombing by Japanese. Here a Sergeant takes bath after bath of recruits through training and we are meant to feel his frustration seeing his sometimes harsh approach to the men, while fully appreciating that he is the man for the job.

It is set on location in San Diego Marines base , California, and it is dedicated to the brave Marines Corps who were trapped and besieged by Japanese army in the island of Wake, Pacific Ocean Compared to the likes of "Full Metal Jacket" with Lee R. Ermey as a two-fisted sergeant , it is all rather mild, and there is never any questioning of the righteousness of America's fighting men as a force for good. Providing a lot of patriotism and liberal sympathies extending to make the military service a total pride, and especially at its final full of military parades and jingoist songs. Film title is not to be confused with Tripoli 1951 a period pirate adventure which also performed John Payne and Maureen O'Hara . In fact the title comes from the Marine Corps in their first war feat attacked pirates in Tripoli, Libya. Star Randolph Scott is specialised in taking authoritarian types and give them more light and shade that the script sometimes allows. This was one of his last non-westerns characters as a rival for the true starring, John Payne. Here the good-looking John Payne is fine as a real seducer . Payne was a well-known actor of the Forties and Fifties, playing important films as Miracle on 3th street , Silver Lode, Slightly Scarlet , though, nowadays he is really forgotten. As John Payne acted in all kinds of genres as Western, Film Noir, musical and dramas, such as : Dodsworth, Hats off , Tin Pan alley, Weekend in Habana, The great American broadcast , Springtime in the Rockies, Iceland, The razor's edge, Kansas City confidential, Hello Frisco hello, The Dolly sisters, College swing, Footlight serenade, and Tennessee's partners. Trio protagonists : Randolph Scott, John Payne, Maureen O'Hara are well accompanied by a pretty good support cast, such as :Nancy Kelly who delivers additional gorgeous decoration, Henry -Harry-Morgan in his first screen role as a likeable Private, William Tracy, Minor Watson, Alan Hale Jr, Russell Hicks, and a very secondary role for Hillary Brooke, among others.

Shot in colorful and vivid Technicolor by Hollywood's three best cameramen as William Skall, Harry Jackson, Edward Cronjager. As well as sensitive and moving musical score by classy composer Alfred Newman, adding several patriotic songs. The ordinary screenplay with usual elements from recruitment and Privates training from the prestigious Lamar Trotti. Lavishly produced by Milton Sperling and powerful producer Darryl F Zanuck, the motion picture was professionally directed by H. Bruce Humberstone, though with no originality and it turns out to be a little corny and dated. Rating : 5/10. Average but passablr

I agree with the evaluation of bsmith5552 that it is a disappointing flagwaver, and essentially a U.S.Marine recruitment film. But it has its own place in history. I have just been refreshed as to that place in history by watching again the film version of Leon Uris's first (and maybe best) novel, Battle Cry. Uris dramatized his own experience as a young marine, first training in the States, then in Wellington and elsewhere in New Zealand and finally fighting in the islands of the Pacific He has a fascinating picture of what it was like for young Americans to find themselves in a strange and previously unheard of land like New Zealand. I was a Kiwi teenager in Wellington at that time and can vouch for the accuracy of Uris' depiction of the impact of the descent of thousands of young marines on our city and of their interaction with the locals. To the Shores of Tripoli screened in Wellington in 1942, not long after Pearl Harbor, in the time the newly formed Marine Divisions were there preparing for their involvement in the war in the South Pacific. Through that film we saw on our screens the training only months earlier of the men who were now in our midst. Bsmith5552 speaks of the repetitive sequences of close order drill. I watched the marine band perform those intricate marching exercises in colour film in a local cinema ("picture theatre" in our brand of English). This was the same week I saw them do it live in Wellington. I was transfixed as I saw utterly committed young marines rise and stand to attention in their places in the cinema as the Marines Hymn came through on the film's sound track. I was not simply present at a piece of entertainment. I was watching live drama. To the Shores of Tripoli may not have been a great movie. But in the South Pacific in 1942, when we (maybe unlike today's Iraquis) welcomed the Marines as life savers, preserving us from a Japanese invasion, it had its place in the drama of that time. I viewed it sixty years ago with great interest. I would like the little niche it has in cinema history to be remembered.

While the story line is only so-so, the list of stars is quite impressive. The really special part of this movie is the exposure that the Marines in San Diego had to so many of the stars of the day. My father's unit (he was a DI) was used to film the movie. When you see Randolph Scott drilling his men, the close-ups are of Mr. Scott - the far off shots are of my father. My father also appears as an extra in other shots - the most noticeable being the scene where the men are all sitting in the bleachers. The really memorable aspect (and hopefully not TOO sentimental) of all this centers around the fact that this is the only record I have of my father in a "moving picture" (He died in 1952 when I was 3 years old, and the only pictures I have of him are still shots).

Additionally, I fondly remember a large autographed picture by Randolph Scott inscribed to my father and the men in the unit - sitting in front of the men are Mr. Scott and my father, both wearing their round DI hats. This picture was also very special to all of us children. Therefore, this movie, while never going down as one of the great ones, will always have a very special place in my heart. It also gives me a better appreciation of movie "extras" and makes me wonder, "who are they and whatever happened to them"!

After watching this movie, I now know where the "Officer and a Gentleman" screen writers probably got their idea for the character Sgt. Foley. Randolph Scott was the Sgt. Foley of the 1940s. This movie was made during World War Two, but it spares us the jingoistic propaganda associated with most war movies of that era and offers interesting and likable characters, especially Maureen O'Hara as a Navy nurse and John Payne as the recruit. While watching this movie I thought of Richard Gere and how he would have fit in well in this movie. The similarities between this movie and "Officer" must be more than just coincidental. "Officer" was more intense but this movie did not need to rely on such theatrics to maintain audience interest because the star of this movie was the USMC itself.

The plot of "To the Shores of Tripoli" is very, very similar to the very popular "Buck Privates" starring Bud Abbott and Lou Costello. But, unlike this film from the year before, "To the Shores of Tripoli" is not meant to be a comedy. Like the earlier film, this one starts with an obnoxious and self-assured brat of a man (John Payne) walking into the Marine base--assuming because of his connections that he will be accorded special privileges. But, like the other film, his father goes behind his back and insists that his son needs character building and NO exceptions or special favors should be granted to him. And, like "Buck Privates", the brat manages to make a nuisance of himself until, ultimately, he finds redemption. In the interim, he relentlessly chases a pretty nurse (Maureen O'Hara), tangles repeatedly with his Sergeant and makes a few friends--then alienates them with his boorish attitude.

Overall, the film looks great. It's filmed in full color--the sort of intense 1940s color that doesn't quite look real, but is better in some ways than real life! The acting is excellent (with Payne, O'Hara and Randolph Scott) and there is a nice group of actors who play the recruits such as Harry Morgan (in his first film), "Slapsie" Maxie Rosenbloom and William Tracy (famous for his Sergeant Doubleday films with Hal Roach). As for the story, it's very predictable and formulaic throughout, but it's well-made formula! Mindless but very enjoyable wartime propaganda that must have done a lot to bolster the public behind the war effort.