Six destins

This is a forgotten classic. It's funny, moving and old fashioned. Add the fact that it's chock full of stars and you have one fun movie to watch. Edward G. Robinson is a standout as a bum trying to make good. If you like old movies, try to hunt this one down.

The movie's a pretty good look at some of TCF's top stars of the day. The plot amounts to a series of vignettes that follow a dress coat as it gets passed around to a series of new owners. The trouble is the coat is supposed to be cursed so we expect some adversity to befall each new owner. Some vignettes, of course, are better than others. Personally I liked the Rogers- Fonda farcical 20-minutes best. On the other hand, I can see why the WC Fields episode was dropped from many versions since it's not the grouchy comedian at his best. (I also suspect the rather gross anatomical drawing behind his lectern didn't help.)

As a movie, it's certainly different, something of a showcase and, my gosh, was Rita Hayworth ever any lovelier than here. Pairing her with a pixie-ish Thomas Mitchell as a cuckolded husband was a masterstroke. Watch how slyly he asserts himself against the over-confident Boyer. Robinson gets the most extended screen time as a down-and-out lawyer trying to impress his old school chums. I'm just sorry we didn't get to hear more of Paul Robeson's wonderful bass voice in the final darktown jubilee section. Nonetheless, it's a sprightly and satisfying way to end the saga of the accursed dress coat.

The movie comes across today as an exception to the standard studio product, but is cleverly set up with a dash of humor and a touch of timeless human interest.

This is a clever frame story that follows the "experiences" of a formal tails jacket from the upper crust of the idle rich down through all levels of society. The all-star cast give great performances in five well-written stories.

The film's theme has to do with the American Dream and what it really means. To some it is just social pretense and money. But to others, it is the right to express one's own art, to retain one's dignity, and to live free from fear of poverty.

This is a charming and moving film. Don't pass it up.

This movie leads us through a wide range of emotional interests -- good, bad, and indifferent -- all based on the odyssey of a tuxedo coat (or 'tails') which also seems to carry with it a superstitious jinx of sorts. At the start the first tale runs the gamut of intense romantic intrigue, with a suave Charles Boyer drawn to beautiful Rita Hayworth, and Thomas Mitchell as the husband with a few ulterior motives of his own in mind. I think the cinematography by Joseph Walker is absolutely superb in this episode. Those closeups are priceless.

I was surprised to see the episode with W C Fields in it and checked IMDb to note that this was included in a restored version, which is nice. Fields and his "liquid edification" are seldom far apart, and here it appears in the guise of cocoanut milk, with a few additives as you can guess, which he highly recommends for (?) I forget what it was.

Another tale is of Edward G. Robinson who gives an excellent performance as the down-and-outer dressed in the tux for a special gathering of old school chums. It has fine emotional content which I consider the dramatic highlight of the film and gives one much to think about afterwards. I might add here that this movie brings to mind some of Somerset Maugham's short stories that are on film as well.

The final Manhattan tale, starring Paul Robeson and Eddie 'Rochester' Anderson, has dialogue that is both amusing and touching at times. Ethel Waters, the matronly Esther, shows them a firm hand in directing them to do what's right. I always like to see Paul Robeson and hear his great voice. His singing ends their episode on a note of what freedom means to so many, and really brings the film to a fine conclusion. Great stuff!

It is a fascinating movie to experience and one of the best of its kind in my opinion.

For a brief period in cinema history, the anthology film was all the rage. Movies like "Flesh and Fantasy" and "O. Henry's Full House" used large casts to tell several interlocked stories. "Tales of Manhattan" is the best of the anthology films, following the adventures of a tuxedo's tailcoat as it passes through the hands of several diverse people in New York. There's Charles Boyer, the Broadway actor who is carrying on an illicit affair; there's Henry Fonda who is helping Cesar Romero get out of a sticky situation with his fiancee Ginger Rogers (along the way, Fonda and Rogers fall in love and have one of the best-written love scenes to ever hit the screen); there's Charles Laughton who seeks one shot at glory conducting an orchestra; and, in the most touching and rewarding of the tales, there's Edward G. Robinson, a down-and-out bum who has been invited to his college reunion. If you're looking for an all-star cast and a first-rate cinema experience, "Tales of Manhattan" is the one. I consistently put this movie at the top of my all-time favorites.