Spy Smasher

This action-packed serial never fails to amaze me--first-rate work by Kane Richmond in the lead and some of the best-choreographed action scenes to be found in any serial; the stunts are sometimes astonishing. Spy Smasher is as convincingly agile a serial good guy as I've seen; his falls from balconies during fights are truly breathtaking. Sure, none of the bad guys lose their fedoras during the intense fight scenes; but if you can't suspend disbelief during a serial, you shouldn't bother watching them in the first place. Several very clever cliffhangers are impossible to explain until their subsequent resolution in the succeeding chapter. The whole serial is stylish, exciting, fun, and even ends, notably, with the tragic death of a beloved favorite good-guy character. VERY HIGHLY RECOMMENDED!

10-year-old boys must have really gobbled this up when it was a brand-new serial back in 1942. Even now it has the power to involve and entertain with its narrative flow, frequent spurts of action, and that pounding musical introduction from Beethoven's Fifth. Best of all it has Kane Richmond, (born in Minneapolis in 1906), who has all the looks and manner you want in a serial hero. He also has amazingly tough skin. In Chapter One he's captured by the Nazis, bound against the wall of a Gestapo dungeon, and given a vigorous whipping across his bare chest -- but hardly seems to suffer so much as a paper-cut! Actually, this is one of those floggings where the whip is never shown touching its victim. Instead, the impression of a flogging is given by means of editing together various visual elements. In any case, this scene ranks 18th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies."

The old-time movie serials should never be judged by the same criteria of other films, even those made at the same time period. The serials were invariably outrageous, over-the-top, often ridiculous. But unlike Adam West's 'Batman' the serials were never self-conscious or deliberately campy. Although many serials featured a mildly humorous characters such as Jimmy Olsen or Whitey Whitney to provide occasional comic relief, on the whole, the actors and directors played everything straight and extremely earnest, no matter how absurd the situation or the scene. They did their best at every test.

The old movie serials were made with practically zero budget and at a forced-march pace, shooting in two days what would take 6 months under modern conditions. Those factors, combined with the primitive special effects then available and outdated cinematic conventions, give movie serials a look and feel unlike anything made in the last 52 years.

The final thing a modern person should know before watching an old serial is that 1940's movies had a more realistic vision of the male body than modern Hollywood. The men of this era had survived the depression (and later, WWII). When they were hungry, they ate meat and potatoes. The tough guys of this period lifted barbells and did push-ups, but they didn't have Soloflex, Nautilus, implants or steroids. Think about the last time you went to the beach: how many real world guys were built like Daniel Craig? In summary, it is best to watch the old serials from the perspective that you are looking at some kind of alternate reality, so as to suspend some of the prejudices of the modern cinema. Or perhaps as though one were a tourist in a foreign country: rather than seeing the differences as bizarre or deficient, but instead as being novel, interesting, and sometimes wondrous.

I have seen about 20 serials in my life, and 'Spy Smasher' is hands-down the best. Kane Richmond made an excellent hero and pulled off the double (or is it triple?) role very nicely. The action is well-paced, the special effects and sets, are, by serial standards, excellent. The fight scenes, cliff-hangers, and escapes are all the absolute best I have seen in any serial. The creativity and ingenuity used to choreograph the fight scenes are truly wondrous. If you are familiar with the 'Indiana Jones' films, you can literally see numerous instances where Spielberg borrowed and extrapolated from Spy Smasher.

And although the fight scenes are masterfully choreographed and have great stunt-work, they are much more plausible (therefore more interesting) than the kind of CGI/steroid-assisted stuff you see in modern action movie, in which human beings no longer seem bound by any biological or physical limits, being instead endowed with the powers of a video game.

There are a number of dramatic surprises as well, including some understatedly somber moments. Without spoiling too much, I will say that mortality is a factor.

The opening credits to each chapter, which feature the Morse Code signal for Victory, the opening notes of Beethoven's 5th, and an image of searchlights crossing the sky, accurately evoke the Churchill/Roosevelt mentality of the dark early days of WWII, the summoning up of righteous courage. This undercurrent of the real war, the outcome of which could not yet be known, gives Spy Smasher a resonance not found in other serials. But despite the influence of the historical moment, Spy Smasher is still predominately an escapist joy ride. Which is a good thing.

This is an extremely well made serial. The cast is capable and the script is fast paced. Each chapter seems to contain at least one unexpected plot twist. There are no resolutions to cliff hangers which consist of the hero standing up, brushing himself off and walking away after experiencing a cataclysmic explosion, crash, fire, cave in, etc. Highly recommended.

This 12-chapter action serial from Republic Pictures, based on the Fawcett comic book character, was directed by William Witney. Alan Armstrong (Kane Richmond), in the guise of masked hero Spy Smasher, battles Nazi bad guys in occupied France. He follows their trail back to the US, where a secret gang of Nazi villains, led by the Mask (Hans Schumm), plots a campaign of sabotage and terror. Alan enlists the aid of his twin brother Jack (also Richmond), as well as retired Admiral Corby (Sam Flint) and his plucky daughter Eve (Marguerite Chapman), to stop the German menace.

This largely forgotten costumed hero makes for a good serial, with some of the best stunt work put to film, supervised by the legendary Yakima Canutt. The serial is also exceedingly violent compared to others of the time, with lots of gun play, including by the hero, who isn't above machine-gunning a foe or running one over with a car. Speaking of vehicles, there's also a lot of nice action scenes involving car chases, high-speed boats, and Spy Smasher's custom motorcycle. Although the action is above-average, the script is weaker, with unmemorable characters and only a vague understanding of who's doing what and why. Still, this is one of the better serials, and is recommended to fans of such.