Sons of the Pioneers

'Sons of the Pioneers' is not actually about the Sons of the Pioneers, more's the pity; the title is more in the nature of a hat-tip with a very loose connection to the plot: Roy is the son and grandson of famous lawmen after which his hometown was named. The Pioneers are on hand, of course, but if you blink in the wrong places you might have a hard time spotting them - it's Roy's movie all the way.

When lady rancher Louise Harper (Maris Wrixon) demands a new sheriff to replace George 'Gabby Hayes,' who hasn't been able to catch the night-riders burning down local ranchers' barns, Gabby gets the inspiration to bring Roy out from the East where he grew up to follow in his ancestors' footsteps. Roy decides to play on the townspeople's perception of him as a cowardly tenderfoot in order to lull the villains' suspicions while he investigates surreptitiously and "scientifically." He's helped and hindered by Gabby and his deputy Pat Brady, who provide loads of comic relief, notably Gabby's juggling bottles of nitroglycerin and a very funny scene in which they believe they've seen a ghost. Bradley Page is the villain who spends most of his time chewing out henchmen Hal Taliaferro, Tom London and Jack O'Shea for muffing repeated attempts to put Roy out of commission. Bob Nolan, the only Pioneer besides Brady to get some decent screen time, has few lines but is on hand in the understated part of Louise's faithful ranch foreman. Maris Wrixon, whose character doesn't really fit into the traditional love-interest pattern, makes a lovely and spirited heroine and you wish she actually had more scenes.

Maybe she did. Unfortunately this is one of the handful of Roy's movies whose original full-length print has gone missing. At least two songs were cut (you can easily spot where the number "Come And Get It" was excised from the opening scene) and probably some more footage - I once saw the original trailer which included a scene of Roy making a speech during the sheriff's election campaign. The remaining songs, of course, are naturally excellent. It's a fun film with an interesting premise and characters, some good action scenes and plenty of comedy.

With a little bit borrowed from Destry Rides Again, Roy Rogers gets the job as sheriff in his hometown of Rogers City where there's been a lot of rustling and even epidemics of hoof and mouth disease that are driving the local ranchers to get out. Gabby Hayes and Pat Brady go east to bring Roy back to the place where both his father and grandfather were sheriffs before and which place is also named after them.

Needless to say that they're a bit disappointed that Roy is happy and content as a research chemist. But as it turns out those skills are exactly what's needed to get the evidence and then get the villains. Not that Roy eschews riding and shooting by any means.

Maris Wrixson who usually plays sophisticated women or gangsters molls was an unusual choice for a leading lady for Roy. Still she acquits herself well.

But I might have rated this one a bit higher if wasn't for one of the most colossal pieces of stupidity ever shone on screen. While the bad guys have Roy, Gabby, and Pat at bay, what does Gabby do but start practicing his juggling act with bottles of nitroglycerin. Damn near blows them all up. In fact Gabby also at one point tips Roy's hand to the bad guys with his big stupid mouth. Gabby is usually amusing, but never downright stupid as he is in Sons Of The Pioneers.

And speaking of them Bob Nolan and the group are here lending support to their former member. Though the group really has nothing to do with the title of the film and the title gives you no information as to the story, the film is still a good Roy Rogers film even Gabby's idiocy.

Roy Rogers is summoned by Sheriff "Gabby" Hayes to save a modern day town from a gang of cattle-poisoning arsonists. Gabby believes Mr. Rogers, if elected Sheriff, will follow in the footsteps of his Roy Rogers namesakes (including his father and grandfather). However, Rogers seems meek and mild; though a popular man, townspeople wonder if he is up to the job.

This is an interesting Rogers vehicle in that the character is presented as a hero perhaps not up to the task at hand; no points for guessing how he does, finally! There is the expected "shootout" to end the film, but it really peaks earlier as Rogers' car is stolen; he gets the car back in fine form. Rogers sings with Gabby, with Bob Nolan and the "Sons of the Pioneers", and with some unfortunately intrusive dialog.

**** Sons of the Pioneers (1942) Joseph Kane ~ Roy Rogers, George 'Gabby' Hayes, Maris Wrixon

Roy Rogers was good but George Gabby Hays was at his best. Yes I recommend it. James Welch Henderson Arkansas 12/11/2020

There was a tremendous growth of interest in Native American art and culture in the 1920s, but by mid-century, Hollywood movies and television had thoroughly pitched cowboy heroes above Indians to the American public. Roy Rogers was probably the most popular of them all, with the possible exception of Gene Autry, who was really the first "singing cowboy." The influence these cowboys had on the baby boom generation cannot be underestimated. The point of these westerns was that evil must triumph over good, and evil often was not always "Injuns," it was other cowboys. "Sons of the Pioneers" was also the name of a singing group that often backed Rogers on film. Although the plots and characters of Rogers's movies could be called clichés, they are also a lesson in ambition and courage. As a kid, I admired Roy Rogers and wondered how anyone could be that much larger than life. It was not until reading about him that I learned his real name was Leonard Slye and he grew up in Ohio. --from Musicals on the Silver Screen, American Library Association, 2013