Sept jours de perm

Bouncy little musical programmer. For Lucy fans, there's little of her slap-stick comedic talents. Instead Ball gets to parade around statuesque style in high fashions of the day. And what a gorgeous young woman she was. Plot-wise, there's the usual romantic mix-ups this type musical trades on-- plus, token numbers from the bands including luscious songbird Ginny Simms, and a couple of forgettable novelty acts. Comedy's supplied by the inimitable Arnold Stang (before Milton Berle drafted him), an impish Marcy McGuire, and a gravel-voice Harold Peary soon to get his own Gildersleeve series. But get a load of Victor Mature. He's looser than I've ever seen him, mugging it up in hammy style, and a long long way from his later noir persona. The movie's pretty typical of war escapism, lots of winsome girls and brave servicemen to lighten the load. Nothing special, but a good chance to view Ball in a different kind of role, along with a goofy Victor Mature, of all things.

"Seven Days' Leave" is a WWII-era musical comedy about a young Army soldier [Mature] who is due a large inheritance. The problem is, he must marry a certain girl [Ball] whom he does not love, in order to collect.

If one is a Lucy fan, this movie is a great watch. Lucy is actually drop-dead gorgeous in this flick, more so than she had ever been in her entire career, in my opinion.

Also, Harold 'The Great Gildersleeve' Peary adds to the fun, along with Marcy McGuire as the younger sister to Lucy's character.

Unfortunately, this film as a whole is quite mediocre. And, Victor Mature sings twice. FFWD required.

All in all, one watch of this movie is definitely worth it. The video is even worth owning if you like Lucy.

"Seven Days' Leave" is a piece of wartime propaganda fluff--pure and simple. Much of it consists of lots of soldiers singing and dancing and putting flowers in their hats--and it makes you wonder HOW the US managed to win the war if these guys are like the soldiers they fielded during WWII! After a whole lot of singing and dancing, the plot FINALLY is introduced. Johnny Grey (Victor Mature) will inherit a fortune. He's thrilled and plans on marrying his girlfriend. HOWEVER, he soon learns that there is a stupid codicil to the will. He MUST marry a descendant of General Allen. It seems, in a VERY contrived plot twist, that Johnny's grandfather, General Grey, fought against General Allen during the Civil War. And, the will wants a descendant of Allen to marry a descendant of Grey to heal up these old wounds. And, this woman is NOT the lady he plans on marrying but Terry Allen (Lucille Ball)--a woman who HATES the Greys.

So, you've got a VERY contrived plot, lots of silly and superfluous singing and Victor Mature doing comedy. All in all, it sounds pretty bad...and it is. Even worse is when a fourth-rate guy does imitations of various celebrities. They announce each one before he begins--and you really need to be told who they are supposed to be because you really cannot tell by listening to him! A silly and forgettable film.

By the way, there is a very strange character in the film. Throckmorton P. Gildersleeve (Harold Peary) is the lawyer who handles the estate, right? Well, this same character (and actor) played Gildersleeve in quite a few other films. Plus, Gildersleeve was a very popular radio character who appeared regularly on "Fibber McGee and Molly" and later had his own spin off radio show starring, who else, Peary!

Can't really put my finger on it, but I really enjoyed this movie. The plot is completely implausible and corny, but that is beside the point. Lucille Ball is gorgeous, and seeing Victor Mature being charming and having fun is a treat. I also truly enjoyed the songs and dancing which came out of left field, but all brought a smile to my face. A very pleasant diversion on a Sunday afternoon, and I can't say that about a lot of movies. Enjoy.

Glamorous WW2 comedy is an RKO fest of musical talent with believe it or not, those contract singing and dancing stars Lucille Ball and (yikes!) Victor Mature! He even sings with someone else's baritone too! It is like seeing GlennClose and Sylvester Stallone in a remake of HIGH SOCIETY...or maybe even Jungle Jim and Betty Grable in an imitation PHILADELPHIA STORY. It is an assembled musical with familiar but oddly placed actors and sets: RKO musicals of the 40s had MGM production values but with Republic talent. They have superb art direction and music but somehow out of place actors. HIGHER AND HIGHER is like this: lavish mansions with beautiful furniture and chandeliers, big orchestras, patios, modern nightclubs etc.....and then all these un-together actors placed in roles you might feel better if MGM or Paramount stars were there instead. Lucy is exceptionally beautiful in this film and dressed to impress. Marcie Gray, that teenage Shirley Temple of hep and jive is along for the dancing and comedy as well...so it looks totally like out-takes or a rehearsal for HIGHER AND HIGHER even more so. Good music and fun and quite expensive looking, SEVEN DAYS LEAVE is a patriotic musical of its day...but with Lucy and Victor? It all works in spite of itself.