Réunion en France

John Wayne plays an American airforce pilot shot down over war-torn France, taken in by the enchanting Joan Crawford who conceals his identity posing him as her chauffeur until she can arrange for his passage to safety. Her boyfriend however appears to be conspiring with the Boche, and so an elaborate plan is devised to spirit both Wayne and Crawford (who have formed a romantic connection) out of Paris and to Lisbon with the aid of resistance fighters and British intelligence.

Great performances showcases Crawford's acting talents and dark beauty, outshining the burly exterior of Wayne (which it must be said, is more subdued than usual) while John Carradine has a key supporting role as an unwelcome Gestapo agent later in the film. If you look carefully, you'll also spot Ava Gardner in a small role as a sales girl.

While there's some jingoist sentiments to this film (made during WWII, the fade-out shot has the word "courage" beamed across the screen), there's sufficient dramatic plot twists and thrills to entertain for the lengthy duration. I personally found the movie to be a watchable B-grade war intrigue, with an almost film noir characteristic in Crawford's enigmatic heroine.

Decked out in gowns and outfits designed by Irene, Joan Crawford plays the French version of Scarlett O'Hara with her "Oh, war, war, war" grumbling until she has to duck a bomb while on vacation. Returning to Paris, she finds her house commandeered by the Nazis. She gets only one room for herself and those gowns. In the meantime, her boyfriend, played by Philip Dorn, seems to have gone over to the dark side and is living high. Once she realizes that, she refuses to have anything to do with him. Her patriotism for her country comes to the surface when she helps an RAF pilot on the run, played by John Wayne. Despite some of the other comments on the film, I rather enjoy the handsome Wayne out of his spurs and boots. Because of Wayne, Crawford has to make it look like she's reuniting with her old beau, who has the power to arrange to get him out of the country.

Very entertaining.

I found this film on TCM one day recently, and decided to check it out mostly because it was made during the war and had John Wayne in the cast. I'm not much of a Joan Crawford fan, but she did a very good job in this story of patriotism during German occupation of France. The lead actor was very handsome and hard to figure out until later in the movie. Wayne was not the star of the movie, and did a very good acting job as the RAF American volunteer downed pilot. While the story seems implausible, most war films do. Of course there were a lot of heroic people in WW II, on all sides, and in the 'occupied' countries such as France. The fact that the Germans were not completely one dimensional gave some depth to the movie. As any German from that time will tell you, not all the German people were in lock step with the regime, but they had to stay alive. Many fought on several levels, many of those we will never hear of. I do think the caricature of the Gestapo was perhaps a little cartoon like in the movie, and John Carradine epitomizes that caricature. From what I have read over the years, the Gestapo was a very dangerous organization and usually left nothing to chance. I love the twists and turns in the movie, and will not spoil it for others. Suffice it to say I recommend this movie for its storyline, and its acting. A great wartime film in my book.

John Wayne is second billed to the other lead, Joan Crawford, because after all this is MGM, Joan's studio, at least for awhile longer. This is a film that was obviously targeting a wartime audience with the objective of building patriotism and morale, so you have to look at the miscasting in the context of the times. Joan Crawford plays a French woman who seems to be plumbing the depths of shallowness in her high-rolling lifestyle until the Germans invade. She returns to Paris to find her fancy home confiscated, her boyfriend helping the Germans, and her inner patriotism aroused. She runs across an RAF pilot (Wayne) who has been shot down, and she must play up to her boyfriend and his German friends in order to help Wayne evade capture. Forget the fact that the actors playing Frenchmen don't sound French, that Wayne doesn't sound British, and that the Germans are portrayed as not being smart enough to find Berlin on a map, and just have fun with it. If you are a film history buff like myself, you will see much worse and weirder material about WWII particularly in the early war years.

Reunion in France finds Joan Crawford as an upper class French woman happily engaged to industrialist Philip Dorn and confident that the French army will defend the Maginot Line and the Germans will be defeated once they make a move west. Of course history and the film both tell us it didn't work out that way.

When she arrives back in Paris because she's away in the country when the surrender happens, she finds that the Germans have taken over her house to use as office space, but they've permitted her to occupy one room on the ground level with its own entrance to the street.

That's a minor inconvenience compared to when she learns that her fiancé is collaborating with the Nazis.

Around that time a young flier with the RAF Eagle Squadron, John Wayne, accosts her in the street and gets her to take him in. He's escaped from Nazi custody and looking to get back to Great Britain.

This is a minor film in the credits of both John Wayne and Joan Crawford in there one and only film together. Crawford was being slowly eased out at MGM and she knew it. Still she was a professional if nothing else and gives the role her best. The part called for her to look chic and those Adrian gowns were in play again.

John Wayne doesn't even get into the film until almost 40 minutes into the story. When he does get in, even though he makes a play for Crawford, the Duke has some real problems as Crawford in order to help him has to play up to Dorn and his Nazi friends. It's not the John Wayne we're used to because it really isn't his film.

There's been some criticism by other reviewers that Crawford doesn't sound French. Then again neither does anyone else in the film. The rest of the cast. The cast in fact has a variety of European and American accents, Frenchmen weren't in good supply at that point in Hollywood, either that or they were otherwise committed. Surely Crawford was no more French sounding than Humphrey Bogart in Passage to Marseille.

Albert Basserman is the commanding general in Paris and the fellow who Dorn cultivates. John Carradine may be the best one in the film as the Gestapo agent who knows there's something fishy with Crawford, but can't quite prove it.

Both the Duke and Joan Crawford had better days ahead of them. Still the film is a curiosity and worth a look.