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IMDbPro

Prelude to War

  • 1942
  • 12
  • 52m
IMDb RATING
7.0/10
2.5K
YOUR RATING
Prelude to War (1942)
DocumentaryWar

The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

  • Directors
    • Frank Capra
    • Anatole Litvak
  • Writers
    • Julius J. Epstein
    • Robert Heller
    • Williband Hentschel
  • Stars
    • Walter Huston
    • Victor Bulwer-Lytton
    • Kai-Shek Chiang
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    2.5K
    YOUR RATING
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Stars
      • Walter Huston
      • Victor Bulwer-Lytton
      • Kai-Shek Chiang
    • 26User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 Oscar
      • 5 wins total

    Photos

    Top cast40

    Edit
    Walter Huston
    Walter Huston
    • Narrator
    • (voice)
    • (uncredited)
    Victor Bulwer-Lytton
    • Self
    • (archive footage)
    • (as Lord Lytton)
    Kai-Shek Chiang
    • Self
    • (archive footage)
    • (as General Chaing Kai-Shek)
    Walter Darré
    • Self
    • (archive footage)
    • (as Darré)
    Otto Dietrich
    • Self
    • (archive footage)
    • (as Dietrich)
    Hans Frank
    Hans Frank
    • Self
    • (archive footage)
    • (as Frank)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (archive footage)
    • (as Doctor Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (archive footage)
    • (as Goring)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (archive footage)
    • (as Hess)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (archive footage)
    • (as Hitler)
    Saburo Kurusu
    • Self
    • (archive footage)
    • (as Kurusu)
    Robert Ley
    • Self
    • (archive footage)
    • (as Ley)
    Yôsuke Matsuoka
    • Self
    • (archive footage)
    • (as Yosuke Matsuoka)
    Frank McCoy
    • Self
    • (archive footage)
    Benito Mussolini
    Benito Mussolini
    • Self
    • (archive footage)
    Puyi
    • Self
    • (archive footage)
    • (as Henry Pu-yi)
    Fritz Reinhardt
    • Self
    • (archive footage)
    • (as Reinhardt)
    Alfred Rosenberg
    Alfred Rosenberg
    • Self
    • (archive footage)
    • (as Doctor Alfred Rosenberg)
    • Directors
      • Frank Capra
      • Anatole Litvak
    • Writers
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews26

    7.02.5K
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    Featured reviews

    8rvosa

    Very good to get an idea of perceptions at that time

    The series "Why we fight" was US government propaganda to explain to American soldiers, and later the public, why the US was involved in WWII. It is very interesting to watch, and a good way to learn what Americans thought (or were supposed to think) at the time - but on its own this series does not provide an accurate account of the war.

    Obviously, this was made before political correctness existed, and you can tell: there is talk of 'Japs', the Holocaust is largely ignored. Also, the movie is necessarily ambivalent about the Russian role, who were allies at the time. For example, the Molotov-Von Ribbentrop pact (especially the annex about the division of Eastern Europe) goes virtually unmentioned, and the Red Army's reasons for showing up in Eastern Poland are nebulous.

    On the other hand, the movies are quite detailed about the people involved, the various Nazi leaders and so on - who would have been household names at the time, but would probably be left out of present day WWII documentaries. Also interesting is that one of the reasons, apparently, why Nazism must be fought was their union busting - surely a reflection of the post-Depression Roosevelt era.

    All in all, well worth watching. I rate this highly both because it is essential viewing as an historical document, and because it is very well done propaganda (Frank Capra, animations by Disney)! Note that the US government has placed these movies in the public space, which means that perfectly legal, digital versions can be found on the internet.
    Cookie003

    A great look at American propaganda

    This film is a great opening to the entire series convincing and American public why they are entering WW II. This film shows the viewer much more about American ideals right after the events of Dec 7th 1942.

    Some of the language is a little hard to handle and the overt nature makes the viewer laugh more than once, its great to look at old training videos as the try and instill a sense of pride in America and hate over the enemy. Recommended viewing for anyone looking into WW II propaganda, also used as a good counter argument to Triumph of the Will.
    7gavin6942

    Propaganda!

    The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

    In the two decades following World War I and the failure of the League of Nations, a spirit of isolationism became prevalent throughout the United States that persisted up to the attack on Pearl Harbor. The government needed to combat this feeling, and thus the birth of the modern American propaganda film.

    The film examines the differences between the U.S. and the fascist states of Benito Mussolini, Adolf Hitler and Yamamoto, portraying the latter countries working together as gangsters to conquer the world. In order to do this, Capra made use of footage from "Triumph of the Will", but with different narration designed to support the Allied cause.

    Although the goal was to get Americans unified for the war effort, it actually does this in a very welcoming way. Early on we see an appeal to people of different faiths -- including Muslims and Confucians -- that would seem very out of place today (2016). So, although this was a pro-war film, it was also very much a pro-melting pot film in its own way.
    9BrandtSponseller

    Well-done and educational propaganda

    Prelude to War is the first in a series of well-made propaganda films that were co-directed by Frank Capra during World War II with the intention of educating new U.S. soldiers about the war while inspiring them to fight for "what's right". Watching them at this point in time, they are fascinating as a glimpse into more or less official propagandistic stances. Of course it's to be expected that the films go to pains to dehumanize, even demonize, then enemy cultures. Because this specific material is so far removed from our current stances and concerns, it's instructive to watch and especially to show it to students, because it's much easier to see through the propaganda tactics, enabling similar tactics to more easily be identified in modern politics.

    But perhaps surprisingly, Prelude to War and the other films in the series also contain a good deal of accurate factual information, so that unless you're a World War II buff, you can learn quite a bit about how the war progressed and at least one side of why it progressed (one of many necessary sides)--if you watch the series with a critical eye.

    The series also contains a lot of intriguing historical footage--including films of Axis military campaigns in execution, and some of the more typical newsreel-type shots of the three Axis leaders--Hitler, Mussolini and Hirohito, their right-hand men and their military and civilian support systems. Just as notable now is footage of various aspects of American life that would have passed by without much thought in 1943--such as cars traveling on relatively sparse, newly built U.S. highway interchanges. You can gain as much from Prelude to War by simply watching the images and keeping in mind the historical context as you can by listening to the narration.

    There are a couple rough spots--a montage of Axis armies marching like huge, well-oiled machines probably goes on too long 60-something years later, but surely the aim was to put just a bit of fear as well as an increased fervor to conquer into the new U.S. military recruits.

    This film isn't crucial viewing for everyone, but for those who study history, politics, sociology, the military and especially World War II, it is essential.
    8st-shot

    Capra assembles powerful argument for getting involved.

    The first an probably the best of the US Government's Why We Fight Series due to its overview of Democracy's three enemies Nazi Germany, Fascist Italy and Imperial Japan as opposed to concentrating on one theatre of War in subsequent series entries. Hitler, Hirohito and Mussolini need little makeover to demonize as their words and actions vividly captured and powerfully edited show a world on the brink of annihilation as the three war machines ratchet things up in the thirties.

    Judged in hindsight Prelude packs vast amounts of information in its engrossing less than an hour running time about threats to the American way, soberly and effectively narrated by Walter Huston. Filled with charts and graphs it divides the planet in two ( the world of light and the world of darkness) as the iconic symbols of the axis powers advance across territories in black, inter cutting documentary footage of atrocity.

    Over 60 years after it was made this documentary about world wide life and death struggle remains compelling viewing as the universe still wrestles with massive conflict today. I can only imagine the massive emotional weight this film must have had on an American film audience as the conflagration still raged in 1943. To sit in a darkened theater suddenly illuminated by blast and explosion viewing visions of civilian slaughter in city streets like ours must have shaken audiences to the core. Frank Capra made some classic films in his day but he never made more important ones than the Why We Fight series.

    Related interests

    Dziga Vertov in L'Homme à la caméra (1929)
    Documentary
    Frères d'armes (2001)
    War

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
    • Goofs
      During the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
    • Quotes

      Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.

      [Legend - not spoken]

      Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff

    • Connections
      Edited into The Road to War: Japan (1989)
    • Soundtracks
      The Star Spangled Banner
      (1814) (uncredited)

      Music by John Stafford Smith (1777)

      Played often in the score

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    FAQ15

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    Details

    Edit
    • Release date
      • May 27, 1942 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • German
      • Italian
      • Japanese
      • Amharic
      • Russian
    • Also known as
      • Why We Fight
    • Production companies
      • U.S. War Department
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • U.S. Army Special Service Division
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 52m
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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