Panama Hattie

Highly mediocre musical is a botched filmization of Ethel Merman's Broadway smash. In this one, the marvelous Ann Sothern at the peak of her pin-up girl beauty almost saves the film with another delightful performance. Glossy MGM production values and a game cast including Dan Dailey, Red Skelton, Virginia O'Brien and the lovely Lena Horne give it their all. Story is very thin but this was still a huge hit at the time. Probably because Miss Sothern was then one of MGM's top box-office draws at the time. Sothern's "Lady Be Good"(MGM,1941) is a far superior film with a charming script and an Oscar-winning song but was somehow less popular than "Panama Hattie." WHo knows why some films make a fortune and others tank....

PANAMA HATTIE (1942) is two different movies, plotwise. One movie is about nightclub singer Hattie Maloney and her romance with a young soldier from a well-to-do Philadelphia family. The other film is a slapstick comedy about a trio of sailors on shore leave, with a penchant for catching spies. Juggling both, only tenuously connected plots in a 79-minute time frame means that neither story is properly developed. Conflicts are resolved easily and off-screen. And both stories give way to extended musical numbers, particularly at the end.

Despite its obvious weaknesses, PANAMA HATTIE is a very entertaining collection of parts. Red Skelton, Rags Ragland, and Ben Blue make a fine comedic team. The slapstick is pulled off well and the script is witty. Skelton's clowning shtick isn't too overbearing, as he is part of a trio (and the brains, no less). Ann Sothern impresses with her singing and Lena Horne is showcased in a couple of musical numbers with the dancing Berry Brothers.

Two favorites of mine, the offbeat "deadpan" singer Virginia O'Brien and the lovely Marsha Hunt, are welcome presences in the congenial ensemble. O'Brien shines in fun numbers like "Fresh as a Daisy" and "(Did I Get Stinkin') At the Savoy". Hunt's mildly antagonistic Philadelphia snob is a bit of a change of pace for her, and she has some great comedic moments opposite Skelton.

The film's finale becomes an interesting showcase of wartime patriotism, capped by the entire cast singing "The Son of a Gun Who Picks on Uncle Sam" about bombing the Japs and Heinies right off their Axis and whatnot. There's a great line near the end. After convincing her to join the war effort, Skelton tells Hunt that he'll take her around the world after the war is over: "I'll even show you where Japan used to be."

6.5/10

Even though Ethyl Merman originated the role on Broadway, she was not considered attractive enough to carry the starring top billing. I am a real fan of Cole Porter and will watch anything he is involved with. Unfortunately, a lot of his work is either not included in movies that tout "music by Cole Porter", or is thrown out because it may not be mainstream for the audience of the day. Good example is "Anything Goes."

This is a movie you watch for the musical performance and dancing, not the story. Dan Daily's role could have been played by anyone.

I pull out the DVD about twice a year and again visit Cole Porter and this innocent musical.

Lena Horne is outstanding.

The Great Depression was over and its ending was celebrated in this gay, fun-loving, happy-go-lucky musical featuring soon to be TV stars, Red Skelton and Ann Sothern. It marked the debut of the magnificent Vincente Minelli, whose career was to span our greatest musicals and some of our finest melodramas. Metro was a powerhouse for musicals, with wonderful art direction from the staff of Cedric Gibbons and numbers staged for DP George Folsey. Supremely talented singer/actresses Virginia O'Brien and Lena Horne each get two numbers along with the amazing dances of The Berry Brothers. It's hard to be blue when everyone is having such a good time.

I felt it my patriotic duty to write a comment, since this movie was commentless. So... A little background: I'm a big fan of Cole Porter, Ann Sothern, musicals, and 40's movies, and had been wanting to see this film for a while before I actually saw it this afternoon. Coming into it, though, I had my qualms. I saw another 30's Cole Porter musical turned into 40's movie, Dubarry Was a Lady. It was so horrible that I almost cried. Most of Porter's original songs had been scrapped for non-Porter crap songs. Lucille Ball's voice was dubbed. Red Skelton was an idiot. But... this is not a forum for how horrible Dubarry Was a Lady was. So, I entered with trepidation the world of Panama Hattie to realise that the script was quite witty, full of sight gags, yes, but tasteful sight gags, the non-Porter songs were not crap, Ann Sothern is a competent vocalist(Nothing compared to Merman, who originated the part, but really, who is anything compared to Merman?), and Lena Horne's in it. Any movie with two Lena Horne numbers is worth watching simply for Lena Horne. But, I suggest watching this movie for more than just Lena Horne. While she is the best songstress of the bunch, Virginia O'Brian is rather fun to watch with her deadpan singing. She was quite famous for that, as I vaguely recall watching a short of her doing a lavish production number with Jimmy Durante or someone similar. I found Red Skelton, whom I so loathed in Dubarry Was a Lady, to be extremely likeable, along with his sailor buddies. Rags Ragland was the funniest of the three, but I came away wanting to marry Ben Blue. Dan Dailey was also fun to see, but I thought it was very odd that he didn't get a musical number. Anyway, the plot is slim to none, but the movie really wasn't about plot, it was about fun and peddling war bonds.