Un de nos avions n'est pas rentré

During a raid on Germany a British bomber crew is forced to bail out after their plane is damaged. They land in Holland and are aided by the Dutch civilians.

Interesting WW2 drama. Quite realistic: very plausible and accurately told. The RAF operational scenes at the beginning of the film are excellent and could be from an actual raid they're that realistic.

Being made in WW2 you would think it would be quite jingoistic and propaganda-filled but writer-directors Michael Powell and Eric Pressburger manage to keep things reasonably balanced.

No big names in the main cast but it is worth spotting a 20-year-old Peter Ustinov in a minor role. This was his film debut and he is not recognisable. Look out for the young Dutch priest.

The crew also includes a not-yet-famous David Lean as editor.

Made in the middle of WWII, One of Our Aircraft Is Missing is quite a great film. The technical aspects and special effects are extraordinary. The script is wonderful (Oscar winning) and the British RAF members are all well developed. Some of the Dutch could use a little more characterization, but it's not too bad. One might think that the Archers' strengths lie in fantasy films, but they stick to realism here, and they do a great job. If you are a fan of the Archers, don't miss it. If you are a WWII buff, also make sure you catch it. 9/10.

One of the best war films produced World War II, `One of Our Aircraft is Missing' is the product of one of the best British filmmaking teams of the 1940s, Michael Powell and Emeric Pressburger. The makers of such unusual and memorable films as `The Red Shoes' and `Black Narcissus', Powel and Pressburger's films were never like anyone else's. Their approach to a wartime propaganda film was equally different.

`One of Our Aircraft is Missing' begins dramatically with the crash of an RAF Vickers Wellington bomber designated `B-For Bertie', and then flashes back to the events leading thereto. The viewer is introduced to the six members of crew, and learns that they had actually bailed out of their crippled aircraft prior to the crash, landing in Nazi-occupied Holland. The remainder of the story describes their escape back to Britain.

What makes this film different from the conventional Hollywood treatment of similar subject matter is that `One of Our Aircraft is Missing' stresses the courage and resourcefulness of the Dutch civilians rather than the aircrew. Indeed, it made manifestly clear that the British crew could never have escaped without the assistance of a great many ordinary Dutch people of all ages and both sexes. The characters, both British and Dutch, are all well drawn Surprisingly enough, even the Germans are depicted as not entirely inhuman. `They want to be liked', says one Dutch patriot who has wormed her way into their confidence by posing as a Quisling.

From a historical perspective, this film is of interest due to its depiction of RAF Bomber Command operations during the early part of World War II, as well as details of the interior of the famous Wellington Bomber. It is also worth seeing as early example of the work of legendary film director David Lean (`Oliver Twist', `Bridge Over the River Kwai', `Lawrence of Arabia', Doctor Zhivago', Ryan's Daughter', etc), who served as Film Editor. There is also an early performance by a very young (and thin) Peter Ustinov, who acts in Dutch and Latin as well as English. All in all, this film is well worth a look.

Once again the Archers come through with a very entertaining picture. I think the film would be much more pertinent to, and was probably aimed at, WWII British audiences, but it is nevertheless top quality motion picture entertainment for either side of the Atlantic.

Although it starts out in a different vein than most - A British bomber flying unmanned until it crashes - there is surprisingly little action for a war picture and is mainly a character study about the airmen who bailed out of her. All parts are professionally done, especially Bernard Miles' and Godfrey Tearle's, and special mention must go to Googie Withers who labored in movies all those years with a funny name. It is she who takes acting honors in this one as the 'contact' posing as a Nazi sympathizer.

The World War II conflict in the European theater has provided an endless supply of thrilling and exciting movies with the Nazis as the natural 'bad guys', and here is another. Although they were not all as dim-witted as portrayed in movies, it is always fun to watch them come out on the short end. This film is well worth your time whether you are a war movie buff or not.

"...one of our aircraft is missing ..." is a well-cast and well-written piece from Powell and Pressburger, key film makers in 1940s Britain.

The crew of B for Bertie find themselves lost in enemy territory and have to depend on the resources of others to get them to safety. The crew are played by some of the best actors of the time: Godfrey Tearle as the upper-class rear gunner; Eric Portman as the bluff Yorkshire co-pilot; Hugh Williams (father of 1970s actor Simon) as the refined navigator; Bernard Miles - better than usual - as the front gunner; High Burden as the pilot; and Emrys Jones as the Welsh sportsman who became the radio operator.

In support are Googie Withers, P&P regular Pamela Brown, Joyce Redman, Robert Helpmann (as the quisling), Alec Clunes (father of Martin) as the church organist, and Peter Ustinov (in his film debut) as the priest.

This film has been done as a drama-documentary so has a very realistic feel and look, pulling the viewer right into the action alongside the aircraft crew. It is less atmospheric than the 30s P&P films featuring Conrad Veidt and perhaps represented a more grounded style to their work before their Technicolor fantasies of the late 40s.