Kalamazoo

In many ways a typical studio movie of its time: boy meets girl, boy falls for girl, trouble between boy and girl, etc. Resolutions to the dramatic twist are more comic than realistic, but that's standard fare for movies of that era and fans of this genre know what to expect.

The Glenn Miller orchestra with vocals by Marion Hutton, Tex Benecke, and the excellent production values inputed by the film's producers make this movie worth seeing. Also, print out the entire cast list from the IMDb and note all the stars worth identifying as the film progresses.

A must see/have for fans of Glenn Miller and the popular music of the WWII era. If you romanticize this era, as I do, you'll love the film.

It's Glenn Miller and his orchestra all right, even though the producers called him Gene Morris or something like that, and there is lots of music played by them. This movie seems to be almost unknown, yet it should by on the top of the list of every Glenn Miller fan. The sound is not bad for a 1942 recording.

The story line ... is not worse than those of hundred other movies, past and present, without redeeming musical numbers. It's about the few wives or girl friends traveling with the band, who do not necessarily make the musicians' hardships on the road any easier. In the style of these older movies, things are happening at a good clip and are never too melodramatic.

Glenn Miller plays "Glenn Miller" pretty well in a low-key manner and looks quite realistic. How could they make such great music with the smoking and the bad food at odd hours?

You gotta hand it to GLENN MILLER AND HIS ORCHESTRA. Their leader may lack acting charisma but he's got a band that plays great tunes with that unmistakable Miller sound and some good band singers to do the tunes justice. And the producers of this movie were wise to use The Nicholas Bros., an acrobatic dance trio that do outstanding routines to "I've Got A Gal in Kalamazoo".

But the plot, well that's another story. It's one of those catty backstage plots about a group of orchestra wives and the jealousy that erupts when an innocent young girl (ANN RUTHERFORD) joins the group only to discover that her husband's ex-flame is still carrying the torch for him, and will stop at nothing to win him back. What happens among the group is pretty hard to swallow, but it's just a device to make way for hearing Miller and his band in their glory days.

As in SUN VALLEY SERENADE, it's the musical numbers that knock the film out of pedestrian and into the winner's circle with numbers like "Serenade in Blue", "At Last", "I've Got a Gal in Kalamazoo", and "People Like You and Me". It's also a pleasure to rediscover singers like Marion Hutton, Tex Benecke, Ray Eberle and The Modernaires.

Pretty ANN RUTHERFORD and handsome GEORGE MONTGOMERY do nicely in the romantic leads and it's s fun way to spend time listening to Miller and his boys. CAROLE LANDIS, MARY BETH HUGHES and LYNN BARI sharpen their claws on some sassy dialog. It's fun!

This film, the second to feature the Glenn Miller Orchestra, and probably best of the many films to include bandleaders in the cast, does exactly what it says on the tin – present a film about orchestra wives, those long-suffering mates of band musicians. What plot there is can be summed up in a couple of lines, concerning romances, new marriages, old flames, and rivalries.

The production works better than ‘Sun Valley Serenade', as that film largely had to support a plot for Sonja Henje. This time, there's more scope for other characters to make their impact, however brief. And yes, that is Cesar Romero playing piano for Miller. I'm not sure why, but there you go.

Miller himself was no actor, but it is of great interest to see him lead his band on screen (and also to put faces to singers Tex Beneke and Ray Eberle). The unique arrangements were perfect for screen soundtracks and there are several hit numbers featured throughout ‘Orchestra Wives'.

Lively mix of mellow sounds and backstage back-biting. I could have used more of the band, but the signature I've Got a Gal in Kalamazoo fills a lot of musical space. Wow, the title really means it. The wives and girl friends are a catty lot, scheming and conniving, especially a brunette Carol Landis (Natalie). She and her two cohorts Gilmore and Hughes should wear big black hats and stir a steaming black kettle as they plague poor, sweet Connie (Rutherford). Then there's the jealous Janie (Bari) in her drop-dead revealing gowns. No wonder Bill is having trouble with wife Connie.

It's a fine cast. Note how well Rutherford acts with her big, expressive eyes-- hard not to put a protective arm around her. Surprisingly, it's a sleek and lively George Montgomery a few years before he made a sober-sided career of the six-gun and horse. Landis also scores well showing what a fine, versatile actress she was before her untimely death. And catch future TV stars Jackie Gleason and Harry Morgan in bit parts, along with a bobbie-soxer Dale Evans before her frontier team-up with Roy and Trigger.

Credit director Mayo with blending things together in pleasing fashion, something of a challenge given the sometimes salty wrinkles in the plot. It's a good look at Miller the man and a sampling of his celebrated band, along with the swinging Modernaires. And, despite a conventional happy ending, the narrative appears a more revealing look at traveling bands than I, for one, expected from a big studio production.