La nuit a des yeux

Schoolteachers Joyce Howard and Tucker McGuire are off to the Yorkshire moors for a holiday, the same moors where a former colleague disappeared a year earlier. When they get caught up in a storm, they find shelter in the secluded mansion of James Mason. Mason's an acrimonious and unstable man, and despite multiple warnings from him, his housekeeper Mary Clare, and a possible link between Mason and the missing teacher, she falls for him and decides to stay around for a while. But then she finds a skeleton in a locked room (literally), with a necklace that she recognizes as the missing teacher's...

Also known as Terror House and Moonlight Madness, this movie combines elements from 30 mysteries, Gothic/victorian drama's and even a bit of early/proto film noir. Mason ('Odd Man Out') was still quite young but already able to carry a movie, and gives a solid performance. Howard ('They Met In The Dark') is also good, stuffy at first but more radiant once she takes a romantic interest in Mason. There is also some nice atmospheric cinematography by Gunther Krampf ('Nosferatu') inside the mansion and on the foggy moors. The directing by Leslie Arliss ('The Wicked Lady') is competent enough, but his screenplay is a bit too slow, and he added some unnecessary and jarring comic relief in the middle. The twist is not too surprising, the ending is pretty good tho. An enjoyable movie, but it could've been much better. 6+/10

James Mason stars in the story of two women who go off to try and find out what happened to a friend of theirs a year before when she went off across the moors. While out on the moors the girls get caught in a rain storm and are forced to take shelter in an old dark house where James Mason, a slightly off center composer lives. What happens after that is the movie and frankly its a great deal of fun and worth looking for. This is really an Old Dark House movie-the girls come upon the house when its all dark and shadowy, and you can feel the danger lurking in every shadow. I loved how this film took twist after twist and spun off in new directions that kept you guessing as to what may have happened to the friend and what may happen to the two girls. if you like old dark house movies or really good thrillers this one is for you.

Of all the movies I love, none has had a wider ranging impact than this one. I saw it on late night TV when I was 9, Halloween night, at a sleepover where everyone else was sleeping. I had nothing to do and couldn't figure out how to change the channel on the TV, so I was sitting there grumpily watching something random when this... strange movie came on. It was in black and white, but the people in it were beautiful, as were the clothes, the sets, everything. I was transfixed. I told my mother about this movie rapturously, and when it came on again a couple of years later she woke me at 2:00 in the morning so we could watch it together (my mother understands what it is to love a film). For many years Stephen was my tortured masculine ideal, and I married a man who definitely fits the James Mason physical type. Luckily, he has a sunny temperament and a stronger chin, so I feel like I got the best of both worlds! This movie also led me into the genre of Gothic literature, which was a major component of my reading life for a long time, and I still enjoy. Thank you to the people who made this film with love. They'll never know what it's meant to me.

The Night Has Eyes (AKA: Terror House/Moonlight Madness) is directed by Leslie Arliss who also adapts the screenplay from the novel written by Alan Kennington. It stars James Mason, Wilfrid Lawson, Mary Clare, Joyce Howard and Tucker Maguire. Music is by Charles Williams and cinematography by Gunther Krampf.

"You seem to regard me as some sort of male sleeping beauty who is restored to life by your kiss"

During the school term break, two lady school teachers travel to the Yorkshire Moors in the hope of finding out what happened to a fellow work colleague who vanished there a year previously. Arriving on the moors at night time, a storm breaks and the two women are thankful to stumble upon an isolated house where somebody is at home. The inhabitant is Stephen Deremid (Mason), a mysterious man who may just hold the key to what happened to the ladies' missing colleague.

OK! It's a stage bound "Old Dark House" film that has noir shadings but is more in keeping with classic Gothic offerings like Jane Eyre, Uncle Silas and Gaslight. The setting is a doozy, a creaky and shadowy mansion with a secret room, add in a storm from hell, the foggy moors that hold secrets along with the patches of quicksand (quickbog?), a seriously brooding leading man greatly troubled by his past, a spunky heroine fronting up for love interest and some possible perilous shenanigans… and you are good to go for some dark deeds and closeted skeletons.

Director Arliss builds the suspense very slowly, dangling snippets of information that teases the audience as to what might be going on in this shadowy abode. Stephen is a music composer, he is also a veteran of the Spanish Civil War, the effects of which has left him scarred. Why does he take tablets? Why is the moon significant? Now that his house servants have turned up, do they know what happened to the girl last year? It all builds towards the film's chilling climax, where all is revealed, and not insultingly so.

The cast all perform well under Arliss' direction, with Mason honing the brooding lead man act that would serve him so well in his career. Cinematographer Gunther Krampf (Nosferatu/The Hands of Orlac) creates an eerie atmosphere of fog-bound menace out on the moors, and also a foreboding darkened house of shadows for the interior of the Deremid mansion. The slow pace may put some off, and you are asked to forgive one or two dumb character reactions to certain situations, but this rewards the patient and very much it's a film for Gothic thriller fans to seek out. 7/10

James Mason stars in this semi-horror film along with Wilfrid Lawson, Mary Clare, and Joyce Howard.

Joyce plays Marian who, with her horny friend Doris (Tucker McGuire) head for the Yorkshire moors with a mission. Their good friend Evelyn was lost on these moors a year earlier, and Joyce and Doris want to find out what happened to her.

A good-looking doctor (John Fernald) meets the women on the train and offers them a ride. For reasons known only to themselves, they decide to get out and walk at a certain point. A tremendous storm opens the skies, and one of the women is almost lost in the bogs that are like quicksand.

They are saved by an ex-serviceman Stephen (Mason) who lives with a housekeeper and a handyman on the moors. The women have no choice but to spend the night, and, when there's flooding, they have to stay the next day.

Stephen is very brusque, mysterious, and wants them gone. They soon learn why.

Pretty good, atmospheric film with some nice performances. My big problem was that the Joyce Howard character fell madly in love with Mason after knowing him for five minutes.

You'll figure this out pretty quickly, as the direction to the actors (in my opinion) made it obvious. A little underplaying would have been nice on the part of one of the actors.