The Next of Kin

When a British army unit is given the task, to attack a vital German U boat base, they know that security has to be 100 per cent. In this semi documentary look at the operation, it is shown how even the smallest remark about the raid , when overheard by German agents, and put together with other clues, will result the raid being a total failure. From one of the officers telling his girlfriend, that his unit is moving to a special training area, to the bookseller blackmailing his assistant into obtaining information from her soldier boyfriend, to the RAF officer, who leaves his briefcase, where a German agent can steal, and copy his photographs, the film then shows in graphic detail, what could happen, when the troops land. and the enemy are waiting. This story shows to war weary audience, how easy it is to talk out of turn, and put allied soldiers lives at risk.

Considering I was hitherto unaware of this excellent film prior to it's being shown on "Talking Pictures" tv, what a revelation it was. With a stellar cast and a "careless talk costs lives" propaganda backcloth, this film ticks along nicely and, whilst providing a very serious message also manages to give the viewer a genuine thriller. Some fine performances here and good to see the likes of Jack Hawkins, Nova Pilbeam, Mervyn Johns, Basil Radford and Naunton Wayne, to mention but a few, getting involved. Overall, a really terrific effort and yet another old British war story that leaves so many more recent movies standing.

Why does the Brigadier's wine merchant know where he is being posted next? The mess sergeant let it drop. Efforts to tighten up security to make sure leaks that might reveal troop movement aren't much use when the British soldier believes we're all in it together. The only suspicion is raised when a trooper claims he was assigned to Headquarters, and another soldier doesn't recognize him. He reports him to the C.O., and it turns out he's right.... and the reporting trooper has his leave cut short to escort the spy to prison. Even that pretty dancer you've been dating turns out to be telling German spies what you've said innocuously.

It's all being managed by people who run bookstores or are dentists, with accents that proclaim they are as English as John Bull. And their deadliest agent, who kills Nova Pilbeam -- Boo! Hiss! -- is worn-down, workaday Mervyn Johns.

The War Office commissioned this movie from Michael Balcon. He took the small amount of money, doubled it, made this rip-roaring yet somber spy drama. Once he recovered the money he had put into it, the profits went to the War Office, and there were plenty of profits. It was enormously popular, and rightly so, even if Churchill considered having it censored because it might destroy morale. If we can't trust each other, whom can we trust?

It all ends with an exciting race. The army is planning a massive raid. Johns has the aerial surveys. Can he get it to the German High Command in time for them to figure out where it will be and stop it? Or at least make it so difficult that death notices must be sent to the next of kin?

So keep your lip buttoned up. Even if you're Wayne Naunton taking to Basil Radford. Mervyn Johns might be listening.

I loved this film. It is so genuine, all the persons playing part in it are so very much alive and convincing, that you get under the skin of them all, whether they end up badly or not, even the spies and the crooks. This is not the only war film Winston Churchill wanted to ban, there were a number and several of the best, and this is one of them. Fortunately he didn't succeed in banning any of them.

Especially so long afterwards, 76 years later to be exact, it's immensely rewarding to see such an example of supreme realism all the way, of ordinary people, officers and soldiers, spies and victims, in their very various precarious situations, all under severe pressure, some under threats of death or worse, but all keeping on working and straining themselves for what everyone of them believes is for the best of all. The Germans are not depicted as crooks and villains, they are rather very well objectively filmed, like also the Britishers. They are all doing an extremely difficult job under extreme strain, and this was during the year when the war reached its deepest crisis. It is almost perfectly documentary in character all the way.

This is a really good war film with none of the old boys club class divisions of so many other films. Action is very believable with the men being shot collapsing very realistically and the British soldier using his rifle back on the neck of a Nazi is as realistic as can be. Only annoyance was the British soldiers failure to look before running round corners or bunching up instead of spacing apart. It's not generally known but in late 30s huge numbers of German 'tourists' travelled UK photographing all military and industrial sites. It's well worth watching.