Le Mystère de Marie Roget

Actress Marie Roget (Maria Montez) disappears and is suspected of being murdered as a woman is found murdered with her face clawed away, but one day, much to everyone's surprise, she shows up, and doesn't give much information about her disappearance...

Then at a party, she disappears again. Dr. Pierre Dupin (Patric Knowles) is determined to get to the truth. Inspector Gobelin (Lloyd Corrigan) acts as Watson to Dupin's Holmes. Suspects are a plenty, from Camille whose fiancée Marcel has been having an affair with Marie, Marcel himself who had hinted at doing away with Camille as he doesn't really love her or Mme. Cecile Rogêt who had overheard Marie and Marcel coming up with a plan to get rid of Camille.

An absolutely solid mystery from Universal studios- a mix of Sherlock Holmes and Edgar Allan Poe, and you get a fast-paced mystery, at times complicated, yet fills its one hour running time like a well-oiled machine and ticks off red herrings with ease. The climax featuring a daring rooftop chase is a nail biter. Maria Montez is beautiful as always, and I loved the chemistry between Dr Dupin and the inspector- entertaining interaction.

This was among the very few remaining vintage Universal Horror titles, a genuine 'B' movie but a surprisingly effective one nonetheless – if only tenuously related to the genre (being based on an Edgar Allan Poe tale, the presence of an ostensibly dangerous animal i.e. a leopard, thus anticipating the Val Lewton chiller THE LEOPARD MAN {1943}, and its utilizing a steel-claw for a murder weapon that literally obliterates the victims' faces…which, apart from the latter film itself, would subsequently see service in at least 2 more of the studio's efforts, namely the Sherlock Holmes adventure THE SCARLET CLAW {1944} and the maligned SHE-WOLF OF London {1946}!).

Incidentally, this can be considered an unofficial sequel to one of the earliest Universal horror classics, MURDERS IN THE RUE MORGUE (1932), since it is not only set in much the same surroundings as that more popular Poe story but it actually features one of the protagonists, forensic expert Pierre Dupin (here played by stiff-upper-lipped but likable Patric Knowles, who around this same time would co-star in two higher-profile genre efforts for the studio in THE WOLF MAN {1941} and its direct successor in the Larry Talbot franchise FRANKENSTEIN MEETS THE WOLF MAN {1943}!). For the record, MYSTERY OF MARIE ROGET managed to rope in another cast member of those very pictures, Maria Ouspenskaya…who is at her most outspoken here, constantly belittling Prefect of Police and Knowles' long-suffering sidekick Lloyd Corrigan (who indeed has no easier time with the doctor, in view of the fact that the latter never bothers to fully explain his schemes in entrapping criminals to his understandably flustered superior!).

Which brings us to nominal lead Maria Montez though, given the brevity of her appearance in an already tight 61-minute film, this cannot be deemed a star vehicle for her (as it happens, I currently have 7 of those in my "To Watch" pile!). Anyway, while heavily-accented, she does get to warble a song in French (to the evident delight of Corrigan) and, in any case, her character is established as being wicked…which Knowles goes to extreme lengths to prove (by stealthily extracting the brain from her corpse in the morgue – the scene evoking FRANKENSTEIN {1931} in conception and MYSTERY OF THE WAX MUSEUM {1933} in execution – and, under advise from some eminent authority on the workings of the criminal mind, carrying out experiments on it off-screen!).

Despite watching this via a worn-out VHS print, where the detail is so far gone one can hardly discern the actors' facial features(!), the unmistakable atmosphere of a good old Universal horror movie is well in evidence, thus making this a blast (if clearly a minor entry in the field). For what it is worth, we are also treated to a horse-and-carriage chase along the cobbled streets of a studio-built Paris and, while I was sure I had figured out the culprit's true identity, the script (which is surprisingly complex and eminently engaging) went on to prove me wrong by making him out to be the guilty party the Police had fingered all along!

With all due respect to the last person who commented on this movie. I fear what the reviewer does not realize is that Marie Roget is a Poe story. In fact, Poe created the crime story. While I have not seen the movie, I feel it is important to point out that the reviewer claims the movie relies on the 'dumb cop can't figure it out, so he relies on the old smart detective to solve the crime plot' while not realizing that Poe not only created the plot, this main detective Dupin is the genesis of it. Yes, Dupin is the predecessor of Sherlock Holmes. I did notice that some changes were made in the character names, and I do not doubt that the movie is sub par. However, it is important to note that this story and the other two Poe crime stories ares what lead to the great noir films of the 40's

"Mystery of Marie Roget" is a sub-par B-movie from Universal. While the story purports to be from the Edgar Allan Poe story, it's really very different.

When the film begins, Marie has been reported missing and the police have so far found nothing. They do eventually find a corpse that MIGHT be her...but her face is missing. When they tell her family that they've found her, she then walks in the house...so the corpse obviously was NOT her. However, eventually Marie really is murdered and it's up to Poe's Dupin character (Patric Knowles) to solve the murder. As for Dupin, he's a know-it-all who acts a lot like the movie version of Sherlock Holmes and has a partner (Lloyd Corrigan) who is even stupider and more useless than the movie version of Watson. In fact, he's such a bumbling moron that it totally ruins the movie...as does Dupin's bizarre manner in which he investigates. Overall, just a silly and inconsequential B murder mystery--complete with all the usual clichés and plot problems. A time-passer at best...but you could easily do better.

Maria Montez is Marie Roget. She vanishes, then reappears, then vanishes again. Some people think she will reappear again, but not police chemist Patric Knowles, who wanders around annoying police prefect Lloyd Corrigan, because he's always right.

Poe's short story was based on a real murder in New York, which he moved to Paris and actually figured out. Nothing loath, the folks at Universal kept the title, Dupin's last name, and little else. Instead, Knowles plays Dupin as a variant of Holmes, but much more annoying because he saunters. Corrigan is intended to be his Watson. A key clue is kept out of the audience's sight until after everything is solved. With Maria Ouspenskaya, John Litel, Edward Norris, and Nell O'Day.