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Mokey

  • 1942
  • Approved
  • 1h 28m
IMDb RATING
5.0/10
204
YOUR RATING
Donna Reed, Robert Blake, and Dan Dailey in Mokey (1942)
AdventureDrama

Mokey is an eight-year-old boy whose father gives him too little attention and whose stepmother misunderstands him. His misdeeds are due to neglect and misunderstanding on the part of his el... Read allMokey is an eight-year-old boy whose father gives him too little attention and whose stepmother misunderstands him. His misdeeds are due to neglect and misunderstanding on the part of his elders.Mokey is an eight-year-old boy whose father gives him too little attention and whose stepmother misunderstands him. His misdeeds are due to neglect and misunderstanding on the part of his elders.

  • Director
    • Wells Root
  • Writers
    • Jennie Harris Oliver
    • Wells Root
    • Jan Fortune
  • Stars
    • Dan Dailey
    • Donna Reed
    • Robert Blake
  • See production info at IMDbPro
  • IMDb RATING
    5.0/10
    204
    YOUR RATING
    • Director
      • Wells Root
    • Writers
      • Jennie Harris Oliver
      • Wells Root
      • Jan Fortune
    • Stars
      • Dan Dailey
      • Donna Reed
      • Robert Blake
    • 12User reviews
    • 3Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos6

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    Top cast35

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    Dan Dailey
    Dan Dailey
    • Herbert Delano
    • (as Dan Dailey Jr.)
    Donna Reed
    Donna Reed
    • Anthea Delano
    Robert Blake
    Robert Blake
    • Daniel 'Mokey' Delano
    • (as Bobby Blake)
    Cordell Hickman
    Cordell Hickman
    • Booker T. Cumby
    Billie 'Buckwheat' Thomas
    Billie 'Buckwheat' Thomas
    • Brother Cumby
    • (as William 'Buckwheat' Thomas)
    Etta McDaniel
    Etta McDaniel
    • Cindy Molishus
    Marcella Moreland
    • Begonia Cumby
    George Lloyd
    George Lloyd
    • Policeman Pat Esel
    Matt Moore
    Matt Moore
    • Mr. Pennington
    Cleo Desmond
    • Aunt Deedy
    Cliff Clark
    • Mr. Graham
    Mary Field
    Mary Field
    • Mrs. Graham
    Bob Stebbins
    • Brickley 'Brick' Autry
    • (as Bobby Stebbins)
    Sam McDaniel
    Sam McDaniel
    • Uncle Ben
    Margaret Bert
    • Woman in Courtroom
    • (uncredited)
    Shirley Coates
    • Tina Lindstrum
    • (uncredited)
    Jules Cowles
    Jules Cowles
    • Man in Street
    • (uncredited)
    Marga Ann Deighton
    • Mrs. Lindstrum
    • (uncredited)
    • Director
      • Wells Root
    • Writers
      • Jennie Harris Oliver
      • Wells Root
      • Jan Fortune
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews12

    5.0204
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    Featured reviews

    riffaff-1

    Interesting movie but not as interesting as to WHEN it was run

    This was a fun movie to watch. A good role for 21 year old Donna Reed in a movie sandwiched between her roles in an Andy Hardy and a Dr Kildare film. A very good view of how the "system" handled juvenile delinquency in those times. I didn't know the movie existed till I was channel surfing on Wed 3/16/05 and came across it. The movie played on TCM from 3:30 to 5:00 CST. At the same time on Court TV there was the live broadcast of the verdict in Robert Blakes trial for the murder of his wife. The verdict being read at 4:30 CST. Coincidence?? Maybe, but I doubt it. Sure was fun scooting back and forth between the Channels though.

    Take care.

    • Dan O'Merderwun
    BrianDanaCamp

    MOKEY offers unusual glimpse of black life in the south

    MOKEY (1942) is a low-budget MGM melodrama set in a poor southern town where blacks and whites live in close proximity. Young Mokey (eight-year-old Robert Blake, a member of the "Our Gang" cast at the time) lives in a small but fairly comfortable house while his three closest friends, black siblings (two boys and one girl), live in a much more ramshackle place a short distance away. Mokey's guardian is a black maid (Etta McDaniel), who doesn't have much patience with Mokey and leaves the job when Mokey's dad remarries. (She later comes back temporarily.) The three black children (played by Cordell Hickman, William "Buckwheat" Thomas, and Marcella Moreland) live with an older woman, Aunt Deedy (Cleo Desmond), who is not their "blood kin." When Aunt Deedy gets sick she calls in a traditional healer, a "conjure woman" played by veteran black actress Madame Sul-Te-Wan (who was in D.W. Griffith's BIRTH OF A NATION). There are a total of seven black speaking parts, four of them quite substantial. A middle section of the film has Mokey running away from home and living with the black children as their cousin "Julius." They do him up in blackface and give him a cap to cover his straight hair. It fools Aunt Deedy—for more than three weeks! She doesn't bathe him or check his hair the whole time. The town searches high and low for Mokey but three weeks go by before Mokey's father (Dan Dailey) thinks to question Mokey's black friends about his whereabouts, which gives some idea of how invisible the black population was despite being so close. Along similar lines, we witness some disapproval on the part of Mokey's new stepmother (Donna Reed) after Mokey has introduced his three black playmates to her. When she later asks Mokey if he has any friends and he replies that she's already met them, she then asks, "But don't you have any other friends?," clearly implying that those three aren't good enough for him.

    The young black actors are quite good, especially Cordell Hickman, who was active in the 1940s and, in the performances of his I've seen, always carried himself with a certain dignity. (He's best known for playing the white protagonist's close companion in THE BISCUIT EATER, 1940.) The little girl, Begonia (Marcella Moreland, daughter of actor Mantan Moreland), is quite sassy and addresses Mokey and the other white playmates as "white boy," with more than a hint of condescension. William Thomas, better known as "Buckwheat," was Robert Blake's co-star in the "Our Gang" series. The black characters speak in southern dialect, sometimes a tad more exaggerated than necessary.

    My point in laying out this detail is to call attention to the extent of the film's investment in black life. We often see black characters in subservient roles in films from the 1930s and '40s, but we don't often see their lives away from the white folks. Here we do and it's quite refreshing. There are other films like this I can cite, but I'd most like to single out the horse-racing melodrama, MARYLAND (1940), which has a whole subplot set in the segregated black society which supplied the workers for the horse industry in Maryland at the time. I've reviewed that film on IMDb and my review is the only one to cite this subplot.

    When I read comments complaining about racial stereotypes in films like MOKEY, I can only think that the tendency towards political correctness wants to whitewash this country's history. Without these characters we wouldn't get to see these remarkable performances by black actors trying to inject humanity into the stereotypes. It's easy to dismiss stereotypes when you don't see these characters as human beings. Which begs the question of who's the most racist. The creators of these films who sought to include black people in them to a degree that was rare in that period or the politically correct critics of today? Isn't the film somewhat noteworthy for at least acknowledging the racism of that time and setting rather than denying it?

    For the record, Jim Gallaher, the son of the man who was the basis for the Mokey character, reports in a review here that his father did indeed live with a black family under an assumed name when he'd run away and traveled far from home, but is doubtful that he ever wore blackface. I'm assuming that because Mokey stays so close to home after he's run away in the film, the screenwriter had to come up with a tactic that would plausibly delay his discovery by the townsfolk for a significant amount of time and the blackface gimmick was the only one that could work.

    Other reviews have adequately addressed the problematic aspects of Mokey's character and the difficulties such a boy causes for otherwise well-meaning people, so I'll leave that subject to them.
    2stareyes24

    It Could Have Been Better

    Mokey (MGM, 1942) Upon watching this movie many years ago, after viewing the trailer, I thought it was going to be a nice sweet family drama. However, I was very disappointed with the overall film. First of all, this movie from the same studio that produced such excellent family dramas as "Boystown", "Journey for Maragaret", and "Our Vines Have Tender Grapes". Not only were the production values excellent, but so were the scripts, and the actors starring in these films. I do not blame young Robert Blake, because he was only about 8 or 9 in this film, but the studio itself. If they were trying to make a star out of him, this was not the film. He could have benefited from a better script and cast. I do believe that given with the right direction, better cast, and even a good script, this film could have been right up there with the aforementioned films. Lastly, the racial overtones of the film were ridiculous, I understand it was made during a racist period of America, but that could have been left out of the script and the film altogether.
    6mbris163

    Mokey

    I have read all of what was said about this movie. Yesterday was the first time that I have ever seen this movie. I enjoyed it. I like the way that the movie gave the "Black characters more freedom". What I didn't like was the first time that this young child meets his new step mom she calls him Dummy and she did it several times. That really disturbed me I had to but on the caption button to make sure that I was hearing correct. All this little boy needed was some love and understanding, and he would not have been in so much trouble. Because to me he was a normal 8yr old boy, and boys will be boys. Even when he ran away and was gone for several weeks and the father finally found him; He beat him and left the very next day. He being a father should have taken the time and stayed with his son a day or so more and talked to him and try to find out the problem. But in all I though this movie was cute. And to see Robert Blake at such a young age being so cute brought back memories of the Little Rascals.
    8muskoxx

    Little Rascal from Hell

    Mokie(Robert Blake - yes the "Barreta" guy) is an 8 year old kid who just can't seem to stay out of trouble. Mokey seem to want to foreshadow Robert Blake's later adult life as a troubled little kid who's Mom has died and new stepmom (Donna Reed) can't control him no matter how hard she tries. "Mokey" is an interlude between Blake's "Our Gang" appearances and also includes "Little Rascals" co-star "Buckwheat". It has some interesting scenes with Buckwheat and his friends which is unusual for its time. Mokey's Mom must ultimately decide how important this new marriage and her new step son are.

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    Storyline

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    Did you know

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    • Trivia
      This film was initially telecast in Los Angeles Tuesday 22 October 1957 on KTTV (Channel 11), in Philadelphia Monday 27 January 1958 on WFIL (Channel 6), in New York City 3 October 1958 on WCBS (Channel 2), and in San Francisco 30 October 1958 on KGO (Channel 7).
    • Quotes

      Daniel 'Mokey' Delano: She done broke her elbow.

      Aunt Deedy: Elbow! Grandma's always breaking something, mostly 'The Ten Commandments'.

    • Soundtracks
      The Prisoner's Song (If I Had the Wings of an Angel)
      (1924) (uncredited)

      Written by Guy Massey

      Played on concertina and harmonica and sung by Robert Blake with modified lyrics

      Reprised by him on piano

      Reprised by Donna Reed on piano

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    Details

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    • Release date
      • April 1942 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • La edad peligrosa
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 28 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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