Acting as a decoy in a bank robbery Dot get arrested. But before going to jail she manages to steal the $40, 000 loot from her accomplices. Her arrest attracts the attention of her former sw... Read allActing as a decoy in a bank robbery Dot get arrested. But before going to jail she manages to steal the $40, 000 loot from her accomplices. Her arrest attracts the attention of her former sweetheart Ken who believes her innocent.Acting as a decoy in a bank robbery Dot get arrested. But before going to jail she manages to steal the $40, 000 loot from her accomplices. Her arrest attracts the attention of her former sweetheart Ken who believes her innocent.
- Director
- Writers
- Stars
Jackie Gleason
- Wilson
- (as Jackie C. Gleason)
William Hopper
- John
- (as DeWolf Hopper)
Charles C. Wilson
- Detective
- (as Charles Wilson)
William 'Bill' Phillips
- Stew
- (as Bill Phillips)
Daisy Bufford
- Black Prisoner
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's a peppy flick and in some ways better than the original 1933 movie titled Ladies They Talk About that starred Barbara Stanwyck.Fortunately, the Stanwyck movie was pre-Hays code so there is some snappy dialog and not so veiled references to prostitution that couldn't be filmed in Lady Gangster. The opening scene obviously shot in a real bank gives the film a realistic gritty feel that doesn't come off when a scene like this is shot on a set. Jackie Gleason in a small supporting role as one of Emerson's fellow bank robbers, provides a few glimpses of that "Poor Soul" face that he made famous years later on his TV show. Also, catching a very young dark-haired William Hopper (later of Perry Mason fame as Paul Drake)was also a pleasant surprise.
Lady Gangster was based on a play written by Dorothy Mackaye who did some time in prison for covering up a homicide of her husband Ray Raymond by actor Paul Kelly who also served in prison before resuming his career. All the principals in that affair are gone now and their lives and story would certainly be far more interesting than this film which had a previous incarnation by Warner Brothers in 1933. That film was Ladies They Talk About and starred Barbara Stanwyck. As it was before the Code, I'm betting that was a better version. It certainly sounded more interesting in the Stanwyck biography I read.
Faye Emerson is no Stanwyck, but she's all right in the role of an actress fallen on bad times and now hooking up with bank robbers Roland Drew, Bill Phillips and Jackie Gleason. Yes the great one is in the cast as wheel man of the bank robbery that Emerson acts as a shill/decoy for and gets caught.
In prison for her crime Faye makes friends with Julie Bishop and as she knows where the money is hid, she has that as a bargaining chip for her release. But the plot takes some strange turns and she's forced to escape.
The male roles in this film are weak, Frank Wilcox is a bit of a doofus as your crusading crime busting radio commentator. Why Emerson falls for him is beyond me. The script is weak and meandering for Lady Gangster as well. For instance an element is introduced of a rivalry between District Attorney Herbert Rawlinson and Wilcox, with Wilcox intimating the DA is corrupt. But that doesn't go anywhere. Certainly the talents of Jackie Gleason are not used at all, but Warners never realized what they had under contract.
On the plus side, the best supporting performance is clearly that of prison snitch Ruth Ford who really doesn't do it for material gain, she just likes the attention. Ford did quite a lot with a small role.
A product of Warner Brothers B picture unit, Lady Gangster just doesn't make it.
Faye Emerson is no Stanwyck, but she's all right in the role of an actress fallen on bad times and now hooking up with bank robbers Roland Drew, Bill Phillips and Jackie Gleason. Yes the great one is in the cast as wheel man of the bank robbery that Emerson acts as a shill/decoy for and gets caught.
In prison for her crime Faye makes friends with Julie Bishop and as she knows where the money is hid, she has that as a bargaining chip for her release. But the plot takes some strange turns and she's forced to escape.
The male roles in this film are weak, Frank Wilcox is a bit of a doofus as your crusading crime busting radio commentator. Why Emerson falls for him is beyond me. The script is weak and meandering for Lady Gangster as well. For instance an element is introduced of a rivalry between District Attorney Herbert Rawlinson and Wilcox, with Wilcox intimating the DA is corrupt. But that doesn't go anywhere. Certainly the talents of Jackie Gleason are not used at all, but Warners never realized what they had under contract.
On the plus side, the best supporting performance is clearly that of prison snitch Ruth Ford who really doesn't do it for material gain, she just likes the attention. Ford did quite a lot with a small role.
A product of Warner Brothers B picture unit, Lady Gangster just doesn't make it.
It's the "Women in Cages" of the 40's starring the lean, wide-eyed, prominent cheek-boned, raven-maned beauty Faye Emerson as an aspiring actress who participates in a bank robbery, is caught and then incarcerated for her role but not before hiding the stash from her associates. Whilst in gaol she befriends fellow inmate (Bishop) and is misled in her attempts to get paroled by her jealous nemesis (Ford). Eventually she hatches a plot to escape and recover her share of the booty, but her former accomplices have other ideas.
Emerson is a magnetic personality, arguably better than the B-standard plot, though it's her genuine charm and timing that make her the perfect fit as the slightly naive southern girl, able to improvise in order to make all ends meet. Frank Wilcox co-stars as her would-be suitor whose attempts to keep her out of gaol always seem to fail. Good to see William Hopper (the future "Perry Mason" detective) in a minor role as a radio announcer, and Jackie Gleason as a sympathetic crook.
The momentum is ideal with no time wasted on long, pensive reaction shots or banal and obsolete melodrama - it's light, focused and frenetic and as a consequence, oddly compelling. Emerson, Bishop and Ford all play their roles with aplomb, turning an otherwise mediocre women's prison movie into an entertaining hour.
Emerson is a magnetic personality, arguably better than the B-standard plot, though it's her genuine charm and timing that make her the perfect fit as the slightly naive southern girl, able to improvise in order to make all ends meet. Frank Wilcox co-stars as her would-be suitor whose attempts to keep her out of gaol always seem to fail. Good to see William Hopper (the future "Perry Mason" detective) in a minor role as a radio announcer, and Jackie Gleason as a sympathetic crook.
The momentum is ideal with no time wasted on long, pensive reaction shots or banal and obsolete melodrama - it's light, focused and frenetic and as a consequence, oddly compelling. Emerson, Bishop and Ford all play their roles with aplomb, turning an otherwise mediocre women's prison movie into an entertaining hour.
For a B-movie lasting only 62 minutes, this picture was surprisingly entertaining. Faye Emerson stars as a failed actress named "Dorothy Burton" who is almost broke and needs money. So she agrees to help three criminals rob a bank. The problem is that she gets caught. Even so, she remains loyal to her companions and refuses to tell the district attorney, "Lewis Sinton" (Herbert Rawlinson), anything. Now, rather than revealing what happens next and risk spoiling the film for those who haven't seen it, I will simply say that Faye Emerson's performance was superb. Not only was she beautiful, but she also possessed an intangible and unique quality that was absolutely delightful. Be that as it may, in my opinion, this film didn't last nearly as long as I would have liked, and due to these time constraints, some scenes could have been played out a bit more effectively. In any case, if a person enjoys movies of this type from this particular era, I think they may be pleasantly surprised by this movie. Slightly above average.
Was the concept of a female criminal so odd at the time? What about Bonnie Parker? This is a gangster story with the sexes reversed, in any case. The criminal who goes to the slammer is a woman. The prison is nothing compared to the one in "Caged." Julie Bishop, who's very good, wears a rather glamorous uniform.
The movie trots right along, though. It has an excellent cast. Of course, it's fun to see the young Jackie Gleason as a bank robber. He looks kind of naive and cuddly.
Faye Emerson was an excellent actress. She adorned many a B-picture. She wasn't a great beauty: Maybe that's why she never became a major star of movies. She was versatile -- sweet, wisecracking, or evil. One thing that always comes across in her performances: intelligence.
The movie trots right along, though. It has an excellent cast. Of course, it's fun to see the young Jackie Gleason as a bank robber. He looks kind of naive and cuddly.
Faye Emerson was an excellent actress. She adorned many a B-picture. She wasn't a great beauty: Maybe that's why she never became a major star of movies. She was versatile -- sweet, wisecracking, or evil. One thing that always comes across in her performances: intelligence.
Did you know
- TriviaAlthough there is a copyright notice in the opening credits, there is no record of this film in the U.S. Copyright Office.
- GoofsWhen she meets with Stoner and Phillips, (47 minutes in) the mic is visible at the top of the screen.
- Quotes
Myrtle Reed: I'd play ball with anyone but Hitler to get out of this hole.
- Crazy creditsOpening credits are shown with a gun and an open purse in the lower right corner.
- ConnectionsEdited into Mobster Theater: Lady Gangster (2022)
- SoundtracksBlues in the Night
(uncredited)
Music by Harold Arlen
Played when Burton is told she's getting a visit from her sister
- How long is Lady Gangster?Powered by Alexa
Details
- Runtime
- 1h 2m(62 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content