Jeanne de Paris

This is a beautifully made, written and directed movie. Paul Henreid (you may remember him from Now Voyager lighting the two cigarettes for himself and Bette Davis - or in Casablanca as the Czech resistance figure with Ingrid Bergman whom she is helping to escape the Continent to fight again) is very moving and believable as a French squadron leader based in England with the Free French forces.

Henreid always comes off well in European roles - he SEEMS foreign, very romantic in a rather exotic Continental manner.

He and four other fighter pilots based in England were clearing the way for the first British bombing raids on Germany, when they were shot down over France. They are trying to return to England via Paris (where Henreid's childhood teacher is now the dean of a cathedral and may help) - but only if they can contact British intelligence agents whom they must first identify and try to locate. Even with the help of the British intelligence and French secret agents, they must then evade the Gestapo that haunts Henreid's path through Paris.

Henreid meets and is harbored by Michelle Morgan playing the title character, and who only gradually comes to understand who Henreid is. The simplicity, modesty, and religious and romantic nature of her barmaid are shown so lovingly. She falls in love very quickly - yet this seems completely a part of this girl's makeup - throughout you sense the enormity of this one great thing in this girl of poverty who lives alone on the top floor, above the cafe, with her tiny shrine to Joan of Arc.

The sets are astonishing - one feels as if one really is in Paris and one of its great cathedrals, in its sewers, its steam baths, its cafes.

Henreid's attempts to lose the Gestapo agent (a "postage stamp" sticking to him) is suspenseful and imaginative - a wonderful game of cat and mouse throughout Paris to join his comrades.

The movie is extremely and wonderfully romantic - the discourse of the two lovers - one doomed - is terribly moving and painful. I rented this one week, and could not resist renting it again when I entered the store.

This is a wonderful and underrated movie.

Paul Henreid (Paul) leads a troop of 5 British fighter pilots shot down over France by the Nazis. They must reach Paris and then find a way back to England. Father Thomas Mitchell is there to help in his capacity as a man of the Church, as is waitress Michele Morgan (Joan) who gets heavily drawn into the plot. Gestapo agent Alexander Granach is a constant menace throughout the film as is the more measured Laird Cregar (Herr Funk). Can the Brits stay one step ahead…..?

The cast are all good in this effort including May Robson (Mlle Rosay) as a contact in the Resistance. All are good with the exception of Alan Ladd (Baby)as one of the shot down pilots. What an idiot he is. He gets a scene in a sewer in which we are meant to sympathize. No chance. Thank God for that. There is also a cheesy scene with some children that is way over the top. The whole singing of the Marseillaise was done with far more impact in "Casablanca" from the same year. Those two scenes aside, it is a story that keeps you watching with a couple of sinister bad guys. They don't give up and are not so naïve as they come across as. Not everyone gets out of this one alive.

Joan of Paris is best known for the joint debut of both Michelle Morgan and Paul Henreid on the American cinema. Henreid is a member of the Free French flying with the RAF and he and the crew are shot down over occupied France. Henreid and the group including a wounded Alan Ladd make their way to Paris where he tries to contact either the French underground or any British intelligence operatives.

When Henreid came, he came to stay in America, becoming a citizen years later. Morgan made a few films and went back to France after the war where she resumed her star status. She and Jean Gabin are probably the two most well known French players who managed to flee the occupation and continue their careers on foreign soil.

Henreid displays all the charm later put to full advantage in Casablanca and Now Voyager. Their romance is tender and all too tragically brief. Like Casablanca, Henreid wants to get back in the fight. Morgan, who's patron saint is Joan of Arc, will sacrifice all to aid him.

The best performance in this film is that of 20th Century Fox loan out to RKO, Laird Cregar. Cregar, a clever and epicene occupier who's bulk suggests Herman Goering, is the relentless pursuer of the downed fliers. Alan Ladd scored a notable success as the kid flier although he tries at times to affect a British accent. They should have just made him Canadian as they did all the other American actors who played in British locations and situations. It wasn't as bad as Gregory Peck's in The Paradine Case though.

Joan of Paris is a good, but routine product from RKO, one of the minor studios. In her next film Morgan would be opposite that American icon making his feature film role debut, Frank Sinatra in Higher and Higher. Still she and Henreid acquit themselves well, albeit in a minor key.

This little known film released the same year as CASABLANCA is a minor gem among Hollywood's wartime romances, teaming Paul Henried and Michele Morgan very effectively in the leads. Despite some odd casting choices (Thomas Mitchell as a French priest) or Henried as a French squadron leader based in England, it tells an absorbing espionage tale of the French resistance against the Nazis.

Released by RKO, it seems more like one of the typical Warner Bros. melodramas popular at that time. Even some of the supporting cast seem like Warner contract players--notably John Abbot as a prisoner about to be executed and May Robson.

A tale of one woman's noble sacrifice to aid members of an RAF squadron in their attempt to return to England, it holds the viewer with its shadowy B&W photography and creates an atmosphere suggesting a French village during World War II. Paul Henried is excellent as the man trying to rid himself of a Gestapo agent who "sticks to him like a postage stamp".

Other notable roles are filled by Laird Cregar, as a cunning Gestapo who snares Henried in his trap, and Alan Ladd as "Baby", one of the downed flyers who is injured. Ladd was on the brink of major stardom and his performance here shows why--it's a brief but memorable supporting role. Shortly after this film, he was signed for his star-making role in "This Gun for Hire".

Well worth watching...an absorbing example of a well scripted and directed wartime espionage film with only an occasional false note that does no major harm to the movie. The scene with the children in the schoolroom lacks credibility throughout.

An under-rated but excellent film is 1942's "Joan of Paris."

While it is still another World War 11 story of allied soldiers, trying to get back to their homeland from an occupied France, it is certainly worth seeing.

The acting by Michele Morgan, Paul Henried and Thomas Mitchell is first rate.

Cornered by the Gestapo, Morgan acts like the true Joan of Arc.

May Robson, who was so good in "Lady for A Day," shines this time in a supporting role, as an elderly teacher who is also a member of the French resistance. Look for a young Alan Ladd is a brief but pivotal role as one of the group of soldiers.

Just as we saw in Casablanca, the year after this film, there is a memorable scene; this time children are singing the Marseilles at a time of adversity.

Obviously, the film is timely as it was made during the war when the free French fought alongside the British to combat the Nazi menace.