This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.This "story of a ship", the British destroyer H.M.S. Torrin, is told in flashbacks by survivors as they cling to a life raft.
- Nominated for 2 Oscars
- 9 wins & 3 nominations total
- Capt. E.V. Kinross R.N. - Captain 'D'
- (as Noel Coward)
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- Writer
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Featured reviews
It is basically the story of a boat being torpedoed and the flashbacks of 3 sailors aboard the doomed wreckage.
Noel Coward, a brilliant talent, did not perform well here. His scenes with his children appear awkward and he is unusually cold towards them. While a war is going on, that strong sentiment of a loving friendly tie is missing.
Kudos go to Celia Johnson, as Alix, his wife in the film. She states in a memorable way that in the navy, devotion to the ship comes first. John Mills is also effective as a navy man. In a heart-wrenching scene, he must tell a fellow shipman that his wife and mother-in-law have been killed in the blitz.
The ending is poignantly done. A tear will come to the eye as Coward says goodbye to those who survived the torpedoed ship.
A film of valor and of the human spirit. England was certainly at its finest hour.
A curiously different and really moving film about World War II, directed by two top British talents, Noel Coward and David Lean. It's filmed in the thick of the actual naval war and so might be unofficially called a propaganda film. (Though not made by the government, there was a lot of influence and assistance.). It clearly has a sense of presenting the British war effort at its best. But it's also complicated, filled with sadness alongside heroism and, perhaps most of all, selflessness. Both by soldiers and by their women left behind. The war in 1942 was not looking great for the Brits.
Coward co-directs but also is the leading man, and he's an established actor from both film and stage at this point. Lean, whose huge career as a director is all ahead of him, is in charge of the action sequences and this is his first attempt at directing--for which he won awards. If there is a sentimental side to some of the Coward directed scenes it's partly because of when it was shot. Try to imagine the audience suffering from bombings and having their loved ones in battle. We see it now with very different eyes.
In fact, it is hard to imagine how a wife or mother could watch this at all. The basic structure is that the ship goes out to sea with a bunch of men and then disaster strikes, and the rest of the movie is a series of flashbacks to the home lives of the men, and to the women who are dreading seeing their men go off to sea. It's actually about the very sadness of the people sitting in the audience.
The filming is rather different between the two directors. Coward understands a traditional kind of culture well, with conversation and interpersonal nuance. Lean captures a more direct emotional energy, and lots of vivid action. Normally two directors means problems, but here it's divided naturally.
Eventually the movie wears its formula, back and forth with flashbacks, pretty hard. But it's so well done you don't much mind. An emotional, finely seen movie, and surprisingly valid even now.
This film was something of a tour-de-force for Noel Coward, as he produced, wrote and co-directed it (with a young David Lean). Considering its age, the film stands up quite well today. It obviously seems dated in some respects - the dialogue is quite clipped and stilted at times - but is saved by professional work all round and a clutch of strong performances, namely by Noel Coward himself, John Mills and Bernard Miles. Its also notable for the screen debut of Richard Attenborough (it was screened over the holiday weekend as part of a celebration of his upcoming 80th Birthday).
While some may find it presenting an overly romanticised view of the Royal Navy at war, it should be remembered that at the time it was made, in 1942, victory over Germany was still far from certain. With that in mind, it surely must have achieved its aim of boosting the morale of those who saw it. Over 60 years on it remains good solid entertainment and an intriguing glimpse into the mindset of the day.
The impact of "In Which We Serve" must have been very powerful when it was first released. The announcement of war by the Prime Minister which comes over the radio is met with a chilling silence that the audience feels along with the men. The devastation of a blackout, the impact of the bombs at sea are very real.
"In Which We Serve" is the story of a ship, the HMS Torrin, but we learn quickly that a ship is about its people, united in one cause and who share a special camaraderie. The captain's final speech to his men is highly emotional, all the more so because it is so restrained.
All of the acting is top-notch. Someone commented that Coward seemed stiff. I think his role called for a certain formality. Hard to believe John Mills was ever that young. Celia Johnson, in her first film role, is wonderful. Coward obviously had no problems attracting the best actors to the film, as every person fits his or her role perfectly.
Like many classics, despite changes in film technique, the core story remains compelling, especially today with so many soldiers in Iraq. In one scene, the camera falls on some of the seamen as they go to their stations to do battle. Each man was carefully chosen to show his extreme youth. It was a terrible time for the world, but somehow the film is strangely uplifting. A no-miss.
Inspiring and expertly-scripted jingoist-war drama capturing faithfully the spirit of the British Navy during WWII . A splendid picture with an emphasis on realism that was unusual in other patriotic , flagwaver films . At the time considered to be the greatest human drama of war filmed in which Noel Coward directed and Lean watched and assisted the finished movie together . Unlike several WW2 this unforgettable picture doesn't date one bit , and remaining , nowadays , its deep sentiment and agreeable message . The first Brit movie to depict a naval war in all its grim reality , it proved the country's top moneymaker in the year its premiere . Noel Coward himself gives his best screen acting in the lead , likewise it revived the career of the young John Mills by casting him as a sympathetic and sensitive sailor . Adding other great English actors , such as : Michael Wilding , Kay Walsh , Bernard Miles, James Donald , Philip Friend, Walter Fitzgerald and as narrator : Leslie Howard . As well as film debuts of Richard Attenborough , Celia Johnson , Daniel Massey and John Mills' daughter : infant Juliet Mills .
This masterpiece motion picture was compellingly written , co-directed and scored by co-star Noel Coward who was given a special Academy Award for his outstanding production achievement and being Lean's first directing credit . Of course , In Which We Serve (1942) got a big hit in the year its release in England and all around the world . With the onset of World War II Noel Coward and David Lean redefined the spirit of the country in films such as "This Happy Breed" (1944), "In Which We Serve" (1942), Blithe Spirit (1945) and, perhaps most memorably, "Brief encounter" (1945). Rating : 7/10 . Well worth watching . Essential and indispensable seeing for British classic films enthusiasts.
Did you know
- TriviaAfter about three weeks of shooting, Noël Coward realized that (a) Sir David Lean knew a lot more about filmmaking than he did, and (b) he didn't care much for the long hours. So Coward effectively handed the directorial reins over to his partner at that point.
- GoofsWhen the sailors are in the water, clinging to the life raft, a German aircraft strafes them with machine gun fire. This simply did not happen, with the Germans, when dealing with the British or American adversaries, especially when it came to naval targets. In fact, sometimes Germans would rescue stranded sailors in the water.
- Quotes
Mrs. Alix Kinross: [Christmas dinner toast] Ladies and gentlemen. I'll begin by taking my husband's advice and wishing you all a very happy Christmas. I'm sure Elizabeth and June will back me up when I say I'd like to deliver, on behalf of all wretched naval wives, a word of warning to Maureen who's been unwise enough to decide to join our ranks. Dear Maureen: we all wish you every possible happiness, but I think it only fair to tell you in advance exactly what you are in for. Speaking from bitter experience I can only say that the wife of a sailor is most profoundly to be pitied. To begin with, her home life, what there is of it, hath no stability whatever. She can never really settle down. She moves through a succession of other people's houses, flats, and furnished rooms. She finds herself having to grapple with domestic problems in Bermuda, Malta, or Weymouth. We will not deal with the question of pay as that is altogether too painful. But we will deal with is the most important disillusionment of all, and that is that wherever she goes there is always in her life a permanently undefeated rival: her husband's ship. Whether it be a battleship or a sloop, a submarine or a destroyer, it holds first place in his heart. It comes before wife, home, children, everything. Some of us try to fight this and get badly mauled in the process. Others, like myself, resolve themselves to the inevitable. That is what you will have to do, my poor Maureen. That is what we all have to do if we want any peace of mind at all. Ladies and gentlemen I give you my rival. It is extraordinary that anyone could be so fond and so proud of their most implacable enemy - this ship. God bless this ship and all who sail in her.
- Crazy creditsThis film is dedicated to the Royal Navy "whereon under the good providence of God, the wealth, safety and strength of the kingdom chiefly depend".
- ConnectionsFeatured in Film Review: Richard Attenborough (1968)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Hidalgos de los mares
- Filming locations
- Production company
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Box office
- Budget
- £240,000 (estimated)
- Gross worldwide
- $247
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 1.37 : 1