I Was Framed

TCM showed the two movies back-to-back this afternoon. For the first fifteen minutes or so, up through the end of the courtroom scene, the two scripts are virtually identical, even as to gestures as well as dialog. Diverged radically after that.

As others have noted, the scenes with the daughter are nauseating. Reduced the rating by at least one point.

Reporter gets framed for murder and sent to prison. Then some stuff happens. This started out as a promising little B with a nice cast and some action. Then things slow to a standstill for a long while before an abrupt but somewhat exciting climax. I've seen this compared to Each Dawn I Die, probably my favorite prison movie and definitely my favorite James Cagney movie. The only comparison is in the opening framejob. Everything else is different. Each Dawn I Die is superior in every way. This is a fairly dull picture. It does have some thrilling moments at the beginning, as well as some interesting "that wouldn't fly today" elements like a doctor refusing payment and a creepy murderous-looking vagrant being allowed into a house by a pretty woman who then proceeds to make him breakfast! Oh and there's a precocious little Shirley Temple wannabe who will rot your teeth with every line she says.

A crusading reporter is framed, sent to jail, but escapes to make a prosperous life in a new town, only to be blackmailed by an old cellmate he's double-crossed.

Despite the promising plot elements, the crime movie lacks needed grit, surprising for a Warner Bros. production. As a crusading reporter, Ames (aka Andrews) is much too bland to spark proceedings. Things pick up in final scenes, but by then it's too late. There's good support from McDaniel (Kit) and Harmon (Blake), but I'm with those who find blonde tot Hale on the annoying side. She's over-doing the aren't-I-cute bit. And catch that climax; it's like they had 30-seconds to tie up every loose end. I expect the production was rushed to accommodate burgeoning wartime audiences eager for escape. Now, I don't know about Dust Be My Destiny (1939), but the plot has a distinct resemblance to 1941's Strange Alibi, except the fall guy here is a reporter instead of a cop. A re-make wouldn't be surprising considering a speed-up on the programmer assembly line. Anyway, this 50-some minutes is easily passed up, especially if you've already seen the superior Strange Alibi.

This COULD have been a nice tight - if poorly acted - little Grade B/C film noir piece if someone had had the brains not to devote a solid 20-30 minutes to Patty Hale, whose poetry/song/supposed-light-comedy stints brought me to the point of nausea. This entire film looks to be nothing more than a vehicle for her. How very very sad.

I also found it unexpectedly funny re: the wife having her baby, although she was slim as a green bean in all her immediate before birth shots. I can only guess that it may have had something to do with the censors at that time.

But still - nothing ruins this little flick more than little Patty Hale.

As someone mentioned, this is supposedly a remake of Dust Be My Destiny which starred John Garfield. I don't know, since I haven't seen Dust, but if Warner Brothers remade The Maltese Falcon twice (actually the famous Maltese Falcon was the third film), they could certainly have remade Dust Be My Destiny. They remade just about everything else.

Tod Andrews, who had a prolific TV career later, plays Ken Marshall, a reporter who discovers political corruption. If it comes out, it will ruin one candidate's campaign for governor.

Ken is rendered unconscious, with booze poured all over him, and then placed in the driver's seat of a car that's sent down the highway. After an accident kills three people, Ken goes to prison. He is able to escape, however, winds up in another town, and builds a new life for himself, even getting a reporter job under another name. Then one day, an old cellmate shows up and blackmails him.

This is an okay film with the big star being Regis Toomey. Someone mentioned that the wife didn't look pregnant up to the moment she gave birth. Back then, all a woman did was faint, and you were supposed to know she was pregnant. I think the censors didn't allow pregnancy to be shown, because if you look at movies like The Great Lie, the pregnant person never looked pregnant. As Lucille Ball said, "Today you can not only see that a woman is pregnant, but how she got that way."