IMDb RATING
6.3/10
1.7K
YOUR RATING
During the California Gold Rush, Boston pharmacist Tom Craig sets up shop in Sacramento where he clashes with local town crook Britt Dawson.During the California Gold Rush, Boston pharmacist Tom Craig sets up shop in Sacramento where he clashes with local town crook Britt Dawson.During the California Gold Rush, Boston pharmacist Tom Craig sets up shop in Sacramento where he clashes with local town crook Britt Dawson.
Robert McKenzie
- Mr. Bates
- (as Bob McKenzie)
Milton Kibbee
- Ezra Tompkins
- (as Milt Kibbee)
Richard Alexander
- Clem - Dawson's Henchman
- (uncredited)
Jessie Arnold
- Worried Woman
- (uncredited)
Hooper Atchley
- Higgins
- (uncredited)
Sam Bernard
- Miner
- (uncredited)
Featured reviews
One of the many gradually improving westerns Republic created for their biggest star in the early forties, "In Old California" was still very much in the 'B'-picture mold, but was a very entertaining tale of young Boston druggist Wayne relocating to Sacramento (echoing his real-life father's journey from Iowa to California, as a pharmacist), where his modern ideas and integrity (and the attentions from saloon girl Binnie Barnes) puts him at odds with 'town boss' Albert Dekker. While fundamentally a pacifist (Wayne diffuses potential confrontations with an ability to bend coins in his fingers!), Dekker, seeing him as a threat, decides to eliminate him by switching medicine with poison, discrediting him...but Wayne would soon have an opportunity to redeem himself...
The film benefits from the comic talents of two of Hollywood's best comedians, Edgar Kennedy (master of the 'Slow Burn') and Patsy Kelly (an old pro at sarcastic wisecracks), the teasing byplay between Wayne and Barnes, and his confrontations with Dekker (one of the 1940s' best 'villains', and a perfect foil for the young 'straight-arrow' leading man).
One of Wayne's more 'offbeat' oaters, but still a popular entry, during one of Wayne's busiest years!
The film benefits from the comic talents of two of Hollywood's best comedians, Edgar Kennedy (master of the 'Slow Burn') and Patsy Kelly (an old pro at sarcastic wisecracks), the teasing byplay between Wayne and Barnes, and his confrontations with Dekker (one of the 1940s' best 'villains', and a perfect foil for the young 'straight-arrow' leading man).
One of Wayne's more 'offbeat' oaters, but still a popular entry, during one of Wayne's busiest years!
I really enjoyed this early western. Most of the oaters that came out of the 40s, even the ones honored to have John Wayne in them were not ones to be remembered in years to come as classics. This one is definitely a cut above the cookie cutter variety of that era. John Wayne plays a Boston bred pharmacist who is dapper and very sure of himself when it comes to either being strong and forceful, or brimming with confidence in regards to the ladies. Although there is some of the usual fisticuffs and shootouts, this is not a typical western with multiple gunfights and saloon brawls. Its just a bit more on the civilized side for that early era. Whether your an old time John Wayne fan, or just a wannabe cowpoke like me that longs for the good old days of television when the western was king, I think this is one definitely worth your time to sit a spell for...
Boston druggist John Wayne travels to Sacramento to open a drug store. On the way he angers big-shot Albert Dekker, who attempts to blackball Wayne, only to find him partner up with his girlfriend, leading to the inevitable love-triangle, skulduggery, and showdown.
One of the minor Wayne westerns cranked out by Republic Pictures in the nineteen-forties, this mild programmer is pleasant enough entertainment, though nothing really to write home about. It could have been a little better.
The Duke is a bit softer than usual, in a role that's a lot different than you're used to seeing, that of an educated, suit-wearing gentleman.
One of the minor Wayne westerns cranked out by Republic Pictures in the nineteen-forties, this mild programmer is pleasant enough entertainment, though nothing really to write home about. It could have been a little better.
The Duke is a bit softer than usual, in a role that's a lot different than you're used to seeing, that of an educated, suit-wearing gentleman.
This western from the Republic is a good surprise. First for the character played by John Wayne, a pharmacist, who doesn't fire a single shot during the whole film and doesn't kill anybody. So he is not a typical John Wayne. Then the story, which cleverly mixes John Wayne's uneasy relationship with the titular villain, Albert Dekker (who tends to squint a bit too much), as they both covet Binnie Barnes, one unknowingly, the other very ostensibly. Then the arrival of the gold discovered in California and the madness that goes with it will change the game. The villain remains the villain of course.
Note that it is co-written by three writers, including two women. One of them having been a gagman at Universal (Frances Hyland). The comic relief is provided by Edgar Kennedy and Patsy Kelly, who are not subtle, but who contribute to the originality of this western.
The whole thing is mounted with rhythm where things happen quickly, without any dead time. With multiple settings. To serve these different plots, where everything is guessed, the film is conducted with efficiency by combining entertainment and dynamism.
Note that it is co-written by three writers, including two women. One of them having been a gagman at Universal (Frances Hyland). The comic relief is provided by Edgar Kennedy and Patsy Kelly, who are not subtle, but who contribute to the originality of this western.
The whole thing is mounted with rhythm where things happen quickly, without any dead time. With multiple settings. To serve these different plots, where everything is guessed, the film is conducted with efficiency by combining entertainment and dynamism.
Will begin by saying that I've been a major John Wayne fan all of my life and have seen many many of his movies, and have screened many of those dozens and scores of times. Recently I viewed this title for the first time. Personally, I feel the film was very well done, and in particular is a solid testament to the fact that the Duke had a much better ability to portray different characters than he has often been credited with. Granted, some Wayne movies are superior to others, but this one had tremendous entertainment value and certainly does not deserve the negative reviews I have read of it. The vast majority of John Wayne's movies rate an overall "good" at the very least, and certainly all of them are worth watching once. I highly recommend this one to even the most apathetic, luke-warm John Wayne fans, and even to his most critical detractors as it really was 88 minutes of good entertainment so make some popcorn, snuggle on the couch with your sweetheart and enjoy this unusual John Wayne film...
Did you know
- TriviaJohn Wayne plays a druggist. In real life, his father was a licensed pharmacist.
- GoofsThe story is supposed to be set in 1849. As in many westerns, especially at Republic, most of the firearms are post Civil War pieces.
- Quotes
Britt Dawson: That'll teach ya to lay hands on the lady I aim to marry.
Tom Craig: Oh, well in that case I offer my sincerest apologies.
Britt Dawson: Apologies for walloping ya?
Tom Craig: No, for treating your bride-to-be like a package.
Britt Dawson: What kind of lingo is this?
Lacey Miller: Oh, he's from Boston.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in 100 Years of John Wayne (2007)
- How long is In Old California?Powered by Alexa
Details
- Runtime
- 1h 28m(88 min)
- Aspect ratio
- 1.37 : 1
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