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L'amour chante et danse

Original title: Holiday Inn
  • 1942
  • Tous publics
  • 1h 40m
IMDb RATING
7.3/10
19K
YOUR RATING
POPULARITY
937
359
Fred Astaire, Bing Crosby, Virginia Dale, and Marjorie Reynolds in L'amour chante et danse (1942)
Watch Trailer
Play trailer2:16
1 Video
34 Photos
Classic MusicalHoliday ComedyHoliday RomanceComedyDramaHolidayMusicMusicalRomance

At an inn which is open only on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer.At an inn which is open only on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer.At an inn which is open only on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer.

  • Directors
    • Mark Sandrich
    • Robert Allen
  • Writers
    • Claude Binyon
    • Elmer Rice
    • Irving Berlin
  • Stars
    • Bing Crosby
    • Fred Astaire
    • Marjorie Reynolds
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    19K
    YOUR RATING
    POPULARITY
    937
    359
    • Directors
      • Mark Sandrich
      • Robert Allen
    • Writers
      • Claude Binyon
      • Elmer Rice
      • Irving Berlin
    • Stars
      • Bing Crosby
      • Fred Astaire
      • Marjorie Reynolds
    • 168User reviews
    • 48Critic reviews
    • 70Metascore
  • See production info at IMDbPro
    • Won 1 Oscar
      • 3 wins & 2 nominations total

    Videos1

    Trailer
    Trailer 2:16
    Trailer

    Photos33

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    Top Cast74

    Edit
    Bing Crosby
    Bing Crosby
    • Jim Hardy
    Fred Astaire
    Fred Astaire
    • Ted Hanover
    Marjorie Reynolds
    Marjorie Reynolds
    • Linda Mason
    Virginia Dale
    Virginia Dale
    • Lila Dixon
    Walter Abel
    Walter Abel
    • Danny Reed
    Louise Beavers
    Louise Beavers
    • Mamie
    Irving Bacon
    Irving Bacon
    • Gus
    Marek Windheim
    • François
    James Bell
    James Bell
    • Dunbar
    John Gallaudet
    John Gallaudet
    • Parker
    Shelby Bacon
    • Vanderbilt
    Joan Arnold
    • Daphne
    Bob Crosby Orchestra
    • Orchestra
    • (as Bob Crosby's Band)
    Edward Arnold Jr.
    • Second Dancer Ted Bumps Into
    • (uncredited)
    Loretta Barnett
    • Dancer
    • (uncredited)
    Muriel Barr
    • Dancer
    • (uncredited)
    Harry Barris
    Harry Barris
    • Midnight Club Orchestra Leader
    • (uncredited)
    Patsy Bedell
    • Dancer
    • (uncredited)
    • Directors
      • Mark Sandrich
      • Robert Allen
    • Writers
      • Claude Binyon
      • Elmer Rice
      • Irving Berlin
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews168

    7.319.3K
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    Featured reviews

    7funkyfry

    Stylish, funny romantic musical

    They don't get much better than this: Astaire with the drop dead dancing cool, and Crosby with the honey crooning, both competing for the same gal. Crosby decides to let it all go and settle in the country, then on a whim realizes he can open his country house as a club open on holidays only. The girl he ends up drafting for the floor shows ends up being the love of his life, and the dancing partner Astaire has always been searching for.

    Astaire, Crosby, and Reynolds have great chemistry together: I thought it quite convincing how Crosby's overprotective zeal scared Reynolds away for a while, and Astaire was very cool and believable as a kind of an inoffensive opportunist who exploits Crosby's passionate responses to whatever threat he perceives in Astaire.

    Top it off with many of Irving Berlin's best classic tunes, performed in interesting interpretations, and you have a very good musical film.
    7wisewebwoman

    What's there not to like?

    This movie has so much and if you can make the chemistry thing the sparking between Bing and Fred and ignore the sidebar romances that don't quite grab you, then you will truly enjoy it. "White Christmas" - the first performance of the standard and it always grabs me. And I must have seen it fifty plus times. The dancing scene with Fred and the firecrackers, stupendous, incredible, how DID he do it?? Forget the blackface bits, slightly offensive, even considering the era. And the rah-rah-rah for WW2. Evocative of 1942 and FDR. Everything comes together beautifully down to the encore of "White Christmas" and Bing in the best of voice all through. Story is just about zero and no credibility - imagine an inn open fifteen days of the year with an enormous cast for the floor show (with full orchestra, no less). Bankrupt after the payroll for one holiday would be my guess :>). But lovely and nostalgic and worth watching over and over, just for the boys, Fred and Bing. 7 out of 10.
    Sargebri

    A True Classic

    This is truly one of the great musicals to ever grace the silver screen. Between the great song, the dance numbers and the chemistry between Bing Crosby and Fred Astaire, this film really is one of the the all time classics. What really makes it great is that it pretty much plays like a great Broadway review that uses the different holidays as an excuse to display the individual talents of each of the film's stars. However, the thing that this film will truly be remembered for is the fact that it introduced one of the all time classic song's to the world, "White Christmas".

    Another thing that makes this film so beloved is that it came out during a time when America needed somewhat of a diversion, World War II. This film helped to give people something to put smiles on their faces as the whole world was going to hell. At least for two hours, this film helped America to forget its troubles and put a smile on everyone's faces.
    Philo-19

    The World as it was in 1942

    It is amazing how much the world has changed in the last 58 years. 58 years? Yes!

    Reviewers who fault this movie for it's patriotism and display of martial force in the midst of a "holiday" movie are obviously too young to know what the world was like when this was made. It was a time of greater innocence, greater danger and greater racial discrimination. The innocence was that of the children and the general public who could take a "standard Hollywood plot" at face value. It was a time of danger, not necessarily from within society itself (as now when crime makes streets unsafe) but from the outside with dictators killing millions while they battle for world domination. Those tanks and planes WERE freedom. Without them we would be yelling "Seig Heil" today and would not have the right to critique a simple movie. The State would have made it for you and "you Will like it"!

    As the "black face" routine was showing I turned to my family and said that I was sure that despite the "classic" status of this film there were probably a lot of people wincing as they watched Bing Crosby with burnt cork all over him.

    I'm sure that before he died Bing too winced a little bit at that number, but taken in the context of history it was to be expected. Al Jolson made a career of blackface and never regretted it for a minute. Most of the American population accepted that that's "the way it is". Only in the last 40 years have we learned that's NOT the way it is.

    Things change and it's understandable that after almost 60 years certain depictions of society as it existed then would be out of place today. 20 years ago the movie was popular but the music was certainly out of style. With the resurgence of the "big band sound" in the last 5-10 years people are noticing that Bob Crosby and the Bobcats were participants. No doubt a certain amount of nepotism existed, but Bob Crosby was not Billy Carter to Bing's Jimmy Carter. (Anyone under 20 can now run and look up Jimmy and Billy Carter.) Bob Crosby achieved a certain amount of star status with some of his recordings. He had 4 chart topping hits and led bands for almost 50 years. He was always eclipsed by his older brother, but then Bing Crosby was THE biggest star of that time, at least among singers.

    Bob's music was a Dixieland style and it lent a lightness to the big band orchestrations of Irving Berlin's songs that might have otherwise made the music ponderous, too much so for this light comedy at least.

    Remember, finally that when Holiday Inn came out we were losing WW2. The Pacific was a Japanese ocean, the Atlantic was virtually controlled by German U-Boats and Allied ships were being sunk within sight of American cities. The Axis also controlled all of Europe and the Russians were being rolled back into their own homeland.

    Holiday Inn was escapist entertainment from this bleak reality and it is understandable if some martial patriotism was included to hearten the home front.

    For 90% of the U.S., snow at Christmas is the exception rather than the rule, but the emotions expressed by the song White Christmas hit exactly the feelings of millions of soldiers taken from their homes to fight a war. If Holiday Inn did nothing else, it gave Americans something to believe in and remember when things were at their darkest.

    "May your days be merry and bright, and may all your Christmases be White."
    8Kreme

    Charming

    The source of the song "White Christmas" would be worth watching just for that, but in addition the movie has a bunch of wonderful dancing, and quite a lot of charming songs; "I'll Capture Your Heart Singing", "Come To Holiday Inn", "You're Easy to Dance With", "Oh How I Hate to Get up in the morning", "White Christmas", and "Happy Holiday" (all by Irving Berlin) are some of the highlights.

    Anyone who is a fan of Crosby or Astaire will enjoy this movie. Marjorie Reynolds and Virginia Dale play perfect foils for Crosby and Astaire, supporting them.

    The plot, what there is of it, is just enough to hang enough Muscial numbers on to keep the movie running along apace.

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    Related interests

    Natalie Wood and Richard Beymer in West Side Story (1961)
    Classic Musical
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    Drama
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    Prince and Apollonia Kotero in Purple Rain (1984)
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    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The Connecticut inn set for this film was reused by Paramount 12 years later as a Vermont inn for the musical Noël blanc (1954), also starring Bing Crosby, and again with songs composed by Irving Berlin.
    • Goofs
      The telegram that Ted Hanover receives from Jim Hardy on Christmas Eve is dated December 25th.
    • Quotes

      Linda Mason: My father was a lot like you, just a man with a family. Never amounted to much, didn't care. But as long as he was alive, we always had plenty to eat and clothes to keep us warm.

      Jim Hardy: Were you happy?

      Linda Mason: Yes.

      Jim Hardy: Then your father was a very successful man.

    • Crazy credits
      In the opening titles the main credits for Irving Berlin as composer and lyricist, and Mark Sandrich as producer and director, are each facsimiles of their genuine signatures.
    • Alternate versions
      In 2008, the film was restored and colorized by Legend Films.
    • Connections
      Featured in Concept (1964)
    • Soundtracks
      Overture
      (uncredited)

      Music and Lyrics by Irving Berlin

      Performed by the Paramount Pictures Studio Orchestra and Chorus conducted by Robert Emmett Dolan

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    Details

    Edit
    • Release date
      • May 7, 1947 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Cinco días de placer
    • Filming locations
      • Monte Rio, California, USA
    • Production company
      • Paramount Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $3,200,000 (estimated)
    • Gross worldwide
      • $119
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 40m(100 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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