Her Cardboard Lover

This version was so bad that Norma Shearer retired from the screen. I actually liked the quirky 1931 version with Irene Purcell in the same role, but it had the same effect on her career, and would be the last film in which she ever performed, though she was primarily a stage actress. Only the silent 1928 version with Marion Davies did not destroy the career of the leading lady.

Anyways, back to this version. In it Norma Shearer hires a lovestruck Robert Taylor (sporting a Bela Lugosi Dracula haircut with a point down the middle) to protect her from herself. Norma plays a Palm Beach vacationer hopelessly in love with a womanizer, played by, who else, George Sanders. Shearer hates that she can't control her desires for Sanders. Since Taylor owes her a gambling debt, he can pay it off by being Norma's secretary. His job doesn't involve typing. He's there to keep her away from Sanders, a job he performs too well, practically keeping her hostage in her own room. The chemistry between Shearer and Taylor is okay. But not as charged as her scenes with Sanders. You get the sense the two of them could have a happy open marriage. Shearer excels at playing liberated women (A Free Soul), (Private Lives). Norma wouldn't lose sleep over a philandering husband, as she would have her own trove of lovers. Of course, this is not Pre-Code Hollywood, which was something that worked in the favor of the 1931 version - "The Passionate Plumber".

I give Taylor credit for playing against type. Some of the comedic tropes for keeping Norma and George separated are funny, and some come across as creepy. This film has gorgeous sets, Harry Stradling's rich B&W photography, the elegant atmosphere, and of course Norma Shearer. But still, it just feels like the story is playing out in the wrong era.

Norma Shearer retired after this film. Apparently, during its making, someone said she had "jiggling grandma arms", and that was enough to have her hang it up at age 40. Although she still looked mighty fine to me.

Someone posted the comment that this film is "forgettable" and "triffling." But I saw Norma Shearer and Robert Taylor playing off each other with such spontaneity that I could only admire their talents all the more. Also, compare their rare comedic talents together in this film, along with their deep and tragic mutual acting in "Escape." Such a pair of talent-generating stars!

Songwriter Robert Taylor (as Terry) is "dizzy, slap-happy" and can't see straight over otherworldly Norma Shearer (as Consuelo). "She makes the sun shine, even when it's raining," Mr. Taylor explains. But, Mr. Taylor gets a lump in his throat whenever he gets near Ms. Shearer. Finally, at the Palm Beach casino Shearer frequents, Taylor proclaims "I love you!" Shearer brushes him off, as she is engaged to George Sanders (as Tony). However, to settle a gambling debt, Shearer hires Taylor to pose as "Her Cardboard Lover", to make Mr. Sanders jealous.

This film's title invites the obvious and appropriate three-word review: "Her Cardboard Movie". It is most notable as the last film appearance for Shearer, one of the biggest stars in the world from "He Who Gets Slapped" (1924, playing another Consuelo) to "The Women" (1939). To be fair, this was likely the kind of Shearer film MGM believed audiences wanted to see. However, the part is unflattering.

Plucked and powered, Taylor and Shearer were better off in "The Escape" (1940). If Shearer had continued, she might have become a better actress than "leading lady"; apparently, she was no longer interested, and certainly didn't need the money. Taylor has a great scene, reciting Christina Rossetti's "When I am Dead, My Dearest" while threatening to jump from Shearer's balcony, as directed by George Cukor.

**** Her Cardboard Lover (6/42) George Cukor ~ Norma Shearer, Robert Taylor, George Sanders

Norma Shearer plays a woman on the rebound from a bad love affair. She meets a man (Robert Taylor) who has been following her around a casino. He finally gets the nerve to talk to her and blurt out I LOVE YOU. She is, of course, repulsed. By chance he runs into a man (George Sanders) desperate to get a note to a woman. When Taylor hears who it is (Shearer) he offers to pass the note. Silly on a certain level, the the 3 stars are so good you forget the obvious machinations of the script and just watch 3 pros at work.

Sanders still loves Shearer who might love Sanders but Taylor loves Shearer as she is interested. Forget the plot Taylor is a sing writer with Frank McHugh and Shearer is guarded over by maid Elizabeth Patterson. Lots of fun with many funny lines.

For some reason this was a huge bomb when released in 1942 and it ended Norma Shearer's 22-year film career. It's not even a bad movie! She looks great and gives a lively and funny performance. Taylor is also in top form.

Certainly worth a look

Firstly, I cannot believe that Norma Shearer is 40 in this film. She looks absolutely incredible and doesn't look a day over 30! Besides being beautiful, Norma Shearer was fantastic in this film! She was brilliantly funny and sophisticated. I once read that Norma Shearer couldn't act (I don't recall who this person is who claimed that), but this person is wrong. Norma can act, and it was definitely proved in this film. Luck was on Norma's side because she ended her acting career with this amusing film.

And Robert Taylor -- what a gag! I love his acting and he's just so adorable! He was fabulous in this film! I won't give anything away, but the definite high point in the film (as well as Robert Taylor's funniest scene) happens in the middle of the movie and deals with a 'sleepy' Taylor...

With such a little -- but talented cast -- this movie is fantastically funny and has hilarious moments and wonderful acting. I cannot rave enough about Norma & Taylor -- just see the film yourself!!