La maison de mes rêves

This is a better comedy than many reviewers indicate. To appreciate it you have to remember two things - firstly, it was made in 1942, and thus there are quite a few patriotic themes in the movie, since that was the kind of film being made at the beginning of World War II, when the U.S. didn't yet know if it would be successful fighting a two front war in which everything was at stake. The second thing to remember is that Jack Benny did all of his scenes with Percy Kilbride (later known as Pa Kettle) on days in which he had gotten no sleep the night before. He did this deliberately, because Jack had insisted Kilbride play the part when Jack Warner just wanted to insert one of his contract players. Jack Benny insisted that Kilbride made the play and was thus essential for the movie. Jack Benny got his way, but every time Jack Benny looked at Percy Kilbride when he was shooting the movie he broke into hysterical laughter. When the director threatened to remove Benny if he continued this, then Benny decided to stay up all night before he had any scenes with Kilbride because then he was so exhausted that he just didn't care.

If you're in the mood for a light sweet movie from the 40's with Benny's brand of understated comedy, this certainly fits the bill. Just don't expect Benny the miser of Jack's radio and TV days. This film takes advantage of Benny's comic timing and deadpan delivery of comic observations when confronted by outrageous behavior and situations on all sides, but it is just not a role for a cheapskate.

Years before Cary Grant and Myrna Loy tried to build their dreamhouse and decades before Tom Hanks and Shelley Long slipped into their money pit, Jack Benny and Ann Sheridan had a similar architectural mis-adventure. The two star as Bill and Connie Fuller, a couple of Manhattanites forced out of their apartment by their stringent landlord. Behind Bill's back, Connie buys a dilapidated house in the countryside that George Washington allegedly once spent the night in. The two set about fixing the place up, a Sisyphean task that is sure to make you laugh, in William Keighley's 'George Washington Slept Here.'

Based on the play of the same name by Moss Hart and George S. Kaufman, Everett Freeman's screenplay is frequently funny, occasionally contrived and not terrifically ambitious. The conceit is simple and the narrative structure is linear- a house is renovated. It's not what one would call an unpredictable story. On top of that, the characters aren't especially well- rounded creations, and conflicts which arise between them throughout feel forced. The witty dialogue and sharp interplay between those characters is entertaining, though, and the antics they engage in whilst repairing the house are funny; if not terribly original. It may not be the most sophisticated tale ever, but it is an enjoyable one.

The house- the main location in the film- is the same one used in 'Arsenic and Old Lace,' and Casey Roberts's set dressing and decoration of it is impressive work. Allegedly, the crew roughed the place up with sledgehammers before shooting, and the results are striking. One could be forgiven for thinking the building had really been abandoned for years. This all may seem like a trivial point to make, but when a film revolves around a structure being dilapidated; it's important that it actually does look run-down- the house in 'George Washington Slept Here' really does.

Ernest Haller was a great cinematographer with a keen eye and a real flair behind the camera, with his striking work in films like 'Gone With The Wind' and 'Rebel Without a Cause' still being extolled today. His work on 'George Washington Slept Here' is less laudable, consisting of visuals that are underwhelming and flat- dull, even. Additionally, of issue is Ralph Dawson's editing: a loose affair which leaves the film with an uneven pace- and as the aphorism goes, with comedy it's all in the timing.

A performer of impeccable comic timing, Jack Benny is terrific in the film. He was a suave, instantly likable entertainer of much charm, wit and talent, which he showcases in his performance as Bill. The character was written for him, and is quite similar to the persona established on his radio and television programs. Naturally, the role fits Benny like a glove, and he and co-star Ann Sheridan have a good chemistry on screen.

Sheridan has less to do then Benny, playing the straight-man, so to speak; a feat she was more than capable of. Her understated performance is beguiling, and she proves that she had the ability to handle comedy deftly. From the supporting cast, Percy Kilbride does a memorable turn as an eccentric building contractor, Hattie McDaniel is consistently good as the Fuller's maid and Charles Coburn steals his all too few scenes as the Fullers' tight-fisted uncle.

'George Washington Slept Here' is a light, well-acted and thoroughly enjoyable comedy from William Keighley that is sure to please and amuse. While not particularly original or affecting, the story is entertaining, the dialogue is sharp and stars Jack Benny and Ann Sheridan impress with their comedic talents and ease of performance. It may not bring down the house, but 'George Washington Slept Here' will surely leave a few rolling in the aisles.

Ann Sheridan buys a dilapidated house believing that "George Washington Slept Here" in this 1942 film also starring Jack Benny, Percy Kilbride, Charles Coburn and Hattie McDaniel.

Sheridan and Benny are husband and wife Bill and Connie Fuller, about to be evicted from their apartment because of their dog shredding the hall rug.

Wanting to plant roots, Connie has fallen in love with an old house and purchased it, possibly without thinking it through. There's no water, the roof leaks, and Bill falls through the floor and continually falls down the stairs.

Their budget triples as their hired handyman (Kilbride) needs to buy more gravel, more this, more that, all the time drilling for water (and finding the neighbor's) - until the couple is nearly out of money.

After putting everything they have into the house, they can't pay the $5000 note on it. Hope is in the form of Connie's annoying Uncle Stanley (Coburn), who's come for a visit.

Based on the play by Moss Hart, "George Washington Slept Here" makes a good transition to the screen, thanks to the fabulous delivery of Jack Benny, who is a riot, the charm of the lovely Ann Sheridan, and the deadpan affect of "Pa Kettle," Percy Kilbride. He gives Benny a run for his money in the comedy department. You won't want to miss his rendition of "I'll Never Smile Again" and the one different facial expression he uses in the entire film.

All of the cast is good, including Hattie McDaniel, who watches the dinner table with the dinner on it float away and Charles Coburn as an uncle who only gives gifts of his photo.

Typical chaotic, warm, funny Moss Hart play that he wrote so well. Definitely worth seeing.

This is one of the funniest films I've ever seen. A local station in Houston used to run this show on new year's eve and I would watch it every year. Few comics can top Benny and his deadpan delivery but Pa Kettle came close in this one as he played the slow motion yard man.

I've always enjoyed stories about a couple moving to the country to either fix up an old house or deal with a house that turns out to be haunted, etc. Along these lines I think of films like 'Mr. Blandings Builds His Dream House' and/or the suspenseful 'The Uninvited'. But, of course, with Jack Benny as the star you know you're in for comedy when he and his attractive wife (Ann Sheridan) decide to shed city dweller status and move to a more rural setting. Sheridan has her heart set on a ramshackle old house in Connecticut that seems to be falling apart--but with the help of movie magic she fixes it up and--presto--looks like something out of a House Beautiful catalog. The comedy is outdated and some of it falls short of the mark, but not when neighbor Percy Kilbride is around. Reportedly, Jack and Ann found it hard to keep a straight face when Kilbride cracked some of his dryly humorous observations (in Pa Kettle style). Benny ruined many a take when he was unable to stifle a laugh. Some of the slapstick he and others are subjected to is painful, but all in all this is diverting enough entertainment. Ann Sheridan is a sheer pleasure to watch and Charles Coburn shows up as a story-telling uncle who turns out to be a real phony. Hattie McDaniel and Franklin Pangborn add to the fun, making it worth a peek. One of Benny's better films.