The Fleet's In

"Hey there, mister! You'd Better Hide Your Sister, 'Cause the Fleet's In!" That is the vivacious opening of a film that captures the spirit of an era fondly remembered by those who lived it. I remember the film specially since it was one of the first I ever saw. I saw it as a teenager when it came out, and enjoyed it greatly. There were laughs, which would sound rather dated now, perhaps, but charmingly innocent. William Holden as an innocent young sailor is a wonderful contrast to the roles he played later. In spite of the impression left by the words of the opening song, the sailors were very polite, and the film is a romance as well as a comedy. The high point for me was an extraordinarily beautiful vocal by Betty Hutton, in a serious vein, of the song: "It's Somebody Else's Moon Above, Not Mine." Dorsey's orchestra is fine, and Helen O'Connell, but Betty Hutton's heartbroken rendering of that moving song steals the show. A winner.

This is a slight, inconsequential little Paramount musical that somehow manages to be whimsical & appealing.

Directed by Victor Schertzinger (his last movie), it boasts a good cast of rising stars at Paramount: Dorothy Lamour as the Countess of Swingland, a glamorous nightclub hostess who entertains sailors on leave; Betty Hutton as Lamour's impetuous roommate Bessie; William Holden as Casey the shy sailor who intends to win a bet so he can kiss the Countess; Eddie Bracken as the eccentric shipmate of Holden; and a very young and upcoming Barbara Britton.

While Lamour and Holden are the leading stars in this slightly erratic war-time entertainment, it is actually Betty Hutton's star-making show. She made her feature debut here. She literally steals almost every scene she's in, with her wacky comic acts. And her rapport with Bracken was a delight in its self.

Some scenes drag pretentiously, especially the routine comic acts performed on stage to entertain the soldiers. Still, the songs and numbers are quite enjoyable in their own whimsical sort of way, especially Hutton's delivery of "Arthur Murray Taught Me Dancing in a Hurry."

Nice Fun and worth a catch, if you like this sort of musicals.

"Hey there, mister, you better watch your sister, 'cause the fleet's in". That song sticks in your mind long after you have seen this little early 40's movie. It may not be to all tastes and was a vehicle for actors that would go on to bigger and better things....William Holden, Betty Huttton, Dorothy Lamour,etc. But it is fun. Some of the supporting players, although popular in their day, don't play as well now...Cass Daley and the irritating Gil Lamb. The music of Jimmy Dorsey and the singing of Bob Eberley and Helen O'Connell make it worth watching if for no other reason. Eddie Bracken is great,as usual and a lot of familiar faces show up...Dave Willock, Robert Warwick and Rod Cameron (before his cowboy roles). If you are a fan of "B" musicals that make you smile and go away humming, then this is for you.

This was one of Paramount's biggest grossers of 1942, and it gave Betty Hutton the chance of a lifetime. She is a powerhouse here with great chemistry with her co-star, Eddie Bracken. They were to go on to greater heights in MIRACLE OF MORGAN'S CREEK. It's almost everything the audiences of wartime 1942 wanted: bright and bouncy music done by the top talent of the day, a star, Dorothy Lamour, who never looked better, and a silly escapist plot to lighten one's mood. The only drawback: it was filmed in black-and-white, when it screamed for Technicolor. Still, this is a musical that should be on DVD and NOW! What's not to sell? It has a young William Holden, Dorothy Lsmour, Betty Hutton's dynamics, one of the top Big Bands, Jimmy Dorsey, and the singing talents of Bob Eberle and Helen O'Connell. Priceless nostalgia.

The Fleet's In is a wonderful wartime musical that was the last effort of director Victor Schertzinger. You can't really go wrong with a film that stars William Holden, Dorothy Lamour, Betty Hutton, and Eddie Bracken. That together with one of the most popular bands of the era Jimmy Dorsey's Orchestra with vocalists Bob Eberly and Helen O'Connell.

It's a really slim plot to hang a lot of nice songs on. William Holden is a shy sailor, the type that Frank Sinatra would play over at MGM in a few years. He gets a picture taken with movie star Betty Jane Rhodes while he was just asking for an autograph. Immediately he gets the reputation of a wolf. And a challenge comes with it, to see if he can get to first base with 'The Countess' as USO entertainer Dorothy Lamour is known for her unapproachable demeanor. A lot of money is riding on this including money from Holden's pal Eddie Bracken.

If you don't know where this is going you haven't seen too many musicals. But the plot's not important here, just sit back and enjoy the numbers.

William Holden after his war service which started next year looked to get out of parts like this which he described as his 'Smiling Jim' roles. It's hard to believe this is the same guy who is the opportunistic Joe Gillis from Sunset Boulevard, the cynical Sefton from Stalag 17 or the resourceful Shears from The Bridge on the River Kwai. Yet at the beginning of his career these nice kid roles were all that his two studio masters, Paramount and Columbia, saw him in.

Director Victor Schertzinger died suddenly right after completing this film in 1941. It was not released until the following year. Note there are no references to any war per se. Schertzinger not only was a film director, but a talented composer. He may have done his best work however in this film in collaboration with lyricist Johnny Mercer. Besides the numbers here he wrote One Night of Love for Grace Moore for that same titled film which he directed and he wrote for Dorothy Lamour in The Road to Singapore, The Moon and the Willow Tree. He directed both The Road to Singapore and The Road to Zanzibar and learned early on to just let Crosby and Hope have a loose rein.

Betty Hutton got her first notice in this film with the song Arthur Murray Taught Me Dancing In A Hurry. This was her first feature film role and she was a star after The Fleet's In. She was paired with Eddie Bracken and I've no doubt that Preston Sturges saw them together and had the idea to team them again for The Miracle of Morgan's Creek.

Jimmy Dorsey had one of the best bands of the era and this may have been his best showing on the big screen. The band sang Amapola which was already big hit for them, but also they introduced Tangerine and I Remember You from this score. Tangerine was very popular in its day, a big hit for Jimmy Dorsey and his band singers Helen O'Connell and Bob Eberly. But I Remember You has had a lasting popularity down to this day. If you remember it was used as the theme song for James Caan's character in the Bette Midler film, For The Boys. I think The Fleet's In is worth watching for the Dorsey band alone.

But if you like all the other performers in it so much the better. Though The Fleet's In is not one of those films that Bill Holden would have liked to have been remembered for, still seeing him as 'Smiling Jim' is something different than most. And seeing Betty, Dotty, and Eddie in the same film is also a blessing.