The Fleet's In

First of all, let me say it is a crime this movie is not available on DVD. Is anyone listening? A very early effort for William Holden and he is right on target as the good looking but shy country boy who is asked by his buddies to help them win a bet by seducing the untouchable "Countess",beautifully played by the gorgeous Dorothy Lamour. It was this movie,not the Bob and Bing road movies, that made me fall for Dorothy. The movie is full of laughs and good songs from the 40s. This movie came out just after the beginning of WWII and in time to bring a little humor to an America that would soon grow war-weary. If you like 1940s musicals, this is one of the best. Just as a note,the movie was later remade for Elvis Presley, given an army slant instead of navy, and called "G.I. Blues".

It took almost 65 years from my first viewing of this musical to the recent viewing when I managed to acquire a DVD of "The Fleet's In". Can't think of another musical in which such disparate performances of classics appear in the same movie. "Tangerine" was identified with Helen O'Connell for her entire career. "Arthur Murray Taught Me Dancing In A Hurry" was never associated with anyone but the irrepressible Betty Hutton. Although Dorothy Lamour was not as closely identified with the classic "I Remember You", it was the third standard that emerged from this low budget musical. The marvelously funny Lorraine and Rognan were to appear in only one more performance recorded on film ('Salute For Three' in 1943)

Gil Lamb may not have been a believable threat to Eddie Bracken but his many and varied comic abilities were superlative such as his 'harmonica' routine. Enough of his work was included to make the 'trip home' delightful. (You CAN go home again for old movies) If the opportunity ever arises, leap at the chance to see this WWII movie.

The Fleet's In is a wonderful wartime musical that was the last effort of director Victor Schertzinger. You can't really go wrong with a film that stars William Holden, Dorothy Lamour, Betty Hutton, and Eddie Bracken. That together with one of the most popular bands of the era Jimmy Dorsey's Orchestra with vocalists Bob Eberly and Helen O'Connell.

It's a really slim plot to hang a lot of nice songs on. William Holden is a shy sailor, the type that Frank Sinatra would play over at MGM in a few years. He gets a picture taken with movie star Betty Jane Rhodes while he was just asking for an autograph. Immediately he gets the reputation of a wolf. And a challenge comes with it, to see if he can get to first base with 'The Countess' as USO entertainer Dorothy Lamour is known for her unapproachable demeanor. A lot of money is riding on this including money from Holden's pal Eddie Bracken.

If you don't know where this is going you haven't seen too many musicals. But the plot's not important here, just sit back and enjoy the numbers.

William Holden after his war service which started next year looked to get out of parts like this which he described as his 'Smiling Jim' roles. It's hard to believe this is the same guy who is the opportunistic Joe Gillis from Sunset Boulevard, the cynical Sefton from Stalag 17 or the resourceful Shears from The Bridge on the River Kwai. Yet at the beginning of his career these nice kid roles were all that his two studio masters, Paramount and Columbia, saw him in.

Director Victor Schertzinger died suddenly right after completing this film in 1941. It was not released until the following year. Note there are no references to any war per se. Schertzinger not only was a film director, but a talented composer. He may have done his best work however in this film in collaboration with lyricist Johnny Mercer. Besides the numbers here he wrote One Night of Love for Grace Moore for that same titled film which he directed and he wrote for Dorothy Lamour in The Road to Singapore, The Moon and the Willow Tree. He directed both The Road to Singapore and The Road to Zanzibar and learned early on to just let Crosby and Hope have a loose rein.

Betty Hutton got her first notice in this film with the song Arthur Murray Taught Me Dancing In A Hurry. This was her first feature film role and she was a star after The Fleet's In. She was paired with Eddie Bracken and I've no doubt that Preston Sturges saw them together and had the idea to team them again for The Miracle of Morgan's Creek.

Jimmy Dorsey had one of the best bands of the era and this may have been his best showing on the big screen. The band sang Amapola which was already big hit for them, but also they introduced Tangerine and I Remember You from this score. Tangerine was very popular in its day, a big hit for Jimmy Dorsey and his band singers Helen O'Connell and Bob Eberly. But I Remember You has had a lasting popularity down to this day. If you remember it was used as the theme song for James Caan's character in the Bette Midler film, For The Boys. I think The Fleet's In is worth watching for the Dorsey band alone.

But if you like all the other performers in it so much the better. Though The Fleet's In is not one of those films that Bill Holden would have liked to have been remembered for, still seeing him as 'Smiling Jim' is something different than most. And seeing Betty, Dotty, and Eddie in the same film is also a blessing.

"Hey there, mister, you better watch your sister, 'cause the fleet's in". That song sticks in your mind long after you have seen this little early 40's movie. It may not be to all tastes and was a vehicle for actors that would go on to bigger and better things....William Holden, Betty Huttton, Dorothy Lamour,etc. But it is fun. Some of the supporting players, although popular in their day, don't play as well now...Cass Daley and the irritating Gil Lamb. The music of Jimmy Dorsey and the singing of Bob Eberley and Helen O'Connell make it worth watching if for no other reason. Eddie Bracken is great,as usual and a lot of familiar faces show up...Dave Willock, Robert Warwick and Rod Cameron (before his cowboy roles). If you are a fan of "B" musicals that make you smile and go away humming, then this is for you.

This is a slight, inconsequential little Paramount musical that somehow manages to be whimsical & appealing.

Directed by Victor Schertzinger (his last movie), it boasts a good cast of rising stars at Paramount: Dorothy Lamour as the Countess of Swingland, a glamorous nightclub hostess who entertains sailors on leave; Betty Hutton as Lamour's impetuous roommate Bessie; William Holden as Casey the shy sailor who intends to win a bet so he can kiss the Countess; Eddie Bracken as the eccentric shipmate of Holden; and a very young and upcoming Barbara Britton.

While Lamour and Holden are the leading stars in this slightly erratic war-time entertainment, it is actually Betty Hutton's star-making show. She made her feature debut here. She literally steals almost every scene she's in, with her wacky comic acts. And her rapport with Bracken was a delight in its self.

Some scenes drag pretentiously, especially the routine comic acts performed on stage to entertain the soldiers. Still, the songs and numbers are quite enjoyable in their own whimsical sort of way, especially Hutton's delivery of "Arthur Murray Taught Me Dancing in a Hurry."

Nice Fun and worth a catch, if you like this sort of musicals.