Bambi

I was staying over at the home of my three-year old niece; after everyone had gone to bed, I found and popped this title in the VCR. I had only a rough familiarity with the plot (like everyone, I knew Bambi's mother gets killed) and was also aware that "Bambism" has been used as describing a overly sentimental love of wildlife.

Oh wow. I found that while this movie certainly has a heart for its characters, it is not at all sugarcoated about the realities of animal life. Consider the following points it makes:

1) Animals do not live in nuclear families. Bambi lives with his mother only, his presumptive father is off in the background.

2). Animals often go hungry in the winter.

3). Male animals must be prepared to fight rivals as a prelude to mating.

4). Man (here assisted by canine lackeys) is easily the most dangerous threat creatures face.

Rather than putting a Hollywood gloss on animal life, "Bambi" if anything is better than what would be made today. Remember that the same studio recently put Hercules into a doting nuclear family, the actual circumstances of the hero's birth apparently thought too scandalous for contemporary children to be exposed to (though one presumes ancient Greek children handled them well enough).

Plus when you consider that a large sector of the populace takes a "humanity couldn't possibly be at fault" attitude toward the decimation of animal populations, you know that Point 4). above would today be softpedaled if not entirely neutralized by the addition of sympathetic human characters. Look what happened with the otherwise excellent TBS production of "Animal Farm."

And the animation!! The gorgeous, pencil-drawn Impressionistic renditions of the rhythms of the woodlands makes you wonder if modern animators haven't been spoiled by computer graphics. I'm only sorry I probably won't ever see this film in a theatre, as it was meant to be seen.

As cliche as it may sound, this is a timeless film for all ages. I cannot praise it highly enough.

Walt Disney didn't make another full-length animated film until 1950, by which time his golden age had well and truly passed. Was `Bambi' a quiet, gentle farewell, then? If you haven't seen it you could be forgiven for thinking so; and the slightly over-sugared opening scenes might confirm this view. But prepare to be jolted out of your seat. The forest contains darkness as well as light. The gunshots that ring out across the silences are truly alarming (and there are many ways Disney and Hand make them more alarming: consider the scene where a flock of birds are cowering in the grass, until one decides to fly into the air and risk death rather than put up with the suspense). Also worth noting about `Bambi' is its use of psychological colour. In at least three key scenes, the colour scheme shifts wildly, not because the sun has set or anything of that kind, but in order to illustrate Bambi's psychological state. Particularly fine is the scene where he is running away from the clearing in fear and the world turns into just a few pale and dirty shades of yellow.

The greatest thing is the way Disney manages to convince us that there is nothing else in the world, outside the forest. Not once do we see a horizon. Nor do we sense one. By some standards not much happens in the forest - a few deaths, a few births, what else is new? But when the forest is the whole world they matter a good deal.

Bambi (1942) is often sneered at by contemporary film goers my age. In their minds, outside of the death of Bambi's mother, the film is a cutesy little joy ride about a happy little deer and his happy little forest friends frolicking about grassy meadows. They also find it much too slow and lacking in plot for their interests, instead switching on the film's spiritual successor The Lion King (1994), which most of my generation holds up as the greatest animated film of all time.

No offense to The Lion King, but it doesn't even come close to touching the greatness of Bambi. Outside of a few whimsical moments, this is a dark film about the cycle of death and life. It's more of a meditative piece than a traditional narrative, which will not appeal to those who absolutely require a detailed plot. The animation and backgrounds are breathtaking. Like the other early Disney features, there's strong traces of German expressionism in there (ex. the fight between Bambi and a rival deer is mostly shown in silhouette and violent colors, Bambi and Faline's dreamlike run through the meadow, etc.).

The atmosphere is not as cutesy as people recall. There is an undercurrent of dread to the whole thing, a sense of danger. As beautiful and enchanting as the forest can be, it is also dangerous. The way man is handled in the film is surprisingly mature: instead of putting the main characters against a laughable caricature, mankind's presence is unseen and feels more like a natural disaster than a living entity. In fact, Bambi might be one of the most adult films in the Disney animated canon. Ignore its saccharine reputation and give it another look.

This film is receiving a lot of bad reviews on this website. WHY? "The cover will gather dust" indeed! Not while I'm around!

Anyway, this famous and popular film is about a little fawn/calf (young red deer are called calves and he might be a red deer) called Bambi, who is learning to live in the forest with his mother and two main friends to play with, Thumper and Flower. Also, Bambi is not just any fawn/calf. He's the young prince! Will he manage to take his rightful place as great prince of the forest?

I love and have loved this film for about 90% of my life. It is a beautiful classic, has stunning animation, a good story and I love all of the characters, except for the baddie dogs at the end. They are the only baddies you see on screen - and I like that.

So if you haven't watched this classic, WHAT HAVE YOU BEEN WATCHING THEN? Watch it, you're guaranteed to love it! :) ;) :()

Bambi is a remarkable film that captures the innocence and beauty of life, its challenges as we get older and nature being disrupted and damaged by "Man." Bambi is one of the shortest feature films ever but what it lacks in length it makes up for in depth. The animation in this film is extraordinary every setting looks like oil pastels on canvas as we see the wonder of nature with its waterfalls, trees and beauty of animals and plants during the various changes in nature.

Bambi is born in Spring a time of rebirth and beauty as leaves come return, flowers bloom and the world awakens from winter's cold grip. We see Bambi struggle to walk as he always falls down and as he tries to talk which are extremely humorous and give him the characteristics of a baby. We see his friends Thumper and Flower interact and have fun w/ Bambi and their innocence also builds up their happiness and bliss as their like young kids wandering around in the beauty of spring and the forest around them which protects them from harm. The dynamic Bambi and his mother share are poignant also as we see her nurture and instruct her son on how to act, walk and be around other animals and the love they exude for each other is also a shining staple of maternal love which again gives us a genuine attachment to this story .

However, as Bambi grows his mother takes him to the meadow where we 1st observe the threat of "man." His mom warns him not to rush onto the meadow and soon we 1st hear "Man" coming as the colors in the scene suddenly shift from light to dark as the forest are suddenly being overwhelmed by fear and chaos. Man's theme is a haunting piece of music that can only be matched with its power and intensity by Bernard Herrman's extraordinary score in Psycho and Carpenter's Halloween. Both movies capture horror because we don't know who is behind the actions in the film and why they're happening. By not showing "man" the viewer is terrified cause man's identity is unknown and they kill and torture animals for no apparent reason.

As we move to Winter, the animation is gorgeous particularly the scene of Bambi and Thumper on ice. The wonder of this scene is the use of snow which is striking much like the thunderstorm sequence in how nature can be so beautiful and dangerous at the same time at different times. It's also ironic that in winter, as Bambi and his mother are out grazing at grass that man's theme comes and as his mother realizes what's going on she orders Bambi to the thicket. He makes it but as we discover she doesn't murdered by "man".

While this scene is tragic and sad, it's a bit over-hyped as the "most tragic moment in film." The fact that this was the 1st time Disney showed us a realistic moment in life when someone dies and nothing can alter this and that it occurred just as winter was ending perhaps gives this scene the tragic feel and notoriety it's gotten over the years. The fact that Bambi's mom ran behind him intentionally so to shield her son from harm is the true heartbreak of this scene : Sacrificing your own life so your child can have a future.

As Spring comes again, we see Bambi ,Thumper and Flower as adults terrified of falling into "twitterpating" or love as owl describes it. Sure enough they all do and in Bambi's case its with faline the doe he met in the meadow as a child. We soon see the spring breeze of petals and song cascade as Bambi and Faline fall in love and Spring again gives birth to something love and beauty. But as the warmth continues, Man appears again with their campfire and Bambi is warned by the prince of the forest that man is back in greater numbers. Here man's theme becomes so unnerving as the sound grows louder and louder as the animals flee into the forest and it's as though we hear the footsteps of man creeping in to kill anything in their path.

The gunshots come and once more the color scheme changes as nature is being killed and hurt by "man. The fire which may have been intentionally set by man wipes out the forest and nearly Bambi and his father who barely escape along with other animals in the forest. At the end, Spring returns and bliss and happiness return as leaves and trees are growing back, and a new generation is coming to see Faline give birth to 2 new fawns .

Bambi isn't a perfect film and its flaws are somewhat stark especially how Bambi becomes and adult full of bliss only months after his mom dies. This simply makes no sense and for me damaged my connection to these characters and kills the film, until it picks up when man returns to the woods. Also the scene where Bambi and the other deer fight over Faline while dramatic, is odd because we have no background to who he is(Bambi 2 explains this.) Also after her death, Bambi's mom is never mentioned again which is odd cause Bambi seems to have no issues dealing with her demise. It's a shame cause up to the death of his mom, Bambi is a perfect film and these flaws make this a very good, but not GREAT film.

However, this is a shockingly simple moving and poignant film of human innocence, growing up, sacrifice and the horror of people who'll murder and destroy nature and humanity out of greed or sport. If someone ever asked me to see a film that captured the fear of how "man" is corrupting the world around us, Bambi would be my unanimous choice.